I heard that Du Fu's Eight Poems of Autumn Prosperity is particularly well written. I want to know where there are experts to comment on it.

These eight metrical poems are a group of poems. Starting with autumn scenery in Kuizhou, they express all kinds of feelings about Chang 'an. And take this poem as the program of the whole poem. Its first four sentences: "Yulu withered maple forest, Wushan martial arts gloomy." Between the river and the sky, the waves are rough and the clouds are covered with fog. "This is exactly the same as Song Yu's Nine Arguments, which says,' Autumn's sorrow is also angry, and the vegetation is bleak and declining'. Then, I wrote about the melancholy situation of the poet who stayed in the canyon. And the phrase "Lonely boat is the heart of hometown" has vaguely expressed my yearning for Chang 'an. The second and third songs are about the scenery of Kuizhou. The sentence "Every Beidou Wang Jinghua" has clearly pointed out Wangjing, which can be said to point out the theme for the whole group of poems. "Kuang Heng resistance hydrophobic fame thin, Liu Xiang told in my heart. Students and teenagers are not cheap, and Wuling is light and fat. " That is, the memory and exclamation of the poet's own life experience caused by Wangjing. The fourth poem goes directly to Chang 'an, which is a major turning point in this group of poems. The words "I heard that Chang 'an is like playing chess, and the world is too sad for a hundred years" show infinite feelings about the situation after the "An Shi Rebellion". The following capitals are the descriptions of Chang 'an annals. If the poet wants to see Chang 'an, of course, he must first recall the politically significant event of saving the room a few years ago. Because the blow suffered by the poet in this political struggle is an indelible scar in his life history, he compares himself with Liu Zongli in his poems, lamenting "poor fame and fortune" and "worrying about the country and the people". Kuang Heng and Liu Xiang's direct remonstrance was rejected by the ruling clique at that time, and it is of far-reaching significance to use this metaphor here. When it comes to Chang 'an, the poet can't help but think of the palaces of the Tang Dynasty and places of interest such as Kunming Pool, Qujiang and Beilin. Qujiang, in particular, left a more profound and unforgettable impression on the poet. "The calyx passes through the city, and Furong Xiao Yuan enters the customs." Linking "children" with "worrying about going to the frontier" (3), we can imagine how long the poet feels about current events! The Tianbao disaster is not without reason. The predecessors once thought that Du Fu's Eight Poems of Autumn Prosperity could be regarded as Yu Xin's Poems of Mourning the South of the Yangtze River (Wang Menglou's language). In fact, this group of poems "Autumn Xing" can also be compared with Qu Yuan's "Regret for the Past". Their nostalgia for the motherland and their sorrow for the war do have the same pregnancy. Needless to say, most poets living in feudal times have certain limitations in their thoughts. This is no exception to Du Fu. Although Eight Poems about Autumn Prosperity focused on Chang 'an, the political center at that time, showing the author's state of mind of worrying about the world and hurting chaos, his eyes were always outside the decadent court. The second song "Drawing an Incense Burner on a Pillow" and the fifth song "Qing Shang Suo Wu Dian Ban" both show that they have not forgotten their past experiences and the future of being an official. And "the clouds move to the palace mountain, and the sun circles around the dragon forest to know the holy face" ⑥, which is even more inevitable to be attached to the dignity image of the feudal ruler-the emperor, revealing his vulgar side. This group of poems is written from Kuizhou to Chang 'an, and from Chang 'an to Kuizhou in an orderly way. Each poem is independent on the surface, but in fact it is an organic whole. It does have the characteristics of "the same strain" and "the beginning and the end correspond" (Chen Ziduan's words). The author is good at expressing that complex thought and emotion perfectly with this restrained metrical form. Compared with his contemporaries, this is extraordinary and outstanding. For example, Li Bai, a great poet with the same fame as Du Fu, is longer than lines and sentences. In his existing poetry collections, there are even fewer seven-character decrees. The poem "On the Phoenix Stage" which has been recited by people, its couplet "The path of Wu Gong is crooked, the clothes are ancient and dusty" is out of touch with the upper and lower couplets, which can only be regarded as an awkward style, not the standard of seven laws, nor can it be equated with Du Fu's profound and rigorous metrical poem "Autumn Xing". The other seven laws written by Wang Wei, Meng Haoran, Gao Shi and Cen Can are not as elaborate and original as Du Fu's Autumn. In Eight Poems in Autumn, the diversity of the author's artistic techniques is also shown. The poem "Autumn Prosperity" was originally intended to express a sad mood. However, the author prefers to use a large number of magnificent sentences to set off the feelings of Chang 'an in his memory, and generate shows both gloomy and gorgeous artistic colors. For example, the fifth song "Looking at the Queen Mother in Yaochi in the west, facing the purple letter in the east", the sixth song "Embroidering the pillars and beads around the oriole, and lining the teeth with brocade cables with Bai Ou", and the eighth song "Sweet rice pecking at parrot grains, old phoenix perching on green trees" depict the Chang 'an scenery, which is exactly the same as that described in the previous poems. Du Fu's other poem "Qujiang Duiyu" also has the same description technique, and uses gorgeous sentences such as "The forest is wet with the swift and the water grows with the wind" to set off the desolate scene of Qujiang. All these show the artistic characteristics of the poet's original poems. In addition, the artistic diversity of Eight Poems in Autumn is also manifested in the antithesis of sentences. Like the Five Laws, the Seven Laws are all new-style poems in the Tang Dynasty, which have a certain format. Two of them-parallel couplets and neck couplets-need to pay attention to confrontation. The first two sentences and the last two sentences can be informal. Apart from the antithesis of two couplets in Eight Poems of Autumn Prosperity, for example, the second poem "Look at the vine on the stone, it has reflected the flowers in front of the continent" and the seventh poem "It's really a bird's talk, and there are fishermen everywhere in the rivers and lakes", even the last two sentences end in antithesis. In addition, this group of "Autumn Xing" poems has also changed greatly in the antithesis of the two couplets. For example, in the first necklace, the words "flowers bloom twice" and "boat alone" are sentences, and the next three words are "tears for another day" and "hometown heart", which makes the sentence have a turning point and adds a layer of meaning. For example, the antithetical couplet of "fragrant rice pecking leftovers" and "Wu Bi inhabiting the old" in the eighth song is an inverted sentence, which means that fragrant rice is the food pecked by parrots and Wu Bi is the branch of the phoenix inhabiting the old. Because the description is mainly in Xiangdao and Wu Bi, the reverse grammar is used. These are also the author's ingenuity, which opened the door for later legal sentence-making. What needs to be pointed out here is that the so-called "from beginning to end" is essential for writing metrical poems. For example, the fifth and sixth couplets use the pen-turning; Eight Poems of Autumn Prosperity can also break through the pattern in this respect. Except for the first three poems in the fifth and sixth sentences, the rest of the capitalization is only written in the last two sentences. The most noteworthy is the eighth song, which describes the northern wind and light around the ring, until the last sentence: "singing with bare heads, bowing your head and suffering." This kind of writing is occasionally found in quatrains written by poets in Tang and Song Dynasties. For example, Li Bai's "The King of Yue Gou Jian broke Wu Gui, returning home with righteousness, and the ladies-in-waiting were like flowers full of golden halls, leaving only partridges flying today"; Lu You's "Pour foreign wine carefully, chew Zhou Nan's beans, and write new sentences with Wu Si. Unfortunately, this person is old. " It's all done with a pen at the end of the seven-character quatrain. But it is rare in metrical poems. From these places, we can also see the diversity of artistic techniques in Du Fu's Eight Poems of Autumn Prosperity. He was able to move in the rhythm without being restricted by the rhythm, which showed the high achievement of the creation of the seven laws. Du Fu once said himself: "The evening festival is getting finer and finer than the rhythm of poetry" ("Send a boring play to the 19th Cao Chang"). The so-called "refined poetry" does not refer to the skill of carving chapters and making sentences, but refers to the skillful situation that poetry has reached "arbitrary" and "tirelessly cut the rope". Eight Poems in Autumn is a good example of "fine rhyme". Note: ① The house manager is the prime minister of Tang Suzong. In the early years of Zhide, Fang Fang led the troops to crusade against An Lushan, which resulted in a crushing defeat and demotion. Du Fu, when he was left to clean up his bones, went up to save him and violated Su Zong. The next three parts pushed questions and punished him. Lai Zhang Gao, the prime minister, defended and was pardoned. (2) Kuang Heng, Liu Xiang, the Western Han Dynasty. (3) Tang and Yang Guifei often travel to Qujiang from the city of Xingqing Palace, so the cloud "connects with the sky". At the end of Tianbao, An Lushan started to fight in the northeast, so the cloud "entered the border". (4) Painting province refers to Shangshu province. ⑤ "Clearing House" refers to the palace gate. The feast is called Su Zong. ______________________________________________________________________________

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Eight Poems in Autumn is a set of seven-character poems written by Du Fu in the autumn of the first year of Dali (766) when he was in Kuizhou. This group of poems has always been recognized as the most artistic group of Du Fu's lyric poems. It has been seven years since Du Fu abandoned his official position in 759, the second year of Su Zong Ganyuan. War is frequent, the country has no peace, and the people have no fixed place to live. When this autumn wind blows on Xiao Sa, he is inevitably moved by the scene before him. Eight poems are a complete movement with the theme of "homesickness". The second song "Looking at China with Beidou" and the fourth song "Thinking of Hometown in Peace" are eight-part essays. The personal sadness written in the poem is also related to the national disaster. The structure of Eight Poems in Autumn can be divided into two parts, with the fourth poem as the transition. The first three songs are detailed in Kuizhou, slightly in Chang 'an, and the last five songs are detailed in Chang 'an, slightly in Kuizhou; The first three songs are about Kuizhou Changan, and the last five songs are about Kuizhou Changan. The first three songs evoke memories from reality, and the last five songs return to reality from memories. As for the first song, which is also the beginning and end of the film, I can't move for a certain time. Eight songs are like one. Eight Poems of Autumn Prosperity is a dismal work of Du Fu. It is either emotional in the scene, or metaphorical in the present, or not obscure, or needs careful experience to appreciate the beauty of poetry. Eight Poems of Autumn Prosperity have always been valued by critics in past dynasties. Ye Jiaying, a contemporary scholar, edited Eight Poems of Du Fu's Autumn Prosperity (Hebei Education Press, 1997 edition). Autumn and the great river are the most common images in Du Fu's poems, which are also the main images in Eight Poems of Autumn Prosperity. The first song selected here is the leading work, and Reading Interpretation says: "The first chapter is also the program of eight poems. Write the autumn scenery clearly and have an empty meaning; " In fact, I have chosen real estate and secretly mentioned capital. The poet connected Weiyuan Qinchuan and Bashan Shushui with overwhelming autumn colors, pinning his thoughts on the motherland; It also connects the past and present of different generations with endless rivers, which embodies its own consciousness of remembering the past and present. The ubiquitous autumn colors in the poem cover the infinite space; And it comes as scheduled every year, silently indicating that the age of nature is declining, time in the universe is like a stream, and life in the world is eternal. The river of "wave and sky" is an eternal time link, linking the history and future of mankind, washing away the replacement of countless dynasties and the process of countless lives. To read Du Fu's poems, we must first understand his Autumn and Rivers. Poems in Tang and Song Dynasties quoted Qian as saying: "The first couplet is tragic and the neckline is tight. This is a festival to celebrate autumn, and it's dusk when it's time. The knife ruler is bitter and cold, and the anvil is in a hurry. " The last sentence used symbols to publicize the meeting, slightly five times. The so-called rugged and bleak is really indescribable. Huang Sheng said: "Du Gong's Seven Laws should be based on Qiu Rong, which is the result of his life." ______________________________________________________________________________

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Eight Poems of Autumn Prosperity was written by Du Fu when he lived in Kuizhou at the age of 55 in the first year of Dali (766). It is a group of seven-character poems with eight consecutive sentences, which is closely structured and lyrical, and embodies the poet's thoughts, feelings and artistic achievements in his later years. The Anshi Rebellion, which lasted for eight years, ended in the first year of Guangde (763). Tubo and Uighur took advantage of the situation and the buffer region took over the army. Because of the war, it was difficult to revive the Tang Dynasty. When Yanwu died, Du Fu lost his livelihood in Chengdu, so he went downstream and stayed in Kuizhou. The poet was ill in his later years, his intimate friends were scattered, his ambition was hard to pay, and his mood was very lonely and depressed. This group of poems "Prosperous Autumn Colors" embodies the gloomy autumn colors, sad autumn sounds, old and sick sufferings, deep affection for the country's destiny, tragic desolation and profound artistic conception in Kuizhou. There are many comments on this group of poems by predecessors, including Wang Si? #93; Du Yi's opinion is the most appropriate. He said: "there are eight poems in autumn, the first one is the first one, and the last seven capitals are in my heart;" Or bearing, or going up and down, or sending each other, or echoing from afar, will always be words ... "It can be seen that the eight poems are well-structured and well-organized, and should not be opened or reversed. On the whole, judging from Kuizhou, where the poet lived, he was associated with Chang 'an. Wandering from the old days to the river, facing the gloomy scenery, lamenting the rise and fall of the country and personal experience; Based on the recollection of Chang 'an's victory in the prosperous times, it comes down to the poet's lonely situation in reality and the sadness of comparison between the past and the present. This kind of worry can not be regarded as an accidental trigger of Du Fu, but a concentrated expression of his concern for the country, the people and the country since the chaos. Seeing that the country is ruined, but unable to make a difference, the poet can't bear to say it clearly, nor can he say it all. That's why he looked at Chang 'an and wrote Chang 'an, lamenting tactfully and repeatedly. In order to understand the structure of this group of poems, it is necessary to explain their contents briefly. The first poem is the prelude to a series of poems. Through the image description of autumn scenery's autumn sound in Wuxia, Wushan, the gloomy and turbulent environment atmosphere is set off, which makes people feel that autumn scenery's autumn sound is shocking and shocking, and expresses the poet's feelings of worrying about the country and the people, loneliness and depression. This song is straight to the point, lyrical, majestic and strong. Poetry is reflected in two sentences, "Congju tears at another day, and the lonely boat is the heart of hometown", and the second and third songs were opened. The second poet is in an isolated city, sitting from sunset to midnight, looking at the north, staying up all night, should be the first. The last two sentences, focusing on my loneliness in Qiu Jiang, the places I have been in my twilight years, I am sick, I am in Jiannan, and deep down, "every Beidou Wangjing flower" shows my deep homesickness for Chang 'an. The third song is about Kuifu in the morning, which is an extension of the second song. The poet sits alone at the bottom of the river every day. The autumn is crisp and the river is quiet, but this silence has troubled the author. Faced with all kinds of contradictions, I deeply sigh that things in life backfire. The fourth poem is a transition from front to back. The melancholy and anxiety of the first three poems are getting closer and closer, which reveals its central content and touches the core of "every Beidou Wangjinghua": Chang 'an struggles for this and that, like "playing chess", repeatedly uncertain. The change of personnel, the collapse of law and discipline, the successive invasion of Uighur and Tubo made the poet deeply feel that the national fortune is not what it used to be. For Du Fu, Chang 'an is not an abstract geographical concept. He lived in the political center of the Tang Dynasty for ten years, and he was deeply impressed by his attachment, admiration, laughter and "hidden sadness" everywhere. The country is ruined, Qiu Jiang is cold and silent, and familiar Chang 'an scenes emerge one by one. Choose the following four songs from the sentence "My home is peaceful and thoughtful". The fifth song depicts the majestic Chang 'an Palace, the solemnity of the early scenes, and my "honored" memories so far. When Cangjiang fell ill, it was already late autumn, which touched his feelings of worrying about the country. The sixth song is about the prosperity of Qujiang, a place where emperors used to sing and dance. The royal banquet attracted endless "border worries", singing and dancing, ruined the "ancient imperial country", and implied reprimand in infinite regret. The seventh memory of Chang 'an Kunming Pool shows the prosperous national strength, magnificent scenery and rich products in the Tang Dynasty. The eighth poem shows the poetic pride of the poets Kunwu, Su Yu and Seppi in their spring outing. " The marker used to be dry "is an unforgettable impression." Eight poems are an inseparable whole, just like a large lyric music with eight movements. The theme of this lyric song is the patriotic thought of worrying about the rise and fall of the country, and the keynote is the bleak autumn scenery of Quiff, the poet's sick old age, the lost life experience, and especially the heavy mood of caring about the safety of the motherland. In the meantime, there are lively and cheerful lyrical expressions, such as "beauty meets Cui Chun and asks each other, and fairy couples move in the same boat late"; There are magnificent flying and passionate descriptions, such as memories of Chang' an Palace Que and Kunming Pool Water; There are generous expressions of grief and indignation, such as "students and teenagers are not cheap, and the five tombs are light and fat"; There are very depressing sighs, such as "the sky is only a bird's road, and the rivers and lakes are full of fishermen" and "the bald head sings down". In expressing the poet's loneliness and anxiety, its tone is different. "The waves between the river and the sky are rough, and the clouds are covered with fog." Write sadness boldly and broadly; "Loyal officials and fishermen are still vague, and swallows fly in the clear autumn", which makes the uneasy mood of "cutting without stopping" beautiful and quiet. In a word, each capital in the eight poems expresses the thoughts and feelings of the keynote from different angles with its own unique expression techniques. The eight songs support each other and form a whole. This not only makes the whole lyric complex and rich, but also cadences, opens and closes well and highlights the theme. Wang Chuanshan said to this: "If eight poems are changing into a seven-tone palace, they will become a chapter of their own, or they will be merged into one, then they will lose their manners." (Selected Poems of Chuanshan) Among the eight poems of Qiu Xing, Du Fu not only makes a strong contrast, but also repeatedly introduces readers into the realm of poetry by means of cyclic lyricism. The outline of the poem is "Looking at Chang 'an from Kuifu"-"Looking at China from Beidou". The fulcrum of poetry is "Qujiangtou at the mouth of Qutang Gorge, and Wan Lifeng meets Su Qiu in smoke". It's a long way from the mouth of Qutang Gorge to the source of Qujiang. The word "Jie" is used in the poem to interweave all kinds of complex feelings of visiting Shuwangjing, remembering the past and worrying about the country and the people into a profound and magnificent artistic realm. The first song is related to "Hometown" and comes from the opening of "Chrysanthemum". The meditation on "hometown" was interrupted by the sound of anvil everywhere at dusk in Baidicheng. There is a round trip from Kuifu to Chang 'an and from Chang 'an to Kuifu. The second song, the ancient city of Kuifu, looks at Chang 'an in the direction of Beidou, listens to apes in the gorge and thinks about "painting incense burners". This is two round trips. Memories of reminiscence were awakened by the sadness of the ancient city of Quefe. This is the third round trip. Although the third song mainly expresses grief, it contains "Five Tombs, Clothes and Horses, Light Fate", and there is still a shuttle between Kuifu and Chang 'an. The fourth and fifth songs, one about the unrest in Chang 'an for more than ten years and one about the grand occasion of Chang 'an Palace Que, all started from the memory of Chang 'an, and the last two sentences returned to Kuifu. The sixth song, from the mouth of Qutang Gorge to Qujiangtou, reminds me of the prosperity of song and dance in the past from the smog in Wan Lifeng. The seventh song, I miss the martial arts of the Tang Dynasty in Kunming, and return to the current neglect of "combining heaven with birds". The eighth song, from Chang 'an's Kunwu ... "to the reality of" growing old together ",is reciprocating. Riding is the basic performance of Qiu Xing, and it is also its characteristic. No matter from Kuifu to Chang 'an, or from recalling Chang 'an, it all comes down to Kuifu. From different angles, deepening layer by layer, not only has no sense of repetition, but also plays a role in deepening feelings and enhancing artistic appeal. It can really be described as "no regrets, no waves" ("Zheng Shiyun"). The harmony and unity of scenes is an extremely important aspect in lyric poetry. Eight Poems in Autumn is an excellent example. For example, "the waves between the river and the sky are rough, and clouds cover the fog." "The waves are rough, as if the sky is also turning; Wushan Fengyun, down to the ground, seems to be connected with underground Yin Qi. The former sentence is from bottom to top, and the latter sentence is connected from top to bottom. The waves are monstrous, the clouds are filled, and the breath of Xiao Sen permeates the Wushan martial arts in autumn. We think these two sentences are powerful in image, rich in content and broad in artistic conception. The poet does not simply reproduce what he has seen and heard, nor does he simply describe the appearance of the rushing rivers, clouds and the Three Gorges in late autumn. The poet grasped their inner spirit and endowed rivers and clouds with certain characteristics. This is a traffic jam between heaven and earth and between rivers, full of waves and turbulence. Depression is gloomy and dark. This vividly shows the poet's extreme anxiety, ups and downs of anxiety and the injustice in Yu Bo's chest, and also symbolizes the bleak world and the restless future. The two poems include the late autumn in the canyon, the poet's personal life experience and the chaos of the country. This kind not only captures the characteristics of the scenery, but also incorporates the deepest feelings in his own life experience. It is expressed in the most vivid and summarized language, which makes the scenery alive and the feelings that the author tries to express are beautiful. Love is due to the scene, and the scene is due to the deep feelings. The language is simple and complex, and the artistic conception is gloomy and open (meaning not cramped or narrow). Su Dongpo once said: "Poetry must be this poem, and you must know that you are not a poet" ("Two Paintings in the Master Book of King Yanling"), which is really knowledgeable and experienced. When Du Fu lived in Chengdu, he said in Jiangcun that "the swallows will come to the hall when they go", and the swallows living in the thatched cottage will come when they go, which shows the quiet summer environment at the head of the village where the poet lived and the relaxed mood when the poet temporarily settled down after wandering. In Three Poems of Autumn Prosperity, there are also swallows, but the poet said, "Swallows fly in the clear autumn. "The poet sits alone in the Jianglou every day, watching the swallow jump around in boredom, and Yan's words are back, as if he were deliberately mocking the poet's inability to return, so he said it was deliberately flying around. The word "reason" shows the poet's anxiety. Another example is "Qutangxia mouth Qujiangtou, Wan Lifeng smoke every autumn", Qutangxia is in the east of Kuifu, close to where the poet is, and Qujiang is in the southeast of Chang 'an, which is a place of thinking. Huang Sheng's "Du Shi Shuo": "Two sentences clearly miss each other here, but only write about the scenery. Du Fu's poems are refined and the scenery is emotional, which can be regarded as refined language. To the point where "the calyx clamps the city to cure the gas, and the lotus garden is worried about entering the country"; Autumn scenery's "Lonely Fish Dragon and Cold Qiu Jiang" is a self-metaphor; Look at the vines on the stone. The flowers in front of the continent have been reflected. "Pure writing is the scenery, and feelings are among them. Examples of this blending of scenes can be found everywhere in eight songs. The above-mentioned blending of scenes is the consistency of scenes, which effectively reveals the artistic effect produced by the poet's rich and complicated inner world. In addition, Du Fu is good at expressing deep sadness with magnificent and colorful words. In Autumn Prosperity, Chang 'an's former prosperity is described so colorful and full of pride, and the poet's early happiness is so gratifying and exciting. Some descriptions of Chang 'an not only adapt to the artistic conception in memory, but also become a unified, inseparable and mutually set off whole with the poet's desolate feelings in reality. This helps readers to realize the great sadness and anguish of the poet when his country was ruined and his family died and he drifted in his twilight years. The more passionately the poet praises the past, the more people feel that the poet is deeply worried about the country despite his advanced age, and the greater the pain of his "dishonesty". "Eight poems in autumn are intertwined with the cold and desolation in late autumn, the loneliness and desolation of mood, and the decline and fall of the country. According to the usual writing, we should always use some words such as Qing, sadness, disability and bitterness. But in this group of poems, Du Fu used more flowery words to write the sadness of autumn. At first glance, it seems completely different from the artistic conception in the poem, but under the ingenious drive of the poet, they more effectively contrast the depression of the late autumn scenery and the desolation of the artistic conception. Such as Penglai Palace Que, Yaochi, Ziqi, Yunyi Tail, Sunrao Longlin, Pearl Curtain Embroidered Column, Jinya Mark, Wudi Banner, Weaver Silk, Beauty Picking up Vegetables, Fairy Couple in the Same Boat, etc. But in Du Fu's works, these words are used to set off desolation and loneliness, and the courage to use words is out of common sense, and the depth of artistic conception makes people feel that common sense is everywhere. This uncoordinated coordination and unification not only does not damage the integrity of image and artistic conception at all, but also often produces stronger artistic effect than writing with coordinated words. Just as it is much more difficult to write sadness with laughter than with tears, if you write well, your thoughts and feelings will be more profound and powerful. When Liu Xie talked about duality in Li Ci in Wen Xin Diao Long, he pointed out that "opposition" is better than "right opposition". Its superiority lies in the combination of reason, difference and interest, and it has a positive effect of complementing each other, deepening interest and enriching content. Expressing sadness and anguish with luxurious words and scenes is also a kind of "combination of reason and interest", which can also be said to be a blending of scenes on a higher basis. The harmony between them is also the unity under the deeper and more complicated ambivalence. Some people think that after Du Fu entered Shu, poetry no longer had the magnificent and intense feelings of the previous period. In fact, poets in this period were not depressed, but their life circumstances were different and their thoughts and feelings were more complicated and profound. In terms of artistic expression, after long-term life training and accumulation of creative experience, it has been further improved or enriched compared with the previous period, as evidenced by Qiu Xing.