Appreciation of the full text of the translation notes of Qing Ping Le Jin Feng Xi (Yan Shu)

Yan Shu

Series: Selected Song Poems-300 classic Song Poems

Qing Ping Le Jin Feng Xi

The golden wind is thin, and the leaves fall. Green wine is easy to get drunk at first taste. A small pillow and a deep sleep.

Lagerstroemia indica Zhu Jin flower residue. The sunset dried up. The silverscreen was slightly cold last night.

Brief analysis

The wind in early autumn, blowing carefully, plane trees, falling leaves, passionate poets, have a feeling of being surprised by autumn. Green wine is newly brewed. After drinking a little wine, I fell asleep under Xiao Xuan's window. I woke up with a pillow and the sun had set. Lagerstroemia indica and Zhu Jin have withered in the sunset. The image of residual flowers is associated with the falling of buttonwood leaves. The color of sadness is looming. It's fall here. Shuang Yan on the beam will return to the south. Mindful of this, the poet suddenly felt that when he fell asleep drunk last night, the silver screen on the bedside was slightly cold, and a sense of loneliness arose.

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This word and the author's "Huan Ge Re-curtain with Yan Du" both highlight the elegant style and rich flavor of Yan Shu's ci. With meticulous brushwork, the author describes the thin autumn wind, decadent crape myrtle, hibiscus, courtyard and other images in the sunset. He witnessed the death of Shuang Yan through the scene of the protagonist's exquisite Xiao Xuan window, felt the coldness of the silver screen, created a lonely artistic conception, and expressed the poet's faint sadness.

This word is about the sadness in early autumn. The whole poem vividly shows the poet's elegant style. Compact structure and natural layout. The use of a series of colorful words reveals the poet's inner sadness, many of which will fade and disappear in the autumn wind. In addition, the objective expression of early autumn images and the implicit subjective feelings allow readers to taste the sadness implied between the lines.

The first two sentences point out the time and render the environment when writing the scene. The golden wind is the autumn wind. In Selected Works, Zhang Xie's Miscellaneous Poems and Golden Fan Festival, Shan Li pointed out: "Autumn is paid heavily in the west, so autumn wind is also called golden wind. At this time, the yard was covered with fallen leaves from the west wind, and the poets in the painting hall fell asleep after drinking green wine. The pen is light and elegant, and the tone seems to be talking to a friend. Among them, two groups of reduplicated words are connected end to end, and the melody is harmonious and graceful. With a "thin" golden wind, there is no small feeling that autumn wind is used to, but it seems calm and leisurely. The two nouns "leaf" are collocated together to unfold the scene of falling leaves, which makes people feel very orderly and rhythmic. It is always sad to write about the autumn of the phoenix tree, such as the article "More Leakage": "Phoenix tree, it rains in the middle of the night, and it is bitter to leave. A leaf, a voice, and empty footsteps fall into the light. " Li Yu's "Night Cry": "Lonely phoenix tree deep courtyard locks clear autumn. After generations of poets dyed their pens, it was sad to hear the autumn wind blowing on the phoenix tree. It is extremely rare for Yan Shu to write so flatly and implicitly. The following sentence "green wine", because of the use of the words "early" and "easy", feels that he does not drink much and is also slightly drunk. Then the poet used a heavier pen and ink: "The small window pillow sleeps deeply." The reason why "Green Wine" ends with "sound sleep" is to accompany the pen, and the phrase "one pillow" is the intention of this film. Why is Xuan "easily drunk" and how can he "sleep soundly" when he is drunk? It turns out that the poet is a little carefree, so he is easy to get drunk when he is worried, and he is easy to sleep deeply when he is shallow.

The next movie is about the feeling of waking up at dusk the next day. The poet slept a whole day and a night, and slept like a log. He didn't say how he felt when he woke up from a deep sleep. He only reflected his carefree mood and careless manner through what he saw in his eyes, but his words still reflected a little sadness. Lagerstroemia indica, flowering in summer; Zhu Jin, flowers bloom in summer and autumn. In the last part, it was said that the golden wind blew the plane leaves. It was obviously autumn, and the poet looked out from the small window. These two flowers had withered. It is worth noting that: in the last film, the buttonwood leaves fell, but the ears were empty; The two kinds of flower residues in the next picture are what you see in your eyes. It is through the subtle feelings of things around him that the poet expresses his feelings at this moment. "The sunset is dry", following the previous sentence, describes the quiet scenery. Another poem by Yan Shu, Walking on the Sand, said: "When I woke up from a sad dream, the sunset shone deeply in the yard." The word context is similar.

It's dusk and the sun is setting. It is "the season when Shuang Yan will return". Generally speaking, this meaning seems irrelevant and unimportant, but in fact, such language is used to reconcile the atmosphere, buffer the rhythm and set off the mood. Wu's "Lotus Story" said: "Love stories must have a beautiful scene, and the feelings are profound and beautiful." Swallows want to return "is a scenic phrase, which only plays the role of paving the way and setting off the next sentence" Silverscreen was slightly cold last night ". Two Yanzi are about to return to their nest. This scene makes the poet feel bored living alone, so he thinks he was alone after being drunk last night. A sad mood, indifference and sadness, can not help but overflow. But he didn't use the familiar words "cold pillow" and "cold", just saying that the screen was a little cold. Love at the scene, implicit, memorable.

This poem is characterized by elegant style and luxurious weather. There are some contradictions between them, but the poet unified them and formed a special style to express his personality. Yan Shu, with respect for each other as guests and small lyric poems, won the charm of flowers. Liu Ban's "Poems of Zhongshan" said: "If you don't offer Feng Yansi's ci, you won't reduce the delay of Yuefu." In other words, his style of writing resembles that of Feng Yansi. However, judging from this poem, although its elegant style is like Feng Ci, its luxurious atmosphere is a bit like Wen's works. The extravagance of literary words is mostly manifested in improper choice of words, so Wang Guowei's style of words is "painting a golden partridge". The boldness of strict words is not in appearance, but in spirit. "Every time I chant wealth, I don't talk about wealth and splendor, but only talk about its weather, such as' flowers on the balcony, swallows in the curtain',' Pear flower garden melts the moon, catkin pond is light wind' and so on." (See Wu Chuhou's "Blue Box Miscellaneous Notes") The style of this word is similar to the above two situations. It borrowed Chao's evaluation of his son Yan's ci, and created a refined image of "not a middleman in the three villages".