Qu Shen's classic repertoire

Synopsis: A young couple, a man is on a business trip, and there is no news of him. When we meet again after coming back, the woman should not blame the man for being ungrateful and forgetting to return the favor. The man told me that he lost money doing business outside, was displaced and drifted to the dock, making it difficult to go home. If the woman doesn't believe me, the man will arrive at once.

Described the details of this place. The woman didn't believe it until she heard it, but before she got married, she made a promise of "ten noes" to the man: he was not allowed to leave the dock; He is not allowed to have an affair with other women at night; Don't let him practice his fists, lest he accidentally hurt someone; He is not allowed to go whoring; Don't let him steal nuns; Don't let him blow, too much will hurt you; He is not allowed to go to the teahouse to avoid making bad friends; He is not allowed to marry another woman. All the men agreed and they got back together. This drama can also feature in a single column, such as You Wharf, Quan (also known as Die Sha Tou), Crystal Palace and Shang Xi Lou, among which You Wharf is more distinctive. Also known as "small separation". Synopsis: A scholar and a rich girl have an affair and meet each other. But after three dates, the scholar broke his word for some reason. The fourth time was about the Mid-Autumn Festival in August, and the woman prepared rich dining tables. The scholar didn't arrive at the second watch, so he had to invite his parents to drink and enjoy the moon. At this time, the scholar came to the appointment and saw his parents present, so he had to return. The next night, the scholar climbed over the fence of the woman's house and asked her. He accidentally fell into the lotus pond and fell ill. After recovering from illness, the scholar visited again. The woman blamed the scholar for not standing up four times. The scholar explained the reasons for the first three times and blamed the woman for not teasing him for the fourth time. After explanation, the misunderstanding between the two sides ended.

Make up. The language of this play is elegant, and other plays are often used. Therefore, it is one of the typical plays in the singing period of Shanghai Opera, which is often performed. After liberation, troupes such as Aihua and Qin Yi arranged and directed performances. Formerly known as The Story of Yellow Bran, also known as People Fall into a Monastery and Deceive Father and Become a Monk, it is one of the traditional old dramas. Synopsis: Li Junming, a wealthy family, suffered from the scourge.

Horrible, ruined, borrowed money from the son-in-law Zhang Jinchun's house before the end of the year. Unexpectedly, Da Nan, the eldest daughter, and Jin Chun, her husband, were snobbish and mocked her father-in-law in every way. They only borrowed one hundred pence and five liters of yellow chaff. Li was so angry that he came home and felt that the world was cold, so he took his little daughter Xiao Nan and threw herself into the river. Fortunately, he was rescued as a monk by the temple, and Xiao Nan was rescued by fishermen and sent back to his uncle's house. In a rage, my uncle forced Zhang Jinchun and his wife to beg their father to go down the mountain, but Li insisted on becoming a monk. Xiao Nan had to rely on his uncle to make a living, so Mr. and Mrs. Zhang had to go home in a mess. During the period of 1959, Shanghai People's Shanghai Opera Troupe was established collectively, with screenwriter, director Yang, starring Xie Hongyuan, Xiao Aiqin and Shen. Premiere at Guangxin Theatre. The language of the play is vivid, harmonious and full of life. Among them, the singing skills of Borrowing Yellow Bran, Lishui Dun and Begging Down the Mountain are quite skillful, and senior artists Ding Shaolan, Xiao, Yang and Xiao are all good at interpreting this play. People in Shanghai was adapted as one of the plays by Xie Hongyuan and Shi Xiaoying. Shanghai Theatre School and the former Shanghai People's Shanghai Theatre Academy used this drama as a teaching material. Also known as Guan Wu. Synopsis: A lady who caught a tooth worm and died, watching feng shui fortune-telling, met Zhu Agou who lived by stealing. Zhu tried to trick the lady who caught the moth,

Invite her to his house to tell fortune, beg for death, and take the opportunity to Doby her. Knowing that he was up to no good, the Toothworm Catcher retaliated by catching the Toothworm for Zhu, pried open Zhu's teeth and slipped away. The play was jointly performed by Cai Dan and Angel. In the 1920s and 1930s, it was one of the plays that were often performed by various class clubs. There is no basic tune singing method in the performance of the play, only a ditty is sung, and there are also folk songs and slow tones in the vernacular. You, Xiao, Shi Chunxuan, stone ornaments, and The Toothworm Catcher are more distinctive. 1954 during the East China Opera Exhibition Conference, the unhealthy parts were removed, the vocabulary and performances were processed, and they participated in the exhibition. Also known as "Shuang Yujun". Synopsis: Gu, the prime minister of the Ming Dynasty, retired and returned to his hometown, and one day he traveled home in the spring to take shelter from the rain.

Gu Jianlin's wife Lu, dignified and virtuous, looks like her dead daughter and was adopted as a daughter. Mao Junrui, the son of Shangshu of the local Ministry of War, saw Liu Zise, and he had evil thoughts and dared not flirt. He instructed the slaves to kill the old counting house, moved the body to the Lins' gate, and decided that Lin Ziwen was the murderer. Lu turned to her adoptive father Gu for help. Considering his own identity, Gu wrote a poem to the magistrate of a county and suggested releasing Lin. The magistrate of a county also believed that the Mao family's order came from the death penalty of the forest department. Gu had no choice but to avenge the emperor himself. When he was executed, Gu went to Beijing to save him, but the Kunshan magistrate refused to show mercy. At this critical moment, Lin Ziwen was acquitted by the imperial edict, released immediately, and the husband and wife were reunited. The play is based on the fact that the Ming Dynasty took place in Jiangnan. From the 1920s to the 1940s, some operas, such as Civilization Opera and Qu Shen Opera, absorbed Pingtan and various songbooks and performed them in the form of screens. 1954 was handled and arranged by Shi Jian. Director, composer Yang, choreographer Zhang Jian 'an. The main actors are Shi Chunxuan, Zhao Yunming, Cai Zhifang, Bu, Ding, Zhu Yinfeng and Zhao. In September of that year, the Yangtze River Shanghai Theatre performed at the Central Grand Theatre. The plot is tortuous,

Full of local flavor and human touch. Among them, "spring outing in the pavilion" and "a comment in the garden" are more distinctive. The ancient Chen Ding, played by Shi Chunxuan, created a kind, funny and cultured image of old Guo Xiang, which is one of the repertoires of the troupe. Also known as "Yang Naiwu" and "Yuhang Strange Case". Synopsis: Liu, the son of Yuhang County magistrate Liu Xitong, raped Bi Xiugu, a peasant woman known as "Chinese cabbage" because of her beauty, and took advantage of her husband Ge Xiaoda's illness to poison and kill him in order to occupy Bi's home for a long time. After the incident, Liu's father and son conspired with Qian, a client, to trick Bi and frame him for falling in love with Bi. Although Yang pleaded guilty, he was tortured to extract a confession. The squires refused to accept it and appealed jointly. The Governor of Zhejiang took bribes in vain, and Bao Yang's sister Shu Ying went to prison and got a personal letter from Naiwu, risking her life to complain in Beijing. Coincided with the infighting in officialdom, the Qing court ordered the punishments to retry. Bi was cheated and refused to tell the truth. The punishments set up a secret room for Yang and Bi to meet before the execution, eavesdropping on each other's feelings, exposing the case and rehabilitating the three-year unjust prison. In the Republic of China 16 (1927), Shijiaban changed to a Taiwanese drama series based on civilized dramas, which premiered in Hongkou New Market, with Shi Chunxuan playing Yang Naiwu. 1950 10 is based on Yan Xueting's Tanci, adapted by Zhao Yanshi, Zhang Zhixing and Zhang Xingzhi, directed by Mo Kai, starring Shao Binsun, Shi Xiaoying and Xiao Aiqin, and premiered at the Central Grand Theatre. 1In September, 956, Shanghai People's Shanghai Theatre was reorganized on the basis of Art of China, with screenwriter,, Xing Zhi, director Mo Kai,, Yang, composer Ma Junzhi and Wan Zhiqing, and director Jiang Yunfeng. Starring Shao Binsun, Shi Xiaoying and Xiao Aiqin. The book People in Shanghai was published by Shanghai Culture Publishing House 1957, and the book National Local Opera Integration Shanghai Volume was published by Shanghai Culture Publishing House 1966.

At 1988 and 199 1, the Shanghai Theatre brought the play to Hong Kong, starring Mao, Xu Jun. 1956, the Shanghai Opera Troupe auditioned for the play, which was written by Wang Feng, and the plot was without bureaucratic infighting. This book was later adapted and performed by the Peking Opera Troupe starring Wei Xikui and made into a dramatic art film. 1957, Qin Yi Shanghai Opera Troupe also performed the play, which was arranged and arranged by Ren Jin and directed by Shang Zhou. Synopsis: In Peiping under the rule of Beiyang warlords in the early years of the Republic of China, Fan Jiashu, a young student, came to the north to study, and met Guan Xiu's uncle, daughter Guan Shoufeng and girl Shen Fengxi who sang drums on the overpass. Fan didn't want to associate with He Lina, a social butterfly introduced by her cousin, but fell in love with Shen Fengxi and helped her get rid of her singing career. Fan and Shen are cousins of He. They fall in love and write to Fan's mother. Fan's mother asked for leave to urge Fan Nan to return to the team on the grounds of serious illness. Fan and Shen say goodbye to each other at the station. When they were seen by warlord general Liu, they forced Shen to go to his house in the name of inviting him to give a concert in Liu's family. Shen became a concubine under the arrogance of General Liu. After January, when Fan returned, Guan Xiugu entered the general's office as a maid, secretly protecting Feng and helping Fan and Shen meet at the Xiannongtan. Shen's pain is beyond words, and Fan got a large sum of money in return. Fan's refusal to accept a large sum of money angered him.

Unfair. Shen returned the jewelry in shame and left in tears. When Fan and Shen met Liu, they were furious and whipped Feng, who was beaten out of his mind. General Liu saw Guan Xiugu's beauty and wanted to possess it. Guan Xiugu tricked General Liu into getting married in Xishan and stabbed Liu to death with Guan Shoufeng. Adapted from Zhang Henshui's novel of the same name by Song Dynasty, Fu Yingshe, organized by Shi Genfu, premiered at Zhongnan Theater on May 2 19 (1930). Subsequently, the China Art Troupe, composed of, Wei, Xiao Aiqin, reappeared in the Oriental Theatre after a lapse of 37 years. The troupe, led by Xiao, also changed from Fan Qingfeng to 65438+/kloc-0 on June/0 1 and 29 at the Greater China Theatre. In the 1930s and 1940s, it was often performed in all walks of life in Jiangsu, Zhejiang and Shanghai, and it was one of the most influential plays in the flexion and extension period. 196 1 was adapted into a script by He Jun and premiered by Changjiang Shanghai Theatre Company. 1969 Arranged by He Jun, performed by Xuhui Shanghai Theatre Company. 1985 He Jun was arranged to be performed by a troupe of Shanghai Theatre. Ma Lili plays Shen Fengxi and He Lina, and Lu plays Fan Jiashu and Shen Mu. He Jun's several revisions did not end in "stabbing Liu". There are Da 'an Hall and Xiao 'an Hall. Da 'an Hall is a complete work, and Xiao 'an Hall is one of the traditional plays of Shanghai Opera in Tan Chun period, including Mixed Bridge and An Hui. Synopsis: Jin Xuewen's daughter Jin Xiuying became a rich man, and she was betrothed to Chen Zaiting, a rich boy in her hometown. Later, Chen's family declined, and Kim's father tried to maintain the marriage. Xiuying learned that Chen lived in the mourning hall and went out to visit privately. On the way, she happened to meet Zaiting. They haven't known each other for 9 years. Xiuying was afraid of crossing the wooden bridge, so she had to ask Zaiting to help her cross the bridge and ask him to lead the way to the temple. Under Xiuying's cross-examination, she learned what had happened and agreed to give money in Jinjia Garden during the Dragon Boat Festival to help her catch the exam. Unexpectedly, Jin's father knew about it and tortured her maid Hongyun, who deliberately pointed the date to the Dragon Boat River. On the same day, Jin Fu and Jin Mu visited the river, but after a long wait, they were nowhere to be found. When they got home, they found Zaiting and Xiuying, forcing Zaiting to write an engagement letter. With the help of Kim's mother, Zaiting and Xiuying fled the Kim family, and everything was fine. 1953 The troupe is directed by, Xiao, Xiao Xiaoyuezhen and performs in the theater. 1954, the Shanghai People's Shanghai Troupe transplanted and staged the tin drama Xiao 'antang directed by Lan Liu. Starring by Xie Hongyuan, 1956, Wenmu was adapted into five plays, composed by He and Fan, and beautifully designed by Wei Zhi. Starring,, Shen and Yu Lintong. 1956 premiered at guangxin theatre on June 2 1 day. Yihua Shanghai Troupe also rehearsed according to this book. Director Liu Lan went to Beijing and Tianjin to perform 1956. 196 1 year, wenmu is reprocessed. Directed by Ge Naiqing and Wang Xingren, starring Xiao Aiqin, Shen, Xiao and Xiao. 1April and September, 1988, 199 1 April, 2008, Shanghai Shanghai Theatre brought this play to Hong Kong three times. Director Wang Xingren, starring Mao,,, Xu Jun, etc.