Comment on Ming Feng's Death

Dancer Jia Zuoguang: The birth of Ming Opera marks the epoch-making beginning of our national folk dance from reflecting the objective world to the subjective world. It belongs to Sichuan and is also an epoch-making milestone in the national dance art cause.

Dance critic: Ming is a treasure of dance creation in recent years. It depicts a touching artistic image of a pure girl who was victimized in a cannibal society in a narrow space. Its expression technique is bold and innovative, without losing its discretion.

You Huihai, Vice Chairman of Dancers Association: It is not easy to refine Ba Jin's famous works into a small dance drama. The drama Ming made a successful attempt. This is a breakthrough in traditional ideas, and the idea is very clever. This conception is conducive to revealing the feelings and personality of the characters. This kind of breakthrough and creation is very contemporary.

Long Yinpei, a researcher at Dance Research Institute: Ming is not an ordinary dance drama, but a symphonic poetic dance drama. The structure of dance drama is based on the inner psychological and emotional changes of the characters, the combination of narration and lyricism, and the artistic means of arousing the audience's association. It breaks through the time and space limitation of the stage, pays attention to the excavation and description of the inner world of the characters, and expands the field of dance reflecting life.

Host of the 3rd International Dance Grand Prix (Japan): The participation of China delegation (Ming Opera) and its high-level performance laid the foundation for the success of this competition. On the basis of traditional dance, China absorbed the essence of modern dance and skillfully combined it, thus bringing China traditional dance drama to a new level. (Excerpted from Chengdu Stage No.4 1985)