Appreciation of the ancient poem "One Go, Two Li San"

No matter in school or in society, everyone must have been exposed to some commonly used ancient poems. Ancient poetry is a genre of ancient Chinese poetry, also known as ancient poetry or ancient style. What ancient poems have you seen? The following is an appreciation of the ancient poem "One Go to Two Sanli" collected by me, for your reference only. Let's have a look.

original text

At first glance, it is two or three miles away, and mist hangs over four or five families.

The pavilions are six or seven, and the flowers bloom in eighty or ninety.

translate

A child goes to grandma's house with his mother's skirt. Walk out of two or three miles in one breath; At present, I have to pass through a small village. Only four or five families are cooking lunch and smoking. Niangs were tired from walking. When they saw six or seven pavilions by the roadside, they went to have a rest. Outside the pavilion, the flowers are blooming, and the children like them more and more. They held out their fingers and said "eight, nine, ten ~". The poet Shao Kangjie wanted to break off a branch and put it on himself. Just as the poet Shao Kangjie was about to start work, the mother of the poet Shao Kangjie stopped the poet Shao Kangjie and said, "If you fold one, the poet Shao Kangjie will fold one, and the people behind will not see the beautiful flowers." Later, there were more and more flowers here and it became a big garden.

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The two sentences of "a row of two or three miles, four or five houses in a smoky village" are linear visual impressions, "a row" is a horizontal movement, "two or three" refers to a large number of empty fingers, the kitchen smoke is vertical, and the two sentences of "six or seven pavilions, eighty or ninety flowers" are transformed into point-like visual impressions: pavilions are full of flowers.

The poet arranged a quantifier in each sentence of this poem, that is, "Li", "Jia", "Zuo" and "Zhi", which are novel and changeable. Each sentence also arranged two or three numbers: the word "one" began, "23", "45" and "67" were embedded in the sentence, and "890" returned to the beginning of the sentence.

Brief introduction of the author

Poet Shao Kangjie (1011/kloc-0 February 25th, 077-/kloc-0 July 5th, 077) Poet Shao Kangjie (posthumous title, Kang Jie) was named Fu Yao. A famous soothsayer in the Song Dynasty. Dazhongxiangfu in northern Song Zhenzong was born in Fanyang (now Dashao Village, Zhuozhou, Hebei Province) in the 4th year of AD (AD1kloc-0/), 65438+February 25th (Jiazichen, Jiazichen, Xin Chou Yue,191). When I was young, I moved to Zhangheng (now Kangjie Village, Linxian County, Henan Province) with my father Shao Gu, then moved to * * * City (now Huixian County, Henan Province), and moved to Luoyang at the age of 37.

Shao Kangjie is the main representative of divination in China. The change of plum blossom numbers is a divination method invented by poet Shao Kangjie. But there are many versions of this book, and it is estimated that it has been tampered with. Congenital Yi Xue is the main representative work of the poet Shao Kangjie. However, in the works of the poet Shao Kangjie, the description of the innate Yi-ology is not detailed. Zhu's The Original Meaning of Zhouyi gives a detailed introduction to the innate Yi-ology.

Shao Kangjie, a poet, is a representative of Yi School. We directly study the poet's thoughts, and there is only one book, Huang Shishu. This is a book about the rise and fall of dynasties. The world outlook and methodology of the poet Shao Kangjie can be seen from the view of things in Shangshu.