Fortune Telling Collection - Ziwei fortune-telling - The broadcast volume is less than 35 million, and Douban is all bad reviews. What's wrong with Zheng Zheng's Regret for the Past?
The broadcast volume is less than 35 million, and Douban is all bad reviews. What's wrong with Zheng Zheng's Regret for the Past?
The broadcast volume is less than 35 million
Most of JUNG WOO's works can be fired before they are broadcast. From Gong Chuan to Hao Chuan, from Spring to wealthy family, these works have a high popularity and broadcast volume. Unexpectedly, Shangshi, who has just been online for a day, is basically in the street, whether it is popularity, broadcast volume or word of mouth.
As can be seen from the current data, after the launch, the ranking on the hot list did not rush to the top five. Even after 10, this is not like the appeal of Zheng's works. In the past, when Zheng Zheng's TV series was launched, he didn't rank first, but at least he could be seen in the top few of the charts.
The lack of heat naturally means that the broadcast volume is not enough. On the first day of its premiere, Regret for the Past had a cumulative broadcast volume of less than 35 million, which directly opened the gap between it and Yan Xi Palace Story, Yulouchun and other works. I didn't expect the attention of Shangshi to be so low after it was launched.
Douban is full of bad reviews.
"Regret for the Past" attracted the audience's attention before it was aired. The released short film is full of previews, the plot is ups and downs, and the costumes are exquisite. In particular, the close-up of food convinced the audience that it was a work of conscience, and many viewers expressed their desire to reproduce the glory of The Story of Yan Xi Palace through Staff Sergeant.
I thought "Regret for the Past" would be a high-quality good drama with rave reviews, but I never expected that "Regret for the Past" would be full in just one day, and the reasons for the audience's bad reviews were surprisingly consistent.
The biggest failure of the script is to make the struggle too simple.
There is no brain hole, and the connection between front and back depends on the audience's brain. The villain's level is so low that he just wrote "I am a bad person" on his forehead. In particular, Guanglu, an adult, has turned the inner drama that requires actors to perform into exclamation lines, not to mention the fact that people have many heads. The food that has always been the highlight of the drama is just a fragment showing the work scene of the Staff Sergeant's Bureau. It did not become the protagonist of the plot, nor did it play the role of link logic.
In addition to the rough plot, it seriously failed the exquisite service, and what failed even more was the shaping of the characters in the play. Zhu Zhanji, played by Soso, didn't have many scenes in the first episode, but he was very popular. I didn't force the hero and heroine to be together and sprinkle sugar from beginning to end like the usual sweet pets or ancient dolls.
However, such a good setting failed to become a plus item for the role. In particular, Zhu Zhanji wants to go back to the palace to save his father, and the carriage is in a quagmire and needs a cart. Many people say that the lines in this play are "true", but I beg to differ. The explanation of Zhu Zhanji's "luck" when he got off the cart was full of ostentation. On the surface, every sentence seems so profound, but in fact, the content is empty and boring. Not to mention, the lines of the struggle scenes listed above did not highlight any cultural meaning, nor did they show the art of speaking above the temple. If you want to be familiar with the lines, I strongly recommend 1996 costume comedy "Prime Minister Liu".
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