In Wang Wei's Autumn Night in the Deep Mountains, it is clearly written that there is a female fishing boat. How can a poet be called an "empty mountain"?

In Wang Wei's "Autumn Night in the Deep Mountains", it is clearly written that there is a female fishing boat, and the poet says it is an "empty mountain" because there are lush trees in the mountain, which covers up the traces of human activities.

Full text: after the rain, the mountains are empty and stand in the autumn night. ? The bright moon shed clear light from the cracks and cleared the fountain on the rocks. ? The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. ? Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

The empty mountain has been bathed in a new rain, and the arrival of the night makes people feel that it is early autumn. The moon is clear and clear, and the clear spring is flowing. The bamboo forest was noisy until the washerwoman came back, and the lotus leaves swayed like canoes. The wheat straw in spring might as well let it rest, and the prince and grandson in the mountains can stay in autumn.

Autumn Night in the Mountain is the work of the Tang Dynasty poet Wang Wei. This poem depicts the charming scenery of the mountain village and the simple fashion of the villagers in the evening after the rain in the autumn of Chu Dynasty, and shows the poet's satisfaction with his seclusion and natural beauty, so as to express his personal beauty and social beauty.

Extended data:

One of the most important artistic techniques in Autumn Night in a Mountain is to express the poet's personality beauty and ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.

The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Zhuan Xu re-writes, fragrant and clear; Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.