Comments on Teahouse

Reflection on Teahouse 1 Teahouse is the representative work of Mr. Lao She and also the script of a three-act drama. Teahouse tells the ups and downs of Yutai Teahouse in old Beijing for decades, including the ruling period after the victory of Qing Dynasty, Republic of China and War of Resistance against Japanese Aggression. Teahouses are very realistic. Good people do not necessarily get what they deserve, and bad people do not necessarily get what they deserve, which fully reflects the darkness and bureaucracy of the society before liberation.

The characters portrayed by Lao She in Teahouse are very distinctive, which is also a major feature of this play. , Chang, Song, Liu Mazi, Tang Tiezui, Song Enzi, Wu Xiangzi and other characters' personality characteristics are vividly on the paper. You only need to look at it once, and you can understand the personality characteristics of various characters without looking at it as carefully as you do in a Chinese class. For example, Wang Zhanggui of Yutai Teahouse is honest and does not do bad things, but he is a little weak. He gives money and puts in a good word for something. Grandpa Four is a frequent visitor to the teahouse. He is a noble person from Rainbow, honest and honest. Unlike Wang Zhanggui, he is tougher than Wang Zhanggui, and he has a sense of pride in his bones. He refuses to bow or give in.

Only after reading Teahouse did we know how happy we are now. At that time, many children couldn't even eat a bowl of hot soup noodles. Now we can eat hamburgers and steaks at will. People at that time were really unlucky and lived in such a dark age.

In the teahouse, the person I admire most is Grandpa Chang, especially his spirit of not giving in to difficulties. Grandpa Chang is a flag bearer. In the Qing dynasty, he had a "hard-core crop" and got money without working. Later, when the Qing Dynasty perished, Master Chang didn't starve like his good friend Master Song, but went to grow vegetables and sell them by himself, earning his own living and not bowing to difficulties. This spirit is exactly what we lack now. Because of the superior living conditions, I flinch when I encounter difficulties. If we lived in that era, it would be difficult to survive in society without the spirit of Grandpa Chang.

There is so much truth in the teahouse!

About Teahouse II. Almost everyone says that Teahouse is the successful work of a mature playwright. -inscription

The stories of the teahouse all happened in a teahouse called Yutai. A simple three-act drama, with the help of an ordinary teahouse, condenses half a century's years, covers many small people who conform to the characteristics of the times, and tells the sorrow of a country in those specific times.

This drama mainly tells the story that Yutai Teahouse in old Beijing is gradually going to ruin in the changes of the times. After the victory of the Qing Dynasty, the rule after the Republic of China and War of Resistance against Japanese Aggression, it finally became a "flower-flower joint company" under the planning of the authorities and villains. Wang Lifa, the shopkeeper who kept the teahouse all his life, chose to commit suicide in his own teahouse. Teahouses can be said to be very realistic. Good people do not necessarily get what they deserve, and bad people do not necessarily get what they deserve. Before liberation, the darkness of society and the nakedness of officials in front of readers made people cry.

Let's talk about the characters in this play first. The characters portrayed by Mr. Lao She in Teahouse are very distinctive. Each different character represented different groups of different occupations and classes in the society at that time. There seem to be dozens of appearances, but none of them are repeated. Characters with different life experiences and distinct personalities, such as Chang and Song, are vividly on the paper. You only need to watch it once, and you can leave a deep impression on the personality characteristics of various characters in your mind. For example, Wang Zhanggui in Yutai Teahouse is defined as smart, selfish and not bad-hearted. Looking at the full text, in my eyes, as a shopkeeper, he is very tactful and weak, and he puts in a good word for money when he is in trouble. However, in the end, he couldn't bear to see the teahouse occupied by high-ranking officials and thieves and silently committed suicide in the backyard. This plot seems unexpected, but when you think about it carefully, it is reasonable and sad. Such a shopkeeper who took the golden mean chose an extreme way to end his life. Through a character, Mr. Lao She reflected the sorrow of an era with the strong contrast of his behavior and personality, and expressed the author's satire and dissatisfaction with the social atmosphere at that time.

Let's talk about the characteristics of this play again. The success of Teahouse lies in the success of language and the ingenious and rigorous structure of drama. Drama completely depends on lines to shape characters, and a person's character is fully reflected in his words and deeds. Mr. Lao She, a "master of language", has amazing language ability. The lines of each character in Teahouse are full of life but meaningful. In terms of drama structure, Teahouse can be said to be "scattered in form but not in spirit". Although the whole drama has a long time span and no main plot, it is not scattered and difficult to understand. Mr. Lao She runs through the whole play through a main character, from Zhuang to Lao. In this way, the story is loose but organized. Secondly, the father and son of the characters in the story come down in one continuous line. Although the years have changed, the group represented by each character still exists and changes slightly with the migration of time. Make the story full of strong flavor of the times. Finally, each role plays its own story, which is closely related to its own times. It reveals a corner of society and shows the character life of many different characters.

Some people have commented that Teahouse is an ancient ode and an elegy. Three acts of Teahouse have occupied 50 years, and Mr. Lao She only used how some little people lived and died to illustrate the satire in those years. I think when you close the book, you will feel that you have spent a long and hard fifty years with those little people.

Reflection on Teahouse 3 Teahouse is a classic in the history of drama and one of my favorite works.

Before this work, as a novelist, he had written many masterpieces handed down from generation to generation. In drama, multi-step creation laid the foundation for the success of Teahouse.

The story of the teahouse takes place in a big teahouse. People come and go in the teahouse, and there are all kinds of people and different religions. A big teahouse is like a small society. There are weak people and strong people, but they are all oppressed people, but there are more weak people. I think the article Teahouse is good in three aspects:

First, everyone is telling their own stories.

Second, irrelevant people came at once and left without any burden.

Third, language skills are full of personality.

Everyone is interpreting his own story, but it is closely connected with this era. Just like a river, the trunk is very important, but what's wonderful about it without countless drops of water gathering? The life and death of these characters reflect that era. In the book Teahouse, underage father and son come down in one continuous line, just like Tang Tiezui and Tang Xiao Tiezui in the text; Pockmarked Liu and Pockmarked Xiao Liu are the same person. Their clothes have changed, but their virtues have not changed. This way of writing helps to keep the story coherent. Although the characters in the article say their own things, they reflect the times.

Irrelevant people come up and disappear immediately. There is no burden. This article reflects the society at that time with some lower-class people, so it will use many little people. If these little people exist all the time, it will make the wonderful article lose its luster. The best way is to get rid of it at once. As a mature dramatist, Lao She is successful.

Language skills are full of personality. Lao She is called "the master of language art", so Lao She will definitely use the language well. In Teahouse, the language lines of each character are designed in place. Such perfect language skills are attributed to the tempering of art and come from the accumulation in life. Lao She is a writer with humble origins and strong civilian color. From the perspective of an unknown generation, Luoshe shows the life scenes of three times, namely, after the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period of the regime separation of the Northern Warlords and the eve of the collapse of the regime in the early Republic of China, summarizes the sharp correspondence and conflicts of various social strata and forces in China, and reveals the fate of semi-feudal and semi-colonial China. In the article Teahouse, Lao She gave full play to his language skills.

Characters can be divided into protagonists and small people. Wang Lifa, a big shot and a major figure, was in his twenties at first, but he was smart, selfish and not bad-hearted. Tang Tie mouth sucks, and he makes a living by looking at his face. Pockmarked Liu and Pockmarked Xiao Liu are as evil, cruel and vicious as matchmakers ... From prime of life to old age, the story runs through the whole play. Although loose, it is not too far from the point. Judging from the history of Lao She's personal life, Teahouse is a writer with rich life experiences and personal experiences. In the new historical scene, China looked at the old China in the past half century and wrote a book that indulged in it. It is not trapped by the old road, but it has precipitated the lessons of history and revealed the trend of historical progress.

The success of Teahouse broke the norm of "three unifications". Some people commented that Lao She's Teahouse was an ancient ode and an elegy.

Teahouse Comments 4 Teahouse is a paradise for tea lovers and a place for people to rest, entertain and communicate. But under Lao She's pen, Teahouse has become a classic in China's drama history. After watching this drama, I saw China's humiliation history and China's struggle history. -

The story of the teahouse takes place in a teahouse. The story tells that Wang Lifa, the owner of the teahouse, entertained his father everywhere in order to make his teahouse business prosperous, but the harsh reality made him often ridiculed. Finally, it was swallowed up by a ruthless society. Qin, a national capitalist who frequented teahouses, went from ambitious industrial salvation to bankruptcy; Chang Yesi, the son of the generous Eight Banners, embarked on the road of self-reliance after the demise of the Qing Dynasty. The story also reveals the living conditions of some small people, such as pockmarked Liu. Based on the rise and fall of a big teahouse in old Beijing, the whole play shows people the social features of Beijing and the different fates of people from all walks of life during the 50 years from the late Qing Dynasty to the victory of the Anti-Japanese War.

In the era when the Qing Dynasty was about to perish, Yutai Teahouse in Beijing was still a scene of "prosperity": caged birds, fortune-telling, selling antiques and jade articles, and playing cricket. -

Wang Lifa, a smart young shopkeeper, is taken care of by all parties. However, behind this "prosperity" lies the suffocating decline of the whole society: foreign goods flooded the market, the countryside went bankrupt, eunuchs married, and patriots were arrested.

In the early years of the Republic of China, the people suffered from years of civil war. All the big teahouses in Beijing are closed. Only Wang Zhanggui has improved its management, turned the backyard of the teahouse into an apartment rented to college students, and put a phonograph in the main hall. Nevertheless, social unrest spread to the teahouse: refugees blocked the door, soldiers took the shopkeeper's money, and detectives came to extort money from time to time. -

Thirty years later, Wang Zhanggui is still desperately supporting the teahouse. Japan surrendered, but American imperialism plunged the people into the disaster of civil war. Jeeps went on the rampage, patriots were suppressed, and rogue agents wanted to occupy the teahouse that Wang Zhanggui had painstakingly managed all his life. Wang Lifa is desperate. At this time, it happened that two friends who made friends 50 years ago came, one was Mr. arrested by the Qing court, and the other was Mr. Qin, who had been in business for half his life and completely collapsed. The three old people scattered the paper money they found all over the floor, crying and laughing sadly. In the end, Wang Lifa was left alone. He picked up his belt, went into the inner room, looked up at the roof, and looked for a place where he could safely end his life.

Look, what a history that makes us think and remember! More than a hundred years ago, China was ruled by the corrupt and ignorant Qing government. Fierce and overbearing foreigners invaded backward China, and closed-door, complacent and frivolous, timid rulers oppressed the people. Under this kind of oppression, the people of China have shown a different side.

Wang Lifa is the shopkeeper of the teahouse. He is not bad-hearted, just because his position is higher than that of the poorest class, so he has long turned a blind eye to human suffering. He is a businessman, hoping for social stability and better business, but society is always struggling with him. He didn't dare to compete with the society, so he had to bow to the people. However, the claws of society tightened around his neck, and finally he was helpless to hang himself. His image is very representative. He doesn't lie, he doesn't harm people, he resigned himself to fate, and he didn't ask too much. This is the most common mentality of ordinary citizens at that time, and it also shows the anger of the bottom people.

Qin is a national capitalist. With a heart of serving the country, he sold his ancestral business to set up a factory and wanted to save the country through industry. It took him 40 years to start a big enterprise, and he felt that this was enough to "enrich the country and enrich the people". He was wrong. No sooner had War of Resistance against Japanese Aggression finished than his property was confiscated by the government. Mr. Qin was heartbroken and resentful: "Du, can the world find such a government?" The semi-feudal and semi-colonial system and the national economic situation jointly controlled by imperialism, feudal oligarchy and bureaucratic comprador did not make Mr. Qin, who wanted to save the country through industry, get his wish. This once again criticized the ruler of darkness.

There are many figures, including Mr. Song, Mr. Chang, Mr. Dezi and Mr. Liu Mazi ... They represent different figures, but they all reflect the pain, anger and struggle of the people. ...

Lao She's Teahouse showed me the history of China's humiliating struggle. Remember this history, remember the teahouse, so that the humiliating history will not repeat itself.

About Teahouse 5. Almost everyone says that Teahouse is the successful work of a mature playwright.

The story of the teahouse takes place in a teahouse. A teahouse spans half a century, and many people are highly concentrated in the teahouse, showing the life in old China in the last three years, namely, the late Qing Dynasty, the early Republic of China and the end of the mainland regime.

Mr. Cao Yu once said that Teahouse is "an unprecedented model in the history of China drama". Because of its broad conception, this play is not only bold and bold, but also rich in details, which is the original creation of Mr. Lao She. Three acts of Teahouse have occupied 50 years, and many great changes have taken place in these 50 years, but the play is only a reflection of a small person in a teahouse, and there is no positive narrative of those major events. That is to say, the life and death of these little people are used to illustrate all kinds of satire in those years.

The success of Teahouse lies in the success of language and the ingenious and rigorous structure of his drama. Language: Drama creates characters entirely by lines. When the lines are fulfilled, the characters live. When the characters live, the whole play is a success. Lao She, known as the "master of language", really developed his language skills. The lines of each character in Teahouse are designed vividly, endowed with personality, concise and meaningful. Drama structure: There are many characters in the whole drama, and there is no central story. Lao She used four techniques to construct the drama: First, the main characters, from strong to old, run through the whole drama. In this way, the main characters have coherence, and with the explanation, the story is loose, but it is too far from the point and unintelligible. The second is that the minor characters are descendants of their father and son; The third is that each character plays his own story and is closely related to his own times. The fourth is that there are always irrelevant characters, lingering and not redundant.

From the perspective of investigating Lao She's individual life history, Teahouse is a writer who looks back on the past in a new historical scene and has rich life experience and individual experience. A meditative work written in old China for more than half a century, which precipitated historical lessons and revealed the historical trend.

Teahouse adopts a typical theater structure of portrait exhibition. He exposed a corner of society and showed the character life of all kinds of people. Teahouse returns to Lao She's well-learned old Beijing story in terms of theme and cultural connotation. It is a social drama that Mr. Lao She is best at, which combines the pictures of past years and street life. The drama Teahouse has a strong spirit of social criticism. Thunderstorm by Cao Yu, a famous playwright in China, is a typical work that follows the "three unifications", while Teahouse by Lao She breaks this norm. But these two plays are equally successful. Some people have commented that Teahouse is an ancient ballad and an elegy, but now I don't know its origin, so I will read it carefully.