How to shoot the wedding camera at the bride's house?

Wedding photography can not be understood as a general documentary, but should be conceived as an art film. Just like an article, the article pays attention to the "phoenix head, pig belly and leopard tail", with a high starting point, a rich and full middle and a noble and creative ending. Wedding photography is divided into: new house, wedding banquet, bride's home, location, hotel entrance, ceremony, toast and other plates.

First, the first photo of the room.

Judging from the wedding photos directly above the bed, it is the first lens of the wedding camera. The wedding photos hanging above the bedside are generally about 40 inches, which is the most ideal front double photo. Take close-ups when shooting, and you can't see the painting basket all around. After 7 to 10 seconds, slowly pull away and then slowly roll to the bed. This shot has the effect of "unexpected, reasonable": a pair of beautiful heads like stars make people dumbfounded and think it is an illusion. As the camera slowly zoomed out, people suddenly realized. Next, shoot "Four Colors Ceremony" and "Three Gold". The recent shooting distance of MD9000 camera is 20 mm When shooting three golds (gold ring, gold necklace and gold earrings), push the camera to the nearest distance and use exaggerated expressions. In addition, the sofas, furniture, handicrafts and other furnishings in the room should be photographed one by one. It's best to use film skills, use "dead shots" and "hard switching" to avoid "three noes" (not in place, not ideal and not smooth) caused by "pushing, pulling, shaking, moving and following". If the lens is shaken, the picture should be stable, the left picture should be accurate and the shaking speed should be uniform. When shooting the ceiling chandelier, the camera can be vertically upward, and the auxiliary camera button of the camera can be used for rotating shooting, which increases the dynamic of the picture.

Second, on the way to pick up relatives

When starting from the new house, two sets of shots should be taken: one is that the groom comes out of the new house, and it is best to take a shot of relatives and friends filing out; The second group is the scene of getting on the float. The motorcade is the focus of this paragraph. Before the motorcade leaves, take a panoramic view, and then take a close-up of the groom's head from the passenger table in the float. After the motorcade leaves, the cameraman will track and shoot in a special camera car (three-wheeled motorcycle), paying attention to the surrounding environment, towering buildings, landmark buildings, onlookers and so on. Using the curvature of the road, all vehicles can be photographed from the front. It is best to choose several fixed points for fixed-point shooting, so that the team can enter the camera one by one. Before the motorcade arrives, the camera car must arrive at the destination to shoot the scene of the groom getting off. After getting off the bus, let relatives line up, choose a good location, and take a shot of going upstairs from the front.

Third, knock on the door.

Knocking on the door is the third link of wedding photography, and it is also the most lively and important link. At this time, due to the limitation of the environment, it is difficult to shoot from the front. Photographers can stand on the door and take pictures, be careful not to turn off the phone easily, and record the conversation inside and outside the door with a long lens. In order to prevent the lens from being single, you can insert close-ups of other relatives and friends and gifts in your hand in time, or change the position and angle of the lens. Sometimes you can shoot the "family" in the house through the window, which is a rare good shot. It will greatly improve the interest and story of the whole wedding TV film, but you should pay attention to the relationship between the inside and outside of the door, be sensitive to war reporters, observe at any time, and seize the wonderful moment of "knocking at the door" and "opening the door"

Fourth, the bride's home.

After the first door was opened, there were many guests in her family, which was very lively. At this time, we should grasp the key points, take a group of room shots, and immediately shoot the scene of knocking on the second door. When you knock on the second door, you should take pictures of the decoration in the house and the attitude of your family and friends. There are many girls in the family of the woman and many boys in the family of the man. The swaying window on the door is the focus of shooting. Both sides sang and gave out red envelopes, both inside and outside the door were wonderful. At this time, we should be good at capturing close-ups, with the effect of "emphasis" and "exaggeration", so that the audience can be immersed in the wedding photos. The cameraman suddenly raised his camera, approached the crack of the door and photographed a hand stuffed with a red envelope, then pointed the camera at the child in his arms and took a photo of the talking manager. In short, it was a tense battle ... the door finally opened, followed by flowers, and the bride first appeared in the camera. The bride's first shot is important. Pay attention to the angle and lighting, beautify and strengthen the bride's bright temperament-close-up.

After offering flowers, there are "looking for shoes", "wearing shoes", "wearing a corsage", "wearing a ring" and "eating eggs". After the above work, you should take photos in the living room, mainly with photographers, supplemented by photographers, but the photographers also recorded the scenes of taking photos. If there are too many people taking a group photo, the cameraman can zoom in and pan. At the same time, we should also pay attention to children, the elderly and relatives from other places.