Yan Shu's Works, Writing Style and Related Contents

Yan Shu's poems are elegant and sentimental. There are 240 volumes of his poems, most of which praise wealth and leisure IELTS.

"Huanxisha (Why Flowers Fall)" is his masterpiece, in which "Why Flowers Fall, I feel familiar with Yan Gui" is a famous sentence.

Liu Shou's Poems on Zhongshan says: "Yuan Xian is especially fond of writing lyrics, and his actions have not diminished."

Feng Xu's "On Haoan Ci" in Qing Dynasty said: "My uncle was not far away in the Five Dynasties and was incited by Xin Lie, so he got it first. Therefore, he went out to the palace to levy you, gentle and beautiful, and was the ancestor of the Northern Song Dynasty."

Modern Zongzhi's Textual Research on Ci said: "The tunes unearthed in Dunhuang collected by the neighbors are not vulgar, and they are very similar to Yan and Ou Ci, so their origins should actually be traced back to the middle and late Tang Dynasty."

This word is one of Yan Shu's representative works, which basically represents Yan Shu's artistic style.

He lived a rich and carefree life, and most of his works were sung on the stage, before the flowers and under the moon. However, his writing style was leisurely and graceful, his sense was profound, his temperament was harmonious, and his dictionary was elegant, which made him a recluse poet at that time and enjoyed a lofty position in the literary world of the Northern Song Dynasty. He is good at poetry, writing and writing.

On one occasion, Yan Shu passed by Yangzhou, and when he was tired of walking in the city, he went to daming temple to have a rest. Yan Shu walked into the temple and saw many poems written on the wall. He was very interested, so he found a chair and sat down. Then, ask the entourage to read him poems on the wall, but don't read out the poet's name and identity. After listening for a while, Yan Shu thought a poem was well written and asked, "Who wrote it?" The waiter replied, "The poet's name is Wang Qi." Yan Shu sent someone to find the British authority. Wang Qi was called to visit Yan Shu. Yan Shu got along well with him and invited him to dinner happily. After dinner, they went for a walk in the back garden together. It's late spring, and there are fallen flowers everywhere. A breeze blew, and the petals fluttered with the wind, which was very beautiful. When Yan Shu saw it, she suddenly touched his heart and couldn't help saying to Wang Qi, "Miss Wang, whenever I think of a good sentence, I will write it on the wall and ponder the next one. But there is a saying that I have been thinking about for several years and I have not come up with a good one. "

Wang Qi quickly asked, "Please tell me what this sentence is?"

Yan Shu read a sentence: "There is nothing to do;

Hearing this, Wang Qi immediately said, "Why didn't you answer:' I used to know Yan?' "

Yan Shu clapped her hands and applauded, saying, "Wonderful, wonderful, wonderful!" "

Yan Shu's ci is graceful and graceful, and the overall style is close to that of Feng Yansi, but he has also made some achievements.

Yan Shu's spiritual life is so natural and unrestrained that his rich material life can't satisfy his soul eager to explore the value and meaning of life. His sensitive mind often touches the depths of human hearts for no reason. He is good at experiencing loneliness from prosperity, emptiness in singing and music, and incompleteness in perfection. So a wisp of smoke and fog of sadness poured on the pen and turned into small words of deep bitterness.

Ye Mengde's Story of the Summer (Volume II) said: "Although Yan is rich early, she is very nurturing. I only like guests, and never have a day without drinking. ..... will also be accompanied by songs and music, laughter. ..... After a pause, another song came and said,' You Cao has performed all the art, so I should perform it. "Is a pen, a poem, the rate is normal. Ex-romantic, nothing like it. "

Serenade of peace and joy/lyrics of peace, tranquility and joy

The fine print says that business is flat, geese are in the clouds, and fish are in the water. It's hard to feel this way.

The setting sun leans on the west wing alone, and the distant mountain is facing the curtain hook. People don't know where, but the green waves still flow eastward.

Serenade of peace and joy/lyrics of peace, tranquility and joy

The golden wind is thin, and the leaves fall. Green wine is easy to get drunk at first taste, but a small window pillow sleeps deeply.

Ziwei Zhu Jin has flowers, and the setting sun shines on the railing. The silverscreen was slightly cold last night.

Serenade of peace and joy/lyrics of peace, tranquility and joy

Spring flowers and autumn grass. Just old people. Always sweeping Qianshan's eyebrows. Don't worry too much if you don't arrive.

Advise you to drink the golden cup of green wine. Don't worry about the sound of silk and bamboo. Rabbits can't fly, but life comes back three times.

Serenade of peace and joy/lyrics of peace, tranquility and joy

Spring has come and autumn has gone. Used to know where. Swallows returned to Fei Lan to cry. A thousand times can't last.

This wine is light and heavy. Sitting alone in a buttonwood tree. I remember last year today, according to the former yellow leaves and the west wind.

Huanxisha

The jade bowl drips cold dew, the powder melts fragrant snow and penetrates the yarn, and the makeup is more than evening lotus.

Looking forward to the moon, the wine is red at the beginning of the face, and in Bian Xia, a dream of spring is sinking.

Huanxisha

The wine wakes you up tired, the water is fragrant, the cold is lazy, and the plum blossoms come first.

When Leng Xue is lonely and the spring breeze comes, small screens hang curtains.

Huanxisha

I have always been young and limited, and I am easily ecstatic when I have nothing to do.

It is better to pity the people in front of you than to miss the mountains and rivers.

For such a long time in the past, the word was regarded as a "Tao" and a "poem". Many orthodox writers have no intention of writing, or are unwilling to be mentioned occasionally, and regard the creation of ci as something contrary to Confucian tradition. It was not until Yan Shu and Ouyang Xiu in the mid-Northern Song Dynasty that literati began to create a large number of ci, deliberately using ci as a stylistic tool to express their feelings and aspirations.

Both Yan Shu and Ouyang Xiu are called "tern style" because they have the same characteristics. Yan and Ou both created a large number of ci poems, and they pioneered the literati ci in the Song Dynasty. We can see that Yan Shu's ci also has a strong traditional literati color, and most of his ci are songs between banquets, which reflects the entertainment and life of senior literati at that time and their emotional thinking about life. And his words about love are more profound. Even if you describe the love of acacia, you can see the shadow of the literati's mentality. Yan Shu strongly opposed and severely criticized a large number of vulgar words created by Liu Yong. Although Ouyang Xiu studied under Yan Shu and was a scholar-bureaucrat, he could learn from Liu Yong's ci to some extent because of his personal character and life reasons. In him, we can see the integrity of scholar-officials and the romance of talented people at the same time. Among European words, words describing women and love account for a large proportion. His love is obviously different from that of Yan Shu. This, we can see from the specific text.

Here, we quote a famous poem "Dead Hua Lian" by both of them. From the words with the same epigraph, we can clearly see the difference between them.

The threshold chrysanthemum worries about smoke and tears. The curtain is light and cold, and the swallow flies away. The bright moon doesn't know how to leave sorrow and hate suffering. The morning light slanted on Zhu Hu.

The west wind withered the green trees last night. A person in a tall building can see the end of the world. I want to send colored stationery and rulers. The mountains are long and there is a lot of water.

How deep is the yard? The willow piles up smoke, but the curtain is not heavy. Jade music carving saddle patrol smelting office. The building is too high to see Zhangtai Road.

March storm. It closes at dusk, and there is no plan to stay in spring. Tears demand flowers and flowers to be silent. Falling red flies through the ages.

These two capitals are well-known masterpieces. Yan ci focuses on the description of parting from sorrow and lovesickness, while European ci focuses on cherishing others and hurting spring.

On the whole, Yan Shu's ci shows a lonely style, which can often be used as a symbol of personal character and interest, showing the author's lofty and extraordinary. He even painted a distant picture for us. This can be the yearning for a lover, the pursuit of true knowledge, and the pursuit of all good things. Wang Guowei regards "last night, the west wind withered the green trees, climbed the tall building alone and looked at the horizon" as the first realm of knowledge. We can feel the author's own figure from Yan Shu's first poem. Even the theme of love, the clear and sad mood, and the posture of being aloof from the cold are all vividly expressed in the poem.

If Yan Shu's lovesickness is still a scholar, Ouyang Xiu's first poem was written entirely in a woman's tone. It is also a sad image, and the late spring scenery described by European Ci is full of sadness and helplessness. Although Ouyang Xiu is also in a high position, his words can be meticulous and sensitive. The subtle feeling in his words was not destroyed by the slightest exposure of his spiritual self. It can't be said that European Ci doesn't express his feelings, but Ouyang Xiu can appreciate this meticulous feeling to a great extent and naturally express it in a woman's tone.

As senior scholars, there is little difference in status. Why do they feel so different? I'm afraid this is inseparable from their life experiences and personalities.

Yan Shu was recommended when he was only four years old, and he has been in a high position. His thoughts represented the most orthodox literati group in the society at that time, and he was the leader of the literati group. This can be seen from his ci, or just from the name of his ci collection: Zhuyu Collection-Zhuyu represents the meaning of round and graceful pearls and the style of Yan Shu. Although he has made great achievements in the quantity and quality of ci creation.

Although Ouyang Xiu and Yan Shu are apprentices, their personal relationships are not very good, and there are some differences in their thoughts and opinions. Ouyang Xiu was born in poverty when he was young and came into contact with many civilian lives. His personality is different from that of traditional literati, and he is a very individual figure. Ouyang Xiu further integrated the pleasure, leisure and indulgence of this scholar-bureaucrat with the pleasure mode of the emerging market culture in the Northern Song Dynasty.

This completely different attitude towards life is reflected in ci, which will inevitably make their ci styles show great differences.