In the new version of A Dream of Red Mansions, why does Li want all the girls and grandmothers to carry a performer's head?

In the new version of A Dream of Red Mansions, Li wants all the girls and grandmothers to hold a performer's head!

Because of laziness and laziness, in the old dream of red mansions, just a character named Chili has more than a dozen hairstyles, with different makeup, clothes and accessories. The stylist has secretly written a big book! A bunch of ladies, ladies, women, maids and actors should shape their external images according to their different personality characteristics, status and life stages. It is conceivable that the workload of serving the Tao in the Old Red Chamber is quite huge and meticulous!

Li took the job of the new Red Chamber. She was originally a monk (the original director was not her), and she didn't necessarily like a dream of red mansions (her own understanding of a dream of red mansions was limited to comic books she read when she was a child), but she was short of money. Not only the hair style is a uniform copper coin head, but also the clothing is a uniform V-neck, wide robe and big sleeves, and the makeup is also uniform. The only difference is that the flowers worn on the copper coins are different, the colors of the wide robes and sleeves are different, and the number of lipsticks is different. Then find a well-known stylist to arrange the noodles, and use "because a dream of red mansions has no dynasty background, it is just a fictional dream" to cover up the fact of laziness.

As a young man who has seen a dream of red mansions seven times, I am almost tired of loving version 87 and hating version 10! The 87 version of Dream of Red Mansions is the best level that the film and television of Dream of Red Mansions can reach. Most of the shortcomings you can mention are the technical level limited by age! 10 version of a dream of red mansions is almost useless except that the technical level has risen (this is the benefit brought by the development of the times, not the advantages of the new red chamber itself)!

Engage in gimmicks and highlight that your director has "Li characteristics" as always. Engage in gimmicks and highlight that your director has "Li characteristics" as always. Facts have proved that no matter which version of the four classic novels are remake, no matter how hard they are remake, they will come to the conclusion that "classics are classics and can never be surpassed". Before director Li, there were too many representative works, such as The Poem of Daming Palace and The Orange is Red. I have cooperated with Li several times, and the previous "Orange is Red" and "Poems of Daming Palace" have become successful models that the audience will never forget. The coldness and blank space in the modeling are very consistent with the loneliness of the deep house in Li's plays, which can be said to complement each other.

Speaking of the above two plays alone, it can be said that the plays directed by Li are all very individual, but in order to remake the same masterpiece, Li ended up in jail in order to earn shackles. In vernacular Chinese, it is opposed to public aesthetics in order to highlight personal characteristics, but it is self-defeating in the eyes of the public. It's true that you want to be unique, but it's wrong to shoot yourself in the face. She continues to label "A Dream of Red Mansions" as Li, regardless of the original artistic conception, public aesthetics and whether the symbol conforms to historical life, and the use of exaggeration in TV dramas will eventually subvert!

Li and Wang Fulin (former directors) have different aesthetic pursuits. The latter belongs to the aesthetic taste of the public, while the former is for the sake of "characteristics". From her understanding of A Dream of Red Mansions, that is, based on comics, we can see that there are too many utilitarian factors in this drama. The arch wall of the round gate in the new version of the Grand View Garden of the Red Chamber should come from the comic book of A Dream of Red Mansions. Look at that copper coin fish-eyed baby-faced girl Lin, who is a beautiful teenager Mei Lanfang; Mrs. Wang and Aunt Xue look like Master Mei; In addition, it is not an exaggeration for netizens to call it "the Red Chamber of Liaozhai" and "the Red Chamber of Kunqu Opera".

Combined with Kunqu elements, but exaggerated, ignoring the most basic humanistic knowledge combined with Kunqu elements, but exaggerated, ignoring the most basic humanistic knowledge. Director Li wants to add an ancient charm to the shooting of A Dream of Red Mansions with the aesthetic feeling of Kunqu Opera. And they want to be different from the 87 version of A Dream of Red Mansions, so they give the whole Kunqu opera the soul.

Li's aesthetic thought of A Dream of Red Mansions originated from traditional Chinese opera. The' copper coin head' in the new version of A Dream of Red Mansions is only used by opera actors on the stage. It is an exaggerated stage dress, and opera actors do not use this headdress after stepping down. The art of traditional Chinese opera is freehand and can be expressed in an extremely exaggerated way, but TV plays are realistic and should be realistic. No matter how much you like Kunqu opera and how much you want to express your unique understanding, breaking away from common sense is the biggest fallacy. Since the launch of the new version of A Dream of Red Mansions, we can see that the ratings have dropped continuously, which deviates from the characteristics of popular aesthetics and humanistic common sense, so be it!

A Dream of Red Mansions, as four classic novels, is difficult to fully understand under the premise of careful study, let alone a cartoon processed by one hand. Taking it on this basis, I think it is disrespectful, utilitarian and child's play!