What does a girl mean when she tells me that headwinds are easily destroyed?

"If the headwind is like a solution, it is easy to destroy it." The correct original sentence is "the north wind, like a solution, is easy to be destroyed." Plum Blossoms by Cui Daorong in Tang Dynasty.

If the north wind can understand plum blossom's mind, please don't destroy her again. Plum blossom in lonely and cold, tenacious, proudly independent, chic north wind, please slow down and take good care of her! Do you have the heart to destroy her again in this cold?

Chinese plum

Cui Daorong in Tang Dynasty

At first, there was snow in the calyx, so it was difficult to draw a picture alone.

There is rhyme in the fragrance, which is extremely cold.

Listen to the flute and worry, and lean on the disease.

If the wind blows, it is easy to destroy.

Extended data:

The first four sentences of this poem describe several sea flowers that bloom as white as snow. Although it has a unique charm, it can't be vividly expressed in the painting. She is elegant and noble, not afraid of the cold box, and the faint aroma contains clank charm.

The last four sentences focus on lyric. The flute is the most likely to cause people's worries. The ancients said that people who worry about the sky don't like to hear it, so they come to the pillow. Moreover, there is a plum blossom falling tune in the flute, which is easy to cause people to worry about flowers in this horizontal jade sound. The poet is sick and lonely. In the scene of Leng Xiang mixed with flute, the poet was vaguely moved. If the north wind understands my pity, don't destroy it easily. Let her spend more time. "Easy" is easy to say here.

The "north wind" is the north wind. Ruan Ji has a poem saying: "The north wind is cold and slightly frosty."

Xue Mei's entrustment to the north wind is that the poet loves flowers and borrows them for fear of repaying them. Perhaps the poet looks at plum blossoms in spite of illness, and the flute is more likely to touch the heartstrings of people who love flowers. The fear of falling at the beginning of the cold plum blossom should imply the poet's sigh for life.

Representative poems

Pastoral verticality

cui daorong

The shepherd boy dressed up deliberately in a raincoat and a straw hat. When grazing, lying on the back of cattle playing piccolo, Niu Geng blowing his head by the river.

Note: Pastoral refers to shepherd boy.

Living in a stream is the best.

Whoever doesn't tie the boat outside the fence, the spring breeze will blow into the fishing bay. The child suspected villagers, but was anxious to go to Chai Men.

Attention: off: open the door.

Tianshang

The rain was high and white, and ploughing was done in the middle of the night. People and cattle are exhausted, and the East is extremely unclear.

Chinese plum

At first, there was snow in the calyx, so it was difficult to draw a picture alone. There is rhyme in the fragrance, which is extremely cold.

Come to listen to the flute sorrow, but lean on the disease. If the wind blows, it is easy to destroy.

Note: The north wind means the north wind, and there is no usage of "headwind", which was misled by Wu, the author of The Queen of the Palace. Please don't distort it. Specifically, you can see the entire Tang poetry library.

chicken (as food)

If you buy a chicken in the morning, you don't have to wait to sing; It's dark in the mountains, windy at night and crying at dawn.

Note: The poem "The moon is dark and the wind is high" somewhat implies the social situation at that time.

Poetry appreciation

Xishitan

Treacherous court official Wu Wang destroyed Wu, but the notoriety was on stone. Back in those days, that Hu Shui rolled and sounded like a beautiful woman.

Wuyue's annexation war lasted for a long time in history. After 496 BC, King Jiguang of Wu and King Gou Jian of Yue fought in Tori (now southwest of Jiaxing, Zhejiang Province), suffered a crushing defeat and died of serious injuries.

After his son Fu Cha succeeded to the throne, he made a name for himself and vowed to avenge his father. Finally, he defeated the soldiers and made Xu Yue a vassal state. Ignoring Wu Zixu's advice, she dug a trench and attacked Qi from the sea, which was better than Aileen (now northeast of Laiwu, Shandong); It was also in Huangchi (now southwest of Fengqiu, Henan Province) that the princes were ambushed by Yue when they formed an alliance with Jin.

He was forced to return to Lee to make peace with Vietnam. In the following ten years, Gou Jian, the King of Yue, attacked Wu and besieged Suzhou (now Suzhou, Jiangsu). He committed suicide, and Wu died.

The poem "Xishitan" blames Fu Cha, the bad king, for the downfall of the State of Wu, instead of the culprit, which shows the historical limitations of the author.

Rain on the stream

Two Rain Poems on the Stream (Part Two)

Sit and watch the dark clouds and heavy rain, and spray mountains in front of you. Suddenly, there were dark clouds overhead and it was stormy, but it was the night before the mountain came out.

Scenery in Tang poetry is usually inseparable from lyricism, mostly for lyricism. Even if it is purely landscape painting, it also permeates the author's subjective feelings, and landscape painting is a reflection and refraction of his mood; Or borrow a match, don't have a sustenance.

This landscape poem is different from ordinary Tang poetry. It's about the rainstorm in summer, and you can't find any meaning from it, nor can it be regarded as a portrayal of the author's mood. Because he really wrote rain for the sake of writing rain. It is one of the many inventions in the Song Dynasty to discover a strange emotion from the observation and pondering of a natural phenomenon, and Yang Chengzhai (Wanli) in the Southern Song Dynasty is the best at it.

And this song "Rain on the Stream" is actually a "Chengzhai Festival" two or three hundred years earlier than Chengzhai Festival.

As far as the artistic technique of poetry is concerned, it does not conform to the usual implicit expression technique of Tang poetry, and there is no concise and clear brushwork of writing scenes with reality and reality. His style of writing can be summarized in eight words: bad looks and quick hearts. (This poem is included in the textbook of the first semester of grade five in primary school.)

Living in a stream is a fact.

Whoever doesn't tie the boat outside the fence, the spring breeze will blow into the fishing bay. The child suspected villagers, but was anxious to go to Chai Men.

This poem is written about what you see in front of you, and it comes naturally. Although writing is trivial in daily life, it can give people a good impression.

It is not surprising that where there are rivers, boats are necessary tools for production and life. But the phrase "who doesn't tie the boat outside the fence" is not common at ordinary times. It seems that the author inadvertently noticed this little thing in life and began with this sentence. "Whose home" just doesn't know which one.

Because of "not tying the boat", the boat was blown into "Fishing Bay". The word "spring breeze" not only points out the season, but also tells the motivation of the ship. When the spring tide rises and the stream overflows, the boat will drift into the fishing bay from far and near with the wind.

It may be unintentional not to tie the boat, which is very common in rural areas in spring, but after two strokes of the author's sketch, the quiet and peaceful scene of Xiju was put into the picture, and then the whole picture came alive with the spring breeze, full of vitality and poetry.

In the spring in the countryside, people work in the fields and the village is very quiet. There are few idle people except children playing in front of and behind the house. A child was having fun when he suddenly found a boat sailing into the bay. He thought it was a guest, so he ran back, untied Chai Men in a hurry, and opened the Chai Men to welcome the guests.

The author vividly describes the psychological state of children's curiosity, excitement, carelessness and anxiety with the words "doubt" and "urgency". The poet captured a very emotional small lens at this moment and successfully captured the image of a warm, simple, naive and lovely rural child.

This poem is purely sketchy, unpretentious, unadorned, simple and natural, simple and wild. It can be said that it has washed away the lead and gained natural interest, so it has a rich poetic flavor and a long artistic conception.

The poet showed us an elegant landscape of a water town: a village near the water, a hidden Chai Men, sparse fences, sparkling streams, floating boats and running children; Everything is harmonious and poetic, which makes people feel the quiet and beautiful scenery of the water town and the rich pastoral life.

Catalogue of works

Meet an old friend on the river, Ban Jieyu. Sad Li picked up two songs, two songs about illness, two songs about Chang 'an Spring Festival, resentment, spring boudoir, two songs about villa in spring, Spring Festival Evening, villa in the village, fishing, reading micro-collections, seeing friends off dates and plums, visiting monks without seeing each other, ancient trees, going to see the sunset, returning to Yan, crossing the middle of the dragon, crossing the farmhouse and being cold. Jiegu, hibiscus,

The snow in Jinghu Lake has affected Fang Gan, sober up, sentences, travel, driving back to Dong, Ma Wei, Mei, Mei Hua, Mu Xu, four pieces of midnight Yuefu, Qiu Ji, Qiu, Master Guangli's visit to the mountain house, General Li's biography, Tiantai Chen Yiren and so on.

References:

Plum Blossoms (Poems by Cui Daorong)-Baidu Encyclopedia