Who painted the mysterious giant painting of Nazca wasteland?

There is a desolate plain in southern Peru-Nazca Plain. In this vast Yuan Ye, there is an incomprehensible miracle. Within 50 square kilometers of Fiona Fang and Fiona Fang, cobblestone lines crisscross, outlining huge birds and beasts and various precise geometric figures. Seen from high altitude, they seem to be drawn with the fingers of giants.

Some people say that South America is a continent full of mysteries, and one of the most difficult mysteries is the radicalization of Nazca Plain.

1939, Paul of Long Island University, new york. Dr. Kirk flew his sports plane over the dry Nazca Plain along the route of the ancient water diversion system. Suddenly, he seemed to see a huge and magical straight line pattern on the plain, which seemed to be a parallel runway. Yes, it is a parallel runway! Because it has obvious starting point and ending point. Dr Kirk couldn't believe his eyes. He looked at these huge figures carefully again and had to say in surprise, "I found the largest astronomical book in the world."

Dr. Kirk's amazing discovery soon caused great repercussions all over the world. Archaeologists and scientists followed closely, especially the German astronomer Maria. Miss Reich has never wanted to leave this land since she was attracted by these mysterious patterns, and has devoted her life to it. Miss Reich recognized hundreds of triangular, quadrilateral or parallel runways from this plain. Those huge intertwined straight lines, sometimes parallel to each other, sometimes in the shape of letters, she found many long and wide stripes running through them, some like roads, some like squares, circles and threads. It looks like a lizard, a lion, etc. And there are many indescribable plants, but the specific form of plants has also been omitted, leaving only simple lines.

Among these strange patterns, there is a famous spider picture. This 50-yard-long spider made of single thread is one of the most moving animal fables of Nazca. This picture may be a totem of a privileged class, or they may have noticed this character on a particular festival. The spider in the picture may be related to predicting the future ceremony, but it may also be a constellation person worshipped by Nazca people.

Another pattern with a name is a bird map, and there are 18 such bird maps on the Nazca wasteland. This bird map is very huge, 30 to 40 yards long. In this magnificent bird map, a 3.7-mile-long sun line crosses the wingspan of 140 yards. Similar birds were found on some pottery unearthed in Nazca. What's more strange is that a huge trident pattern is carved on a faint ridge near pisco Bay. At that time, Indians had never seen a trident. What's going on here?

These patterns and lines are formed by a layer of light pebbles exposed to dark brown topsoil. According to experts' calculation, every line needs to carry several tons of pebbles, and the exact position in the pattern line determines that the producer must copy the original pattern according to the carefully calculated design drawings. At that time, Nazca residents were still in primitive society, so how were these huge paintings made? Maria. Reich believes that ancient residents can first make models with design drawings, and then divide the models into several parts. Finally, copy the parts in proportion on the ground. Others believe that these huge paintings are made on the ground according to the projection from the air. Although this explanation can directly solve the difficulties in design and calculation, it leads to more problems. Because it is impossible for ancient Nazca people to master flying technology, then who projected it in the air?

Different interpretations of the production methods of giant paintings are also related to different understandings of their functions. This is a difficult problem that puzzles archaeologists all over the world. Some people say that the straight lines on the Nazca plain are related to some astronomical calendar, because several straight lines in these figures accurately point to the summer solstice and branch to the solstice on the ecliptic. It is also said that some animal and plant figures in the design are replicas of some constellations, and some lines of different lengths and shapes are the orbits of stars.

There is also a view that according to the pictures taken by the American space shuttle, the lines of Nazca's huge paintings can be seen in the space of one million meters high, and the whole picture of these huge paintings can only be seen from the air of more than 300 meters high. So giant paintings can only be painted for people who watch from the air. In distant ancient times, who could watch these huge paintings from high altitude or space? Feng, the author of "God Car". Some people, represented by Danny Ken, think that this is the runway that whisperd built when he visited the earth. However, it was also pointed out that from the perspective of modern space technology, the space shuttle does not need a runway.

Nazca plain is barren and desolate. It only rains for half an hour at most every year. It is estimated that there may be no official heavy rain here for thousands of years, so that those mysterious figures can last for 1500 years and remain intact. Nasa is also shocked by the harsh ecological environment here, which is somewhat similar to the environment on Mars. It sent people to study this area and wanted to use it to carry out experiments on whether life on Mars can survive.

Corresponding to the dry and desolate geographical environment, the development of indigenous society here is very low, and some fields are still in the Stone Age. This has a lot to do with the design, measurement and calculation ability of giant paintings and their strong understanding of geometric figures. It is hard to imagine that these indigenous people who still don't understand giant paintings created these works to show to the sky as early as 1500 years ago. They are showing their talents. Or summon some kind of creature to come again?