Painting Grass is an ancient poem.

Flowers in the next pot of wine, no friends, drink alone.

Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.

The moon doesn't know how to drink, but the shadow in front of it is behind.

I have to mingle with them and enjoy the happiness of spring.

The song I sing is bright and wandering, and I dance the shadow before wandering.

Wake up and be happy together, and disperse after drunkenness.

I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way.

Appreciate:

Li Bai abandoned talent, his political ideal could not be realized, and his mood was lonely and depressed. But in the face of the dark reality, he did not sink, did not drift, but pursued freedom and yearned for the light, so he praised the sun and the moon in his poems. The sun is a bright and gorgeous image in nature, and the bright moon is a symbol of clarity and purity. Especially the bright moon, fresh, bright, quiet and gentle, so the poet is very close to it. In this poem, the poet further introduced Mingyue as a confidant and expressed his feelings for Mingyue. Poetic, straightforward, express lonely thoughts and feelings. This kind of loneliness can't be driven away, so the poet used strange imagination and vivid description to treat the bright moon as a bosom friend and invited him to drink. At the same time, I also regard myself as a sentient being of the same kind and invite him to act. There is a bright moon on the surface, and the figure follows. It seems that he is not a lone ranger, but the moon can't be drunk, and the shadow is with him, which highlights the poet's loneliness. As Sun Zhu said, "The title is a lone ranger, and the poem is biased towards three people. The moon shadow companion said that repeated exploration has become more and more unique. " ("300 Tang Poems" Volume 1) Because the world knows very little about each other, the poet has to accompany the bright moon and figure, sing to the moon and dance to the shadow to dispel his inner anguish. On the other hand, we should make friends with the eternal bright moon and shadow, and meet and travel in the distant blue sky in the future. This shows the poet's strong dissatisfaction with the dirty reality and his yearning for freedom and light in loneliness. This five-character ancient poem, with novel conception, wonderful imagination and profound emotion, is a unique masterpiece in Li Bai's lyric poems.

Midnight Wu Ge

There is moonlight in Chang 'an, and all the families in Yi Dao are there.

The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border.

When will the border war be settled and when will my husband end his expedition?

Appreciate:

Li Bai, an outstanding romantic poet, paid great attention to the reference of folk songs in the Han, Wei and Six Dynasties in his creative practice, from which he gained rich nutrition and enriched and developed his own creation. The poem Midnight Wu Ge is an example of a poet learning from folk songs and creating something. Midnight Wu Ge is a famous love song in the South during the Six Dynasties. It is a poem about a girl's passionate and profound memory of her lover's thoughts and feelings, which is very sincere and touching. Li Bai mastered this lyrical feature and successfully described the melancholy that is hard to get rid of when thinking about women in the boudoir. The two sentences "Chang 'an" describe the scenery and create an environmental atmosphere for lyricism. The bright moonlight shines on Chang 'an, and a silvery white world appears. At this time, with the rustling autumn wind, there was the sound of smashing clothes. Playing clothes contains the sincere affection of thinking of women and recruiting people. Autumn Wind is a positive lyric. The homesick woman's endless affection for the autumn wind will not only blow away, but also remind her of her distant husband, which will only increase her sadness. "Endless" is not only an autumn wind, but also a long and lasting emotion. This constant emotion always flies far away, so persistent, so infatuated. The last two sentences express the poet's sympathy for working women by directly expressing his wishes, hoping that her husband will settle in the frontier as soon as possible, return to China to reunite with his relatives and live a peaceful and stable life. This Yuefu poem with a strong folk song flavor is simple and natural, beautiful and euphemistic, and really touching.

Break up in a hotel in Nanjing

A gust of wind blew and the catkins were fragrant. Wu Ji pressed the wine and advised the guests to taste it.

Comrades in my city came to see me off. When each of them drank his glass, I said to him when leaving.

Oh, ask this river flowing eastward, whether it can go further than the love of friends! ?

Appreciate:

In History of Pei Chang in Shang 'an Prefecture, Li Bai once said that he traveled to Yangzhou in his early years. In less than a year, he "scattered more than 300 thousand, and his son was down and out, and learned from it." It can be seen that Li Bai is a poet who values wealth and has extensive friends. This time, when he was about to leave Jinling for Yangzhou, his friends gave him a farewell dinner. Li Bai wrote this poem as a parting memorial. These "Jinling children" who came to see me off were just young friends. Although they are congenial to each other, they may not agree on political ideals, so this poem is difficult to write. There are too many function words, which have no actual content and can only be superficial and vague. However, when friends get along, once they are separated, they will always be nostalgic. It is appropriate to write like this now, which sincerely expresses the poet's treasure of friendship. The first two sentences of this poem are very cheerful, bold, vivid and artistic. In late spring and March, Yang Huafei danced at Jinling Hotel and Wu Ji advised her to taste it. Here and now, this situation, whether "I want to do it" or "I can't do it", is exciting and pleasant. So the next two sentences, in the narrative language, always write a warm farewell scene concisely and clearly. This is in line with the personality characteristics of young people, but also reflects the good feelings between friends. So the last two sentences, in the form of questions, expressed the depth of this parting very aptly and naturally with the scenery in front of us: Excuse me, friends, who is shorter and who is longer than the surging river flowing eastward? This knot is not only vivid and ingenious, but also sincere and leisurely. The language of the whole poem is fresh and smooth, and the folk customs are simple, which is a famous sentence in Li Bai's poems. Xie Zhen said, "Taibai's poem Farewell to Jinling says,' Oh, go and ask this river flowing eastward, whether it can go further than the love of friends! The beauty lies in the conclusion. "("Four Kinds of Poetry ")

Hard road

The cost of pure wine, a gold cup, a hip flask of 10 thousand copper, a jade plate of delicious food needs 1 million coins.

I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain.

I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow.

I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun.

Travel is hard. Travel is hard. Don't go astray! Where to go today.

One day, I will ride the wind and waves, raise the Yun Fan and cross the sea.

Appreciate:

It's hard to go * * * was written by Li Bai when he left Chang 'an in the third year (744). This is the first one. In this poem, Li Bai is both sad and angry, deeply lamenting the hardships of the world, thus expressing his long-standing pain and sorrow. Poets who have always been addicted to alcohol can't drink this bottle of "Golden Zun Sake" and can't swallow it. They drew their swords and looked around, puzzled. Although the ambition is still there, ah, if you want to cross the Yellow River, ice has blocked Sichuan; Can climb Taihang Mountain, snow closes the mountain. The road of life is so insurmountable. Although the road is so rugged, the poet is not discouraged. I still hope that one day in the future, like Jiang Shang met King Wen and Yi Yin met Shang Tang, I will make a magnificent career. But, "it's hard to walk, it's hard to walk, there are many roads. Where is Ann now?" This is a cry of how to tear people's hearts. It profoundly reveals how an aspiring poet can't stop in that feudal era of political darkness, and the road ahead is boundless. The last two sentences, although heroic, write a vision of a beautiful ideal, but this is only a slim hope after all. The profound contradiction between reality and ideal constitutes the tone of this poem, which leads the poet to rise and fall rapidly in the turbulent emotional torrent, giving off a huge roar, forming a magnificent and exciting. This poem is high in language, but natural and clear, with high syllables, but melodious. In a short space, many colorful words have been used, which have become vivid and prominent images, such as "Golden Bottle", "Jade Plate", "Glacier", "Snow Mountain", "Bixi", "Red Sun", "Yun Fan" and "Sea", which set off the poet's feelings more strongly. Elegy is generous, rushing out of unrestrained pride in depression, which is the characteristic and touching power of romantic art in Li Bai's poems.

Sigh on the jade steps

Dew fell on the steps of jade, and the night was long. Dew wet the stone.

But what about looking at the water curtain of autumn moon light through crystal glass? .

Appreciate:

This is a poem about the injustice of a servant girl. In feudal society, the emperor "had three thousand harems". How many innocent girls should have been claustrophobic in the deep palace for many years and suffered unbearable torture and destruction. In this poem, Li Bai reflects their unfortunate life from one side and expresses deep sympathy. The first two sentences of the poem say that the maid-in-waiting stood in front of the steps for a long time, so that the night dew soaked her stockings, which was cold and cold, and woke her up. A word "invasion" vividly sets off an forgetful image of a maid-in-waiting. What is the maid-in-waiting meditating on in this silent night? A lonely girl, what should she meditate and what can she meditate? Infinite sadness, frustration and pain are vividly expressed through the images depicted in these ten words. When she realized that the night dew had invaded her muscles and turned back to her room, the room was also cold and cold. "But the water curtain, through its crystal glass looking at the glory of the moon? "Putting down the curtains is to keep out the cold, but through the sparse curtains, the bright autumn moon is shining again, which should add more sadness. She sat there staring at the lonely moon with her and stayed up all night. There is not a word of resentment in front of it, but a detailed description of the image itself expresses the deep resentment of the ladies-in-waiting, which is the artistic feature of this poem.

Three qingpingdiao songs

Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.

If Yushan didn't see her, it would be Yaochi meeting under the moon.

A red incense hurts when it rains.

Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup.

The beauty of beauty and red peony complement each other, and beauty and long flowers are king.

Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.

Appreciate:

The three poems "Qing Ping Diao Ci" were written by Li Bai Tianbao when he entered Chang 'an to worship the Hanlin in his early years. After Li Bai arrived in Chang 'an, he was warmly received by Xuanzong. Xuanzong once personally "greeted it by decree, and if he saw it, he would eat the Qibao bed and eat the imperial spoon" (Preface to Li Caotang Collection). Putting Li Bai in the Imperial Academy, giving him a pony, giving a banquet in the palace, and Xuanzong's parade all made Li Bai accompany him, which really rose to the top. Li Bai was also satisfied with the courtesy of Emperor Xuanzong of the Tang Dynasty and his life at that time, so he wrote some poems with poor ideological content to praise court life. These three "Qing Ping Diao Ci" were written by Xuanzong and Yang Guifei in front of Chenxiang Temple in Xingqing Palace, and Li Bai was ordered to write them. The first song is to praise the beauty of Yang Guifei. There are two metaphors at the beginning of the sentence, one is better than Yang Guifei's dress and the other is better than her appearance. Draw the image of Yang Guifei through two appropriate metaphors. The second sentence further uses peony flowers to present more vivid colors to describe Yang Guifei's gorgeous and radiant. The third sentence turns to praise the beauty of Yang Guifei, which can only be seen in the "Yushan" where immortals live. The conclusion further shows that Yang Guifei, like a fairy in Yaotai, should only meet in Yaotai in the bright moonlight. The whole poem attempts to describe and praise the beauty of Yang Guifei with appropriate metaphors and wonderful imagination. The second song is about Yang Guifei, who is favored by her beauty. In the first sentence, Yang Guifei is compared to a peony flower with fragrant dew, which actually includes peony flowers, just as Yang Guifei was loved by Xuanzong. The second sentence sets off Xuanzong's deep affection for Yang Guifei with the dream of meeting the king of Chu and the goddess of Wushan. The goddess of Wushan and the king of Chu are just having a dream party, but in reality, Yang Guifei is "a collection of 3 thousand pets in one." In the last two sentences, Zhao was favored by Emperor Han Chengdi and compared with Yang Guifei, praising Yang Guifei far more than Zhao. This gradual progress not only praised Yang Guifei, but also highlighted her favor. The third song tells of Xuanzong's great love for Yang Guifei. The first sentence says that Xuanzong and Yang Guifei admire peonies, but the poet highlights Xuanzong's love for famous flowers and Yang Guifei, who has the beauty of "dumping the country", and also includes that only "famous flowers" can deserve Yang Guifei, and only Yang Guifei with the color of "dumping the country" can deserve Xuanzong's love. The second sentence clearly points out Tang Xuanzong's joy and comfort in the face of "famous flowers" and "falling in love with the country". The third sentence only describes famous flowers and beautiful women, which can eliminate Tang Xuanzong's spring sorrow and hatred. Write a sentence to describe the place where you appreciate peony and the expression of Xuanzong leaning on peony in Tang Dynasty. These three poems repeatedly praised Yang Guifei's beauty and the court life of Emperor Xuanzong of Tang Dynasty. Although it is elegantly written, it actually shows the vulgar aspects of Li Bai as a courtier in this period.

Climb Mount Tianmu in my dream.

A sailing tourist will talk about Japan, which is hidden in water and fog and inaccessible.

However, when the Vietnamese talk about Tianmu Mountain, they can still see it through clouds of different depths.

On a straight line leading to heaven, its peak enters heaven, topped with five sacred peaks, and casts a shadow across China.

The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast.

My heart and my dream are in Wu Heyue, flying over Jinghu Moon overnight.

The moon lit up my shadow and I came to Yanhe.

Xie Caotang is still there, the clear water is rippling, and the apes are singing. I put on Xie's first spiked shoes and climbed the blue ladder.

Halfway through the sunny ocean, the sacred rooster crows in space.

Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended.

Bears, dragons, storms on mountains and rivers? The deep forest shook the top floor.

Clouds are darkened by rain, and streams are pale by fog.

God of thunder and lightning, the mountains are crumbling.

The stone gate is broken and ventilated in the deep pit of heaven.

An impenetrable shadow, but now the sun and the moon illuminate a golden and silver terrace.

Wearing rainbow clothes and riding the wind, all the queens of the clouds came and came down one by one.

With the tiger as the harp and the phoenix as the dancer, the images of fairies are arranged in rows.

I moved, my soul flew and suddenly began to grow.

My pillow and mat are the lost clouds in which I once lived.

This is the consistent way of human happiness, and all kinds of things will always flow to the east like water.

So I'm leaving you. I don't know how long it will take. But let me raise a white deer on my green hillside and ride to you when I need you, Dashan.

Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face!

Make an appreciative comment

This is a dream poem as well as a fairy poem. The magnificent artistic conception, unpredictable, colorful artistic images and novel expression techniques have always been told by people and are regarded as one of Li Bai's masterpieces.

The title of this poem, Sleepwalking in Tianmu Mountain, was written after Hanlin. In the third year of Tianbao, Li Bai was given gold by Emperor Xuanzong of the Tang Dynasty, which was a major political failure of Li Bai. After leaving Chang 'an, he made friends with Du Fu, Gao, Liang, Song, Qi, Lu and Dong Lu. At this time, Donglu's home is quite big, so you can enjoy killing time at home. But Li Bai didn't do it. He has an unstable soul, and he has a higher and further pursuit, so he left his home at the east foot and embarked on a wandering journey again. This poem was written when he bid farewell to Duke Lu Dong. Although it has been many years since I left the Imperial Academy, my anger and resentment against political setbacks are still smoldering, so at the end of the poem, I made such a radical voice.

Li Bai walked between mountains and rivers all his life, loved mountains and rivers and realized his dreams. The sleepwalking described in this poem may not be completely illusory, but whether it is illusory or not, sleepwalking is more suitable for being divorced from reality and more convenient for exerting his imagination and exaggerated talent.

"A sailing tourist will talk about Japan, and water and fog are hidden outside the method; However, the more people talk about Tianmu Mountain, the deeper the clouds are. " At the beginning of the poem, Yingzhou, an overseas wonderland in ancient legend, is illusory and cannot be found; In reality, Tianmu Mountain is hidden in clouds and neon lights, which is really better than fairyland. Virtual reality highlights the scenery of Tianmu Mountain and implies the poet's yearning for Tianmu Mountain. The writing style is full of magic and fascinating.

Tianmu Mountain is near Tunxi. According to legend, climbers have heard the song of the immortal Tianmu Mountain, hence the name. Tianmu Mountain is opposite to Tiantai Mountain, with steep peaks. Looking up at it is like looking up at the sky and falling into a fairyland, which is easy to arouse tourists' reverie. The landscape of eastern Zhejiang is the place that Li Bai yearned for when he was young. When he first came out of Sichuan, he said, "This trip is not a bass, but a famous mountain." Before entering Hanlin, he traveled more than once. He not only likes the scenery here very much, but also is very familiar with it.

Tianmu Mountain, known as the miracle, is a beautiful land in eastern Vietnam. However, compared with the five famous mountains in China-Wuyue, its position in people's minds is still dwarfed. However, in his poems, Li Bai boasted that he was "climbing to the top of the Five Mountains and penetrating China", which was even more tall and straight than the Five Mountains. The famous Tiantai Mountain leans as if it fell at the foot of Tianmu Mountain. This Tianmu Mountain is about standing out from the crowd and soaring into the sky, which is unusual. This dream of Tianmu Mountain should be said to be the illusion of strange mountains and strange mountains that Li Bai experienced all his life. It is the exaggerated shadow of Tianmu Mountain in the reality described by Li Bai.

Then it shows a magnificent and changeable wonder: Tianmu Mountain is hidden in clouds and neon, which arouses the poet's desire for exploration. The poet entered a dream, as if he had flown over a mirror-like lake under the bright light of a moonlit night. Mingyue reflected his shadow on Jinghu Lake and sent him to land where Xie Lingyun once stayed. He put on Xie Lingyun's special clogs and climbed the stone road that Xie Gong had climbed in those years-the Qingqu ladder. "Halfway through the sunny ocean, the sacred rooster crows in space. Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended. Bears, dragons and storms on mountains and rivers disturb forests and shake mountains. Clouds are dark because of rain, and streams are light because of fog. " Following the flight, I wrote down what I saw in the mountains, the stone path circled, the light in the deep mountains was dim, I saw the sea and the rising sun, and I saw the cock crow. This is a dawn; But in the charming mountain flowers, leaning against the stone for a moment, I suddenly feel that dusk is coming and how sudden the change is. In the twilight, bears roared and sang, shook in the valleys, the deep forest trembled, and the roof started up. Not only the living bears and dragons express their feelings with songs and roars, but also the roofs and deep forests will tremble and call the police. Smoke, water and Qingyun are full of gloom, and they are integrated with the poet's feelings to form a unified atmosphere. The front is a romantic description of Tianmu Mountain, which is both high and strange; Here is a romantic lyric, both deep and far. This strange realm is shocking enough, but the poet did not stop there, but the realm of poetry changed from strange to absurd, and the whole poem entered a climax. In the deep and frightening twilight, in an instant, "the hills collapsed", a fairy world "vented in the sinkhole" and "an impenetrable shadow, but now the sun and the moon reflect a gold and silver platform. Wearing rainbow clothes and riding the wind, the queen of all clouds came and fell one after another. " The cave is blessed with land, appearing here. "Cloud King" is wearing a rainbow, driving a long wind as a horse, a tiger as a drum, and a phoenix as a car. It's all a grand gathering of poets ordering people to go to Xianshan. What a grand and warm scene this is. "Row after row, like hemp, lined with fairy figures"! The immortals seem to line up to welcome the poet. The golden platform, the silver platform and the sun and the moon complement each other. The scenery is magnificent and colorful. How shocking and dazzling! The grand occasion of fairy mountain is a reflection of human life. In addition to the impression of Qianshan, the ancient legend, the inspiration and influence of Qu Yuan's poems, and the traces of three years' court life in Chang 'an, these are all condensed together through the extraordinary imagination of romanticism, which leads to such a wonderful description.

It is worth noting that this poem written in fairyland is different from ordinary fairy poems. It has deep feelings and fierce protests. It does not really rely on illusion, but still focuses on reality in the illusory description of the celestial world. I am wandering in the fairyland in the sky, but I feel that "this is the consistent way of human happiness".

Wonderland suddenly disappeared, the dream was shattered, and the poet finally returned to reality in shock. After the dream is shattered, people don't fly lightly in the dream as they please, but lie heavily on the pillow. "Thousands of waters flow eastward in Qian Shan" contains the poet's helplessness and deep feelings about life. At this moment, the poet is most gratified by "but let me raise a white deer on my green slope and ride to you when I need you, Dashan". The pleasure of traveling in the mountains and water is the fastest meaning, that is, in the Preface to the Spring Banquet in the Peach Blossom Garden, it is said: "The ancients walked by candlelight at night, good." Originally, poetry seems to have been exhausted, but in the end, I added two sentences angrily: "Oh, how can I seriously bow and scrape to those high-ranking officials who will never be shown an honest face!" I spit out the depression of Chang 'an for three years. The pen falling from the sky lit up the theme of the whole poem: yearning for famous mountains and fairyland, from the struggle against powerful people, and singing the voices of many talented people in feudal society. In the hierarchical feudal society, how many people bow to the powerful and how many people are buried in obscurity! Compared with other dynasties, the Tang Dynasty was more open-minded and attached more importance to talents, but only in comparison. At that time, talents still could not get rid of the humiliating position of "the footman was in the gas chamber". The word "bend over" came from Tao Yuanming in the Eastern Jin Dynasty. Because he didn't want to be humiliated, he gave it the meaning of "going home". Although Li Bai was loved by the emperor, he was only a ci minister. We can get some news about his humiliation in court from these two poems. The feudal monarch claimed to be the "son of heaven" and ruled the world, raising himself to the supreme position, but denied the dignity of all people. Li Bai's resolute attitude here is a glance of contempt for feudal rulers. In feudal society, not many people dare to think and say so. Li Bai said and did, and this is his extraordinary greatness.

The content of this poem is rich and tortuous, fantastic and changeable, and the images are colorful, which constitutes the romantic artistic conception of the whole poem. Its subjective intention was originally to publicize the negative thought that "thousands of waters flow eastward in Qian Shan", but its style is high-spirited and vigorous, with an indomitable spirit running through it, without any feeling of depression.

Because of the difference in rhyme and thinking process, this poem should not be divided into sections according to rhyme. Now we are divided into three paragraphs according to the ideological procedure: the first paragraph is the beginning of four rhymes and ten sentences, which is the introduction of the whole poem. In the second paragraph, there are five rhymes and twenty-eight sentences, from "The Moon shines in my shadow" to "It's my lost cloud there". This is the main body of the whole poem, describing the whole dream until it wakes up. The following is the third paragraph, with two rhyming sentences and seven sentences, describing the feelings after sleepwalking and summarizing this dream as a farewell to friends at the east foot. In several poems, Li Bai yearned for Penglai fairyland and hoped to be refined into an elixir. After swallowing it, he floated into immortality, rode a deer across the crane and wandered outside the world. However, in this poem, the existence of Yingzhou Xiandao was denied from the beginning. He said: when sailors talk about Yingzhou Fairy Island, they all say it is in the hazy smoke, which is really hard to find. But when Vietnamese talk about Tianmu Mountain, it is possible to see it even if it is looming in the clouds and neon lights. These four sentences are the introduction of the whole poem, indicating the initial motivation of writing this poem. Yingzhou only serves as a foil, but inadvertently reveals the author's true understanding of alchemy and cultivation of immortals. The word "faith is hard to find" is used firmly, which fundamentally denies the existence of overseas fairy mountains, thus denying the possibility of seeking immortality. However, all Li Bai's poems about immortals are not from his own heart. Together with all the other poems about drinking and women, it is his coat of romanticism. Du Fu missed Li Bai's poems and said, "It's sad to be crazy and not see Li Shengjiu. The world wants to kill, I only sympathize. " Has told us what happened to Li Bai at that time. He is a "pretender", pretending to be crazy and selling stupidity. His disguised behavior, in Du Fu's view, is very pitiful. Because Du Fu knew that he had to do this, it was more obvious to say that "everyone wanted to kill people", which was not an exaggeration. It is conceivable that many people hated or envied Li Bai at that time, or that Li Bai offended many people. Li Bai's friend Du Fu admired Li Bai's genius even though he didn't quite agree with his behavior, so he said, "I just sympathize." Three rhymes and four sentences summarize the sublimity of Tianmu Mountain said by the Yue people. It is higher than the Five Mountains and covers Chicheng. Chicheng is another name for Tiantai Mountain. Tiantai Mountain is already very high, facing Tianmu Mountain, but it seems to dump to the southeast. Forty-eight thousand feet, although it is an artistic exaggeration, Mount Everest is only more than 8,840 meters high, because I want to see it after listening to the propaganda of the Yue people. Who knows that night, I flew over Jinghu (now Shaoxing) in my dream, and then traveled southeast to reach Tianmu Mountain. In this sentence, "wuyue" uses a compound word, mainly "Meng Yue". In order to make up a seven-character poem, the word "Wu" was added.

The second paragraph, the main body of the whole poem, describes what you saw and heard when you were sleepwalking in Tianmu Mountain. The language is bizarre and obviously inherits the artistic tradition of Chu Ci. The author told us that he flew over Jinghu Lake, arrived in Tongxi (now Shengxian County) and saw the place where Xie Lingyun, a great poet in the Southern Dynasties, once lived. There are ripples in the lake and apes crying in the mountains. Taking Xie Lingyun as an example, he climbed the mountain with special clogs under his feet and was fascinated. From then on, I walked all the way to Tianmu Mountain. Walking on the half peak, you can see the sunrise at sea and hear the pheasant crow. After many rugged mountain roads, it was suddenly dusk when I got lost. At this time, I heard the sound of the waterfall roaring and singing like a bear, and I saw rain clouds and smoke water. The night view in this deep mountain canyon, not to mention the thrill of tourists, is the forest and peaks, and I feel chilling. At this time, suddenly met a miracle, the stone door on the cliff opened. There is a world in which there are a group of people. When he saw many "Cloud Kings" and "Immortals" driven by couples and played by tigers and leopards, he was startled and suddenly woke up, and all he saw was his pillow. And the scenery of Yunshan that I just saw has all disappeared.

"Cloud King" is a god, and "Immortal" is a fairy. Together, they are immortal. Li Bai likes to seek immortality through monasticism. Why did he meet so many immortals, instead of being happy, he became frightened? This panic caused a great blow to his amusement, and caused deep feelings and even sighs after waking up. Then the third paragraph.

As far as the whole poem is concerned, the third paragraph is the real subject, because the author puts the theme in this paragraph. But in the seven sentences in the third paragraph, we can find two concepts. One is "this is the consistent way of human happiness, and all kinds of things will always flow to the East like water". It means: all the happy things in the world, like a beautiful dream, are suddenly lost like water. This is a negative world outlook and a nihilistic attitude towards life. Another concept is "Oh, how can I bow and scrape to those who have high status and high positions?"? They will never be seen as an honest face. " This is a poet's unyielding oath in front of powerful people. After he fled the society that favors others, he showed a positive world outlook and a spirit of resistance. These two ideas are obviously different, even contradictory, but the author writes them together. This leads to a question: What is the author's theme? Of course, no reader only sees one idea of the author and ignores another. However, if there are slightly different views between the two, or between cause and effect, we may get different experiences from this poem. Tang Ruxun, the author of The Interpretation of Tang Poems, emphasized the former thought. He said: it is illusory to talk about it and sleepwalk to see the world. ..... So the soul moved and started up, but sighed, "Is there still the usual haze between the pillows?" It is a dream to know the fun on earth. Everything in ancient times, is there a person? It's like running water that never comes back. I'm leaving today, and I don't know when I can return it. Let's put the white deer in the mountains and take it back to visit famous mountains, so that we can bow down to the dignitaries and spare my heart. This statement means that the author, based on his negative world outlook, disdains the dignitaries of A Fei, because it is also an illusory thing. The words "people's happiness is always like this" and "this" in the poem should be understood as the emptiness of dreams expressed in the above two sentences.

Li Bai-Visit to Ancient Vietnam

Gou Jian, the king of Yue, broke Wu Gui, and the soldiers went home.

Maid-in-waiting is like a flower in Man Chun Hall, but only partridges are flying today.

Appreciate:

This is a nostalgic work, that is, the poet visited Yue Zhong (Tang Yuefu, now Shaoxing, Zhejiang) and wrote it down because of the famous events in its ancient history. During the Spring and Autumn Period, wuyue and China competed for southern hegemony and became feuds. Gou Jian, King of Yue, was defeated by Fu Cha, King of Wu in 494 BC, and returned to China, where he avenged himself. In 473 BC, he destroyed the State of Wu. This is the content of this poem.

Poetry is not a historical novel, and quatrains are also different from long poems, so poets can only choose the part of this historical event that they feel most deeply to write. He chose not a fragment in the long process of this struggle, but two scenes after the defeat of Wu State and the return of the King of Yue. The first sentence pointed out the meaning of the problem and explained the specific content of the historic site. Write two or three sentences about soldiers returning home and Gou Jian returning to the palace. Destroy the enemy, avenge the shame, and all the soldiers are happy; Now that the war is over, everyone has been rewarded. They are not wearing real armor, but jinyi. Only the word "Jinyi" can make the King of Yue and his soldiers come back proudly, full of the joy and pride of the winner. After the King of Yue returned to China, he was ambitious, not only boasting, but also enjoying it. As a result, beautiful women filled the palace, surrounded him and waited on him. The word "spring" in "Spring Temple" should be "flower-like" to describe beautiful times and scenes, not necessarily spring. Only by writing this point can we fully express the past of the King of Yue who worked so hard to make a living. The city is full of golden warriors, and the palace is full of maids. This is so prosperous, beautiful, lively and happy, but the sentence suddenly turns and everything written on it is erased. What is the victory, power, wealth and splendor that once existed in the past? All people can see is a few partridges flying around the old site of the city. This sentence describes the change of personnel, the impermanence of ups and downs, which is amazing. Rulers of all ages hoped that their wealth and splendor would be the inheritance of future generations, but the poem truthfully pointed out the disillusionment of this hope, which is its positive significance.

Through specific scenery, the poem contrasts the prosperity of the past with the desolation of today, which makes readers feel particularly profound. Generally speaking, it is difficult to highlight an environment directly, but through comparison, the effect can often be greatly enhanced. Therefore, it is even more deplorable to describe desolation through lively scenes. The contrast between the past prosperity written in front of this poem and the present desolation written behind it is extremely strong. The harder you work in front, the more powerful you will be behind. In order to fully express the theme, the poet also made arrangements for the artistic structure of this poem that are different from the general seven wonders. Generally speaking, the turning point of the Seven Wonders is arranged in the third sentence, but the first three sentences are all in an angry state, and it is not until the fourth sentence suddenly turns to the opposite side that it is particularly powerful and energetic. This kind of writing is not a poet with rich brushwork, so it is difficult to write freely. He taught us that where there is a will, there is a way.