Xiaoshan Ziweishu wholesale

Ren Xiong, a native of Xiaoshan, Zhejiang, is not from Shanghai. His father, Ren Chun, is good at painting and is slightly famous in the local area. Influenced by it, Ren Xiong loved painting since childhood and often painted lanterns when he was a child. After his father died, he learned to paint portraits from a village teacher. Any method of depicting and filling shadows is omnipotent, drawing on the abilities of men, women and children. Because I didn't want to stick to the chalk book, in order to draw the anatomical structure of the human body wrapped in clothes, I stole its method, so that "the person who bows to the top of the feather is bald enough, and the person who arches to the end is enough", which caused the teacher's dissatisfaction. Ren Xiong left school and went to sell paintings everywhere for a living.

Ren Xiong got help from fellow countryman Lu Yeshan in Hangzhou and made many painting friends. At this time, people have paid attention to his portraits. However, he still studied the traditional art tirelessly, and copied the 16 arhat carved in Guanxiu of Shengyin Temple in Gushan, Hangzhou. Zhou Xian in western Zhejiang loves Ren Xiong's paintings and invites him to Fanhu Caotang, where he can touch the masterpieces of the ancients all day long. If he is slightly dissatisfied, he will come back and confuse it with the original, or it will be better than the original. When I am in a mood, I often stay up all night for eight years, so my painting skills are getting deeper and deeper. Later, it was extended by Ningbo scholar Yao Xie. The Yao family has a rich collection of books, which enables him to appreciate the best paintings and calligraphy of famous artists in Song, Yuan, Ming and Qing dynasties. During this period, 120 Yao Xie's poems and paintings (collected in the Palace Museum) created by him are one of his representative works, and both the scenery and the writing style are amazing. Ren Xiong later moved to Ningbo, Hangzhou, Shanghai, Suzhou and other places to sell paintings for a living. Later, he died at home because of illness, at the age of 35.

Ren Xiong's painting style is good at landscapes, figures, flowers, feathers, insects, fish and animals. His brushwork is strong and his smell is quiet, which won the hearts of Song people. Especially good at characterization, comparable to Chen Hongshou. The characters are quaint, eccentric and exaggerated. The charm of Chen Hongshou makes them unique, and the self-portrait is meticulous and realistic. Ren Xiong's clothing line sketch has always been wonderful and skillful. Inscriptions are also very powerful, just like paintings. There have been paintings such as Biography of the Sage of Yue, Biography of the Swordsman and Liexian Wine Brand engraved in the world. Handed down works include 100,000-page atlas, Yao Xie's poetic atlas, self-portrait and so on, which are now in the Palace Museum. In the fifth year of Xianfeng (1855), the four beautiful pictures were collected in China Art Museum. Shanghai Museum collects 20 pages of Yao Meibo's copybook, the axis of Luoshen and Fanhu Caotang. Portrait of Ding in Zhejiang Museum; The album Like Shao Kang is collected in Nanjing Museum; Yao Gongqiu Fan Map is collected in Nanjing Museum; The Four Seasons Flower Map is collected in Liaoning Provincial Museum; People's Atlas is in Guangzhou Art Museum.

Chronology 1823 three years of Qing Daoguang (imperial concubine) 1 year.

Born in Xiaoshan, Zhejiang on June 12, his real name is Xiong, the 22nd generation. Father Ren Chun is a folk painter.

1826 Daoguang six years (Xu Bing) 4 years old.

"I like to smear since I was a child. I read it with Master Zhang, and occasionally I check it under his schoolbag, all of which are drawing ears. " Learn painting from a village teacher.

1835 Daoguang fifteen years (B) 13 years old.

Brother Ren Xun (Fuchang) was born.

Sha Ying (Zi Chun), the younger brother of Shafu (Shan Chun), was born and later became Ren Xiong's teacher.

1838 18th year of Daoguang (1898)

16 years old, lost his father in his early years, came from a poor family, and his younger siblings were young. At this time, he began to sell paintings to support himself and take care of his family.

1840 Twenty years of Daoguang (Boxer Rebellion) 18 years old.

The vertical axis of the paper of Seven Words in Regular Script: "The painter has no cold hands; On books, monks comment on books. "

184 1 year Daoguang twenty-one years (Xin Chou) 19 years old.

He wrote a picture of a beautiful woman, and later Zhou wrote the word "show your resentment" on it.

1842 Twenty-two years of Daoguang (Renyin) 20 years old.

In Ningbo, Hangzhou, Suzhou and Shanghai, I sell paintings for a living.

1845 Daoguang twenty-five years (grade three) 23 years old.

Wu Daozi painted stone carvings in Dinghai, trying to imitate the brushwork of the Tang Dynasty.

1846 Daoguang twenty-six years (bingwu) 24 years old.

Stay in Hangzhou West Lake with fellow countryman Lu Cishan. At the Shengyin Temple in Gushan, I visited the stone carvings of sixteen people who were repaired in the Five Dynasties. I slept under them and copied them constantly, further understanding the painting methods of the Tang people. (See Wu Hengzhong and Ren Weichang's "Song Yin Tu": "Daoguang Bingwu and Lu Cishan overseas Chinese stayed in the West Lake, so they had to repair 16 statues and sleep under them." )

Production of a large-scale album "Guan Xiu Sixteen Arhats Imitation" (now in Nanjing Museum).

1847 Daoguang twenty-seven years (Ding Wei) 25 years old.

In the summer of May, I wrote "Collection of Herbs" (now in Zhejiang Museum), and wrote a poem in five words, which was not bad.

1848 twenty-eight years of Daoguang (Wu Shen), 26 years old.

Zhou Xian, who started in Qiantang (Hangzhou), "stayed in Fanhu Caotang for three years. The ancients have beautiful paintings all day long, which are slightly invincible. If you need to change them again, you win. The night also holds a candle and never stops, so the painting is getting more and more refined "("Ren Chuan ").

Jiang Qianchang Looking at Pictures for Zhou Xian. Remember two people watching the tide in Qiantang in August.

The map of Bo Gu was made and then flowed into Japan.

1849 twenty-nine years of Daoguang (Ji You), 27 years old.

Live in Fanhu Caotang and make four screens of autumn flowers. He wrote "Liu Liu Zhou Fan" and gave it to "Good Jiangnan".

1850 Daoguang thirty years (Geng Xu) 28 years old.

I lived in Fanhu Caotang, Zhou Xian, and met Yao Xie, a poet, painter and collector. In spring, my friends and I went to Jinshan, Jiao Shan and Beigushan in Zhenjiang. After visiting Mingzhou (Ningbo, Zhenhai). "If you visit a beautiful landscape, you will make it dangerous. If there is a wonder in a tree and a stone, you will linger in it and say,' This is a picture book of nature'. "

I live in Dameishan Pavilion in Yaoxie, Ningbo in autumn, and have poetry and painting exchanges in the morning and evening. In February, I selected Mei Bo's poems in various colors and painted them into 6 volumes, 120 pages. The book is rich in content and covers a wide range of topics, including figures, ladies, warriors, immortals, Buddhism and Taoism, ghosts, Bo Gu, flowers and birds, insects and fish, animals, pommel horses, landscapes, terraces and palaces. , with unique poems and paintings. In a book, meticulous brushwork is freehand brushwork, miscellaneous, bizarre and unpredictable. There is a picture book of the Qing dynasty, which should be regarded as the first one. The sixth volume of this picture is original, and now it is in the private collector's office in Hong Kong. 10 (or a copy of Lu Hui) is now in the Palace Museum.

Make a fan of Spring Bronze Sparrow and give it to Yao Xie.

Make an album of Poems and Ladies in Song and Yuan Dynasties, 16 pages. At the invitation of Yao (the eldest son of Yao Xie).

The paper version of Plum Blossom Beauty was circulated in the second day of beginning of autumn in Dameishan Pavilion. (See South Painting, Volume VII, page 202, and Famous Paintings on the Sea, page 6. Collected in Shanghai Cultural Relics Store), his works include: Picking Zhi Tu (now in Shanghai Cultural Relics Store), Phoenix Peony Tu, Doum Tianzun Tu (now in Shanghai Museum), Flower Atlas, Magnolia Shuangluan Tu (now in Nanjing Museum), Yaotai Birthday Tu (VI

Autumn, for the autumn in Zhejiang, wrote the "Hundred Flowers Atlas" in Dameishan Pavilion. (See the cover of Christie's auction catalogue in Hong Kong 1987 65438+ 10/2).

In winter, I went back to Xiaoshan and made an appointment with Cao Yu (Ziyi) in the village. At that time, people in the village began to pay attention to their paintings. Dumen is a year.

185 1 year Xianfeng first year (Xinhai) was 29 years old.

On the fifteenth day of the first month, this book begins with the postscript of the album "There are pictures in Dameishan people's poems".

"In the early years of Xianfeng (it should be around 1853), Zhou Xian from Jiaxing was recommended to Zhong Wugong Jinling Murong for painting. After living for many years, he got help from Jiangshan and his brushwork became healthier." I am grateful for my self-sufficiency in painting Suzhou after returning to China. (See the draft of Xiaoshan County Records).

I met Zhang Xiong Xiangzi for the first time (1803 ~ 1886) and visited him. Draw a Zhang Mei lantern and a candle.

In winter, I returned from Chu and revisited Zhou Fanhu Caotang. (See "Ren Chuan")

The vertical axis of Dragon Boat Festival paper, Chen Jinmen (now in Suzhou Museum), the vertical axis of Meizhu Shuangqing drawing (now in Shanghai Museum), the travel map of Xianghu Lake (now in Shanghai Cultural Management Association), the flower and bird painting (now in Zhejiang Museum) and the drunken picture (now in Hangzhou West).

1852 Xianfeng was 30 years old for two years.

At the invitation, "I visited Wu (Suzhou) and went to Shanghai (Shanghai). Jia, a paunchy man, asked for a thousand dollars and refused to accept it. " (See Ren Zhuan).

"Wei Changju lived in Wu, heard about the change of Guangdong to the west, and talked with Zhou Zicun about Japan. He volunteered." (See the postscript of Ding's Liexian Liquor Brand). He lived in Huayang Daoyuan, formed a calligraphy and painting club in Penglai Pavilion with She Yong, Huang Ju, Yang Yuhua, Wei Guangfu, Sun Yong and Qi Xueqiu, and was presided over by Gongtui, who successively wrote "Elegant Collection of Penglai Pavilion" and "Qixi Banquet in Yixianlou" to record their grand occasions respectively. In June, I arrived in Zhou Xian and visited Lingyan and Tiger Hill. At that time, "Wuzhi people met with beggars' pen and ink with gold coins." (see "Ren Chuan") "When Wu

One after another people are pregnant with platinum and silk. Therefore, painting at home is not enough to give rice and salt, to save his wife and children for Gaotang. Drawing is getting more and more difficult, so everyone should be careful. "(see Ding's Preface to" Liexian Wine Brand ") Ren Xiong entered a period of vigorous creation. Ren Xiong married Liu Wenqi's orphan daughter. The Taiping Army plans to attack Nanjing, and the Jiangnan area is in a hurry. His friend Huang Shou (1796 ~ 1860) married Liu's orphan daughter as Wei Chang. Due to the urgency of current affairs, Huang invited Ren Xiong to join her husband's family. Ding (1827 ~ 1890) wrote an afterword for "Liexian Wine Brand": "Jinling police feather scattered, residents scared away. Gong Shou is eager to recruit books, marry into the woman's home, and return home in splendor. "Liu Gongsun Zan, the word" Wen Qi ","If you lean on a horse, you can write a thousand words, not aloof. Unique Zhou Xian, thousands of miles to the book as a friend. After Liu Wenqi's death, his orphan daughter stayed in Wuzhong. "Make a picture of listening to the piano under a beautiful tree, playing the flute and playing the waves, playing the piano in the shade (now in Hangzhou Xiling Printing House), playing the piano and sipping tea (now in Shanghai Museum), a picture of a quiet day in the shade (now in Central Academy of Arts and Crafts), a picture of boiling medicine (now in Wuhan Cultural Relics Store), and a picture of" 1853 Xianfeng for three years.

Go to Suzhou in February and take Liu's daughter back to Xiaoshan.

/kloc-went to Shanghai in October to make the Smoked Cage Map (now in Tianjin Art Museum). His works include Ju Shi Tu, Ada Tu, Golden Rooster Tu, Wei Zi Tu (now in the Palace Museum), Four Seasons Flower Atlas, Flower Atlas, Ma Gu's Birthday Sacrifice Map (now in Zhejiang Museum) and Lanting Autumn Festival (now in Hangzhou Xiling Publishing House).

1854 Xianfeng four years (Jiayin) 32 years old.

Wuzhong (Suzhou) made an appointment with Shafu (Shanchun) to take Shafu's younger brother Sha Ying (Zi Jiaying and Zi Chun) as his apprentice and travel to places of interest such as Jinshan and Jiao Shan together. He also accepted Pan as his disciple. "Painting flowers and fruits is very sparse and beautiful, but the composition is quite strange." (See Zhang Mingke's Notes on Hanshu Song Ge)

In the spring, Ren Xiong painted a picture, Cai was rigid, and published 48 pieces of wine cards with preface, Ren Qi () as preface and Cai as postscript. Ding's postscript "Liexian Wine Brand" says: "Home painting is not enough to give rice and salt, to serve as a high hall and to save a wife." Son (Li Fan) was born. At the meeting of moon cakes, the brand of "Lixian Liquor" was engraved and printed and distributed to relatives and friends. He has painted four paintings, namely, Zhong Xiang Tu (see Catalogue of Famous Japanese Paintings in zhina), Hua Tu (now in Tianjin Art Museum), Ying Shu Tu, Fuchun Mountain Tu (now in Shanghai Museum) and Hundred Flowers Tu (now in Wang Xiling's home).

1855 Xianfeng five years (Mao Yi) 33 years old.

In summer, at the invitation of Zhou Xian, he visited Jiao Shan with Chen Lin and was "entertained" by the garrison generals.

"Zhou Xian joined the host army at Jingkou, Chi Shu."/Kloc-At the age of 0/8, he returned to Jiao Shan with Chen Yun. The head coach is Duke Zhou, and the assistant coach is Duke Lei, who keeps his mouth shut and values him very much. (See "Ren Chuan")

It should take a short time to enter the Rong Rong curtain, but only one month. "In the early years of Xianfeng, Zhou Xian of Jiaxing was recommended to Zhong Wugong Jinling to draw a map and live in it for many years." (See the draft of Xiaoshan County Records).

Ren Xiong returned to Qiantang with Zhou Xian and lived in Fanhu Village. In July, he wrote "Fanhu Cottage Map" (Zhou's "Fanhu Cottage Map" will be completed in three years), which is two feet long. It is one of Ren Xiong's representative works of landscape painting and an important work in the late Qing Dynasty. As the vertical axis of "Three Stars of Fu Lushou", the representative figure painting at this time (private collection in Taipei); His works include Autumn Fan Map of Yaogong (now in Nanjing Museum), Landscape Map of Courtyard (now in Shanghai Museum), Four Red Maps (now in China Art Museum), Picture of Ma Gu's Birthday (now in Shanghai Duoyunxuan), Picture of Yuan Nv's Gift (now in Tianjin People's Fine Arts Publishing House) and Picture of Landscape Ladies (now in Suzhou Cultural Relics Store). /kloc-in October/February, I returned to Xiaoshan and Doumen for one year.

1856 Xianfeng six years (Chen Bing) 34 years old.

Dumen can't get out in Xiaoshan.

Female was born in Zhao Rong.

In March, Ren Xiong painted, Cai was rigid, and published 33 biographies of Rangers, with a preface by Ding. Ren Xiong was the first, and wrote a cloud: "Lan Shuzi was painted by Wei Chang, carved by Cai Rongzhuang, Xianfeng in March."

Autumn, the ninth day, made a photo of Huang Ju's wine and Xie in Ding Lanshu's big Bishan room. He was the "Baoqing" side of the lithograph. This seal is the only seal handed down from generation to generation.

"Self-portrait" is a meticulous figure painting by Wei Chang with the theme of "Twelve Point One Que". It is also a masterpiece in portraits and self-portraits of painters in China. Make 80 biographies of Yue Shengxian. Supplementary pictures (now in Xu Beihong Memorial Hall), 30-year-old portrait of Ding Lanshu (now in Zhejiang Museum), sleeping cat under the shadow of banana (now in Shanghai Museum), portrait of Zhou Xingyi (now in Shanghai Museum) and 100,000 atlas (now in Palace Museum). On Ancient Paintings (now in Hangzhou Xiling Press), Luo Fu's Fairy Shadow Picture, Fei (now in Zhejiang Jiaxing Museum) and Unknown Picture (now in the Palace Museum).

1857 Xianfeng seven years (D 4) 35 years old.

In April, the second son was born.

In May, Ren Xiong got sick, and his condition became worse and worse.

In the midsummer, he made a paper version of Lin Qiu's disabled words, and wrote a self-titled poem (now in the Palace Museum). In August, Zhou Xian went to Xiaoshan for an appointment, but failed. In September, Zhou Xian returned from the rooftop. "My dear friend, stay overnight and talk about ten days off. It is said that behind Xiangyun Temple, the rock wall stands tall, making all kinds of Yun Toucun, which is the first wonder in the world. You must go and see it. When he was ill, (Zhou Xian) resigned for an appointment, but Ren Xiong couldn't. Forced to disembark, pan-Xianghu, step into the temple, drink parrot cups, and have a good time with each other. Go to Cao Shi (Cao Ming) Qicang Caotang for a drink later. My dear friend has his own disease, and those who stay at home miss May. When he arrived, he began to leave together, looking for old friends and places of interest, and he was in a good mood "(Ren Zhuan). He has worked on Spring Pavilion (now in Shanghai Museum), Bald Trees and Cold Mountains (now in Tianyi Pavilion Museum in Ningbo, Zhejiang Province) and Beauty Lake Stone Map (now in Tianjin Art Museum).

/kloc-in October, I was seriously ill and died at home in the seventh day at the age of 35.

On the day of his death, the people of wuyue all sighed. The draft of "Inheritance of Gao Shi" was not completed, only 26 pictures were obtained, but two pictures were still missing, namely, wearing clothes and Yan Zi. After being republished by Cai, The Man's Wife was included in the title page and was published at the expense of Cai. Yang Yuhua and Wei Guang paid for his funeral. Therefore, after that, "the unfinished work was completed by (Sha) Zichun, and you can learn the law."

Wrote a biography of Ren, mourning the untimely death of his best friend. As a famous poet and early master of navigation in the late Qing Dynasty, Zhou Xian left important historical materials about Ren Xiong's life and friendship for later generations.

/kloc-in 0/2 months, he drew 80 biographies of fish leaping and sages inscribed by Cai, bookmarked by Ren Qi and prefaced, and published them at his own expense.

In winter, Wang Xiling of Tongli (Xiao Huang) invested to re-carve the picture of My Dear Hero and Chivalrous Man, so as to spread it in the future.

Works handed down from ancient times include One Hundred Thousand Atlas 10 page, Yao Xie's Poetic Atlas and Self-portrait, which are now in the Palace Museum. In the fifth year of Xianfeng (1855), the four beautiful pictures were collected in China Art Museum. Shanghai Museum collects 20 pages of Yao Meibo's copybook, the axis of Luoshen and Fanhu Caotang. Portrait of Ding in Zhejiang Museum; The album Like Shao Kang is collected in Nanjing Museum; Yao Gongqiu Fan Map is collected in Nanjing Museum; The Four Seasons Flower Map is collected in Liaoning Provincial Museum; People's Atlas is in Guangzhou Art Museum.

Excerpted from Zhou Xian's Painting of Fanhu Caotang.

Excerpts from Zhou Xian's "Hundreds of Atlas" and "Hundreds of Atlas".

Other works are selected from My Dear Friend, My Dear Friend and My Dear Friend.