Qu Yuan wrote a poem about vanilla.

1. Qu Yuan's ancient poems about vanilla

Qu Yuan's ancient poems about vanilla 1. Qu Yuan's Vanilla

Qu Yuan, who had been narcissistic and self-respecting all his life, took vanilla as a metaphor and closely linked natural vanilla with virtue. In his poems, he expressed his love for vanilla with words such as collection, admiration, planting and pity. He "sees Pippi's magnolia in the morning and stays in the country at night", "drinks magnolia in the morning and eats autumn chrysanthemum in the evening." Qu Yuan not only used vanilla as a metaphor, but also used vanilla trees as a metaphor for people: "I am not only the nine lush orchids, but also the 100-acre tree." I stayed in the country and found this car mixed with Du Heng and local chronicles. "As a descendant of Emperor Levin, he is not only proud of his birth, but also pays attention to his inner beauty, and he is also gratified by his hard work and achievements in cultivating talents. On the road of self-cultivation, governing the country and assisting the king, he sprinkled gorgeous, romantic and fragrant flowers with his unique temperament. Qu Yuan mentioned vanilla 48 times in his poems. However, the vanilla in Qu Yuan's works is by no means a general accumulation of quantity, but a situation, pain, catharsis and sustenance in which his ideals and pursuits cannot be realized, he is forced to leave the political arena, and he is poor and unable to display his ambitions. He sang vanilla repeatedly in his poems and became a singer of vanilla.

The Nine Chapters consists of nine works: Poems about Huai, River-related, Mourning, Thinking of Painting, Huai Sha, Simian, Nostalgia for the Past, Ode to an Orange, and Returning to the Empty with Sorrow.

Among Qu Yuan's works, Li Sao, Tian Wen, Evocation, Mourning and Huai Sha are mentioned in Historical Records. There are 25 Quyuan Fu in Hanshu, none of which are named. In the Eastern Han Dynasty, Wang Yi also wrote twenty-five Chapters and Sentences of Songs of the South, including Li Sao, Nine Songs (eleven in total), Tian Wen, Nine Chapters (nine in total), Yuan You, Buju and Fisherman, and Evocation was listed in Song Yu (Hanshu). It can be seen that the ownership and authenticity of some of these 25 works were controversial in the Han Dynasty. Generally speaking, modern researchers believe that Evocation should still follow the Historical Records and be regarded as Qu Yuan's work. Traveling far away, Buju and the fisherman are more likely to disguise themselves.

2. Why does Qu Yuan like vanilla? Through the analysis of the sentences in Li Sao.

Affection between Qu Yuan and Vanilla —— Also on Vanilla Image in Li Sao Instructor: Deng Shaokuan Student: Liu's abstract image of Vanilla appears frequently in Chu Ci, especially in Li Sao.

Vanilla is the sustenance of Qu Yuan's spiritual personality and value orientation, as well as the external expression and internal belief of his spiritual strength. The deep accumulation of Chu culture influenced Qu Yuan's attitude towards vanilla and integrated the religious experience of "cleanliness and impurity" into it.

Li Sao, the key word of Qu Yuan's vanilla Chu culture, is a fantastic world with fragrance and splendor: "The Shanghai River is separated from the blue sea, and Qiu Lan is envious of itself. Mulan Xi in the morning and maize in the evening.

? Is it just my husband's love to mix peppers and mushrooms? ? Stay abroad, expose the car, Du Heng and local chronicles are mixed. ? Drink Mulan dew in the morning, but eat autumn chrysanthemum in the evening. "

Li Jiang, Pi Zhi, Orchid, Mulan, Su Mang, Shen Jiao, Shui Mu, Liu Yi, etc. These plants and herbs are all in Lisao, which makes us feel the aroma of attacking people, surrounded by flowers, as if we had entered a plant kingdom. All this is the result of Qu Yuan's love for vanilla.

1. Vanilla: The works of Qu Yuan, the soul destination, not only show Qu Yuan's own political experience and personality charm, but also show all the history, reality, spirit and material life of Chu State more intensively. Sima Qian's Historical Records? Biography of Qu Yuan and Biography of Jia Sheng say, "A wise man will gain something if he worries a lot.".

Sima Qian's high evaluation of him shows that Qu Yuan is not a weak scholar who can only read books, but also has a high talent in political diplomacy. Generally speaking, Qu Yuan is a great poet with high cultural education and political dreams.

"Li Sao" mentioned: Do not cherish the strong, dislike filth, why not change this degree? Qu Yuan deeply felt the critical situation of the country and actively wanted to use innovative politics to pull the country and people into dire straits. However, party member's "stealing pleasure" is a secluded and dangerous road! The king of Chu didn't know when he was wrong. He believed all the slanders and repeated them constantly, putting the country in danger.

At this time, "the whole world was against him: the king of Chu didn't trust him, party member pushed him out and attacked him, and all the talents he trained drifted to the enemy's side, and the people didn't understand him. Nv, Lingqi, Wu Xianjing and others just sympathized with him and advised him to go to the countryside or follow the crowd. " [1] Qu Yuan is lonely and helpless inside. He would rather be lonely all his life and seek benevolence in loneliness.

Qu Yuan's "top-down search" includes: seeking harmony, visiting the erotic palace, looking for Fu Fei, seeing a girl who has lost her footing, divining with spiritual breath, lowering her spirits with witch salt, visiting her hometown and mourning for her servants and horses. However, in the end it turned out to be Kyushu, and there was no daughter who was concentric with me! All the grass and trees are under fire, which makes Qu Yuan stagnate in his heart. Lan Zhi has become less fragrant, and Huiquan has turned into Mao Xi. Now this is Xiao Ai, which makes Qu Yuan heartbroken.

The situation at that time prevented him from speaking frankly Qu Yuan used the image of vanilla to express his great loneliness and grief, and put his ideal personality into it. This is the external expression of Qu Yuan's spirit and the destination of Qu Yuan's poetry.

When he was personally oppressed and excluded, he still stuck to the country and pinned his feelings on the "vanilla beauty", and then resolutely jumped into the Miluo River from Peng Xian's residence. This is a great leap for the country and the whole nation.

2. Vanilla: Historical Choice The vanilla in Songs of the South is indefinite pronouns, or a gentleman, or a scholar, or a villain. Why does a big country like Chu prefer vanilla, and why does Qu Yuan love vanilla, so that future generations will think of Qu Yuan when they think of vanilla? What is the reason? First, Chu geographical environment: Chu, Zeguo also.

Chu is a mountainous and watery country at the junction of Yuan and Xiang, with a humid climate, which is conducive to the growth of vanilla plants. Second, the environment affects personality.

Due to the mountains and rivers, the water vapor in Chu is overflowing and the smoke is blurred. Chu people absorbed the essence of mountains and rivers in nature, and formed the national characteristics of enthusiasm and romance and the pursuit of primitive natural virtues; Fertile land and warm and humid climate also make Chu a big garden with fragrant flowers and different grasses, which provides rich material conditions for Chu people to gather.

Chu's geographical environment determines the growing environment of vanilla and Chu people's love for vanilla. However, another more important reason is Chu's regional culture.

In Nine Songs, wizards like to decorate their bodies with herbs, because the Chu people believe that this can win the love of the gods and let them protect them. In this way, communicate with the gods through vanilla.

This is due to the popularity of witchcraft culture in Chu. In ancient times, two things could become great events: one was war; The first is sacrifice.

Sacrifice is an extension of witchcraft culture. With the integration of politics and religion in ancient times, witch history and culture became popular, and the king of Chu was both a witch and a king.

Therefore, vanilla has become a beautiful symbol in Chu State. Its fragrant and clean characteristics and its mysterious and sacred value of exorcising evil spirits or offering sacrifices to gods in witchcraft also have a sense of intimacy and majesty. "Dr. San Lv, the former official position of Qu Yuan, is said to be related to sacrificial activities. In these regular sacrificial activities, vanilla plays an important role in communicating with God. "

[3] It is this influence that makes Qu Yuan choose vanilla, which is an inevitable choice in history. 3. Vanilla: Religious Belief In Li Sao, Qu Yuan used the image of vanilla many times, for example, "Hujiang is left and blue, but Qiu Lan thinks it is admirable."

"Pei" here is tired of ancient sounds. Dai Ya.

Used as a noun here, it refers to vanilla worn on the body. In ancient times, men and women used it equally to dispel the unknown and prevent the invasion of stench. "

[4] Mulan Xi, facing North Korea, is the night of the mainland. This sentence has a double meaning: Mulan will not die after being skinned, and she will not die after winter, which is a metaphor for her strong and independent character developed in diligent study; On the other hand, it not only says from morning till night, but also includes the process from spring to winter, suggesting the speed of time. "

[5] It can be seen from here that vanilla, as a profound belief, has been handed down. The totem of this vanilla plant was gradually formed in history.

The appearance of vanilla in Lisao is a beautiful scenery, and its mystery is unpredictable. In Chu mythology, things worn can perceive life, and accessories can give life strength, so that people can gain invisible strength, get rid of diseases and evil spirits, and thus enter the religious field.

In Nine Songs, herbs are held by witches, who pay tribute to the gods and give them away. Is to guide god.