Degang Guo founded the Kirin Drama Club for Yang Taocheng. How is the business of Kirin Drama Club?

Compared with Deyun's small theater, special performance and Shang Yan's "Potholes", the popularity of Kirin Drama Club is naturally much less, which is hard to reach-at least for now. However, compared with the current downturn in the Beijing Opera market, the performance attendance rate of Kirin Drama Club is "hot business".

In Liyuan's eyes, Kirin Drama Club may not be professional, but with the popularity of Degang Guo Jianghu, Tao Yang, a prodigy of Peking Opera, and the charm of Deyun Society as a whole, Kirin Drama Club will at least not lose money, but also make money.

Beijing opera is slowly declining. Although Peking Opera is our cultural treasure and national quintessence, it is an indisputable fact that it has declined because it can't keep up with the trend of the times and has not cultivated a large number of audiences. It is very likely to bid farewell to the public's vision in the future. After all, Qu Yuan's gossip has been off the air for several years!

Degang Guo likes traditional art very much, so does Beijing Opera. The name of Kirin Society is actually to commemorate the artist Zhao Lintong. I hope the old gentleman will bless this society and make it smooth sailing.

Although Degang Guo often sings Peking Opera in person, Degang Guo's high popularity has not brought good luck and brilliance to Kirin Society. Degang Guo explained to the media that traditional art needs to cultivate audiences for a long time, so do cross talk audiences and Beijing opera audiences.

Although Tao Yang Tao Yunsheng, a prodigy of Peking Opera, has been stationed in Kirin Club for a long time, his influence is still very limited, and he has not attracted public attention in a short time. The gardens and costumes of the Kirin Club are not low, and the return is far below the expenditure.

Kirin Drama Club is slowly influencing young people to sing a play, which is much more expensive than saying a cross talk. It needs the support of four pillars: performance, band and props. These are all costs. Then there is the venue of Kirin Drama Club, Sanqingyuan, where the rent is definitely quite high. But I believe that the future Kirin Drama Club will have a profitable business model.

As far as Peking Opera itself is concerned, Qilin Drama Club has restored some unpopular operas, namely, seven-row operas. For the market, let more young people begin to understand Beijing opera. Many young people came into contact with Peking Opera from Degang Guo, Yang Tao and Zhang Yunlei. From this perspective, Peking Opera should give Degang Guo a credit.

In this system, actors' salaries and performance fees are paid by the state. However, Degang Guo needs to pay wages and performance fees to others. This is the biggest difference.

The audience only liked the Peking Opera School of Deyun Society, confused right and wrong, and maliciously attacked Zhang Yunlei, which deeply hurt the fans of Deyun Society. They vowed that in the future, Peking Opera and Crosstalk will only be watched by Deyun Society, and other troupes will be ignored. No matter how famous they are, they are not interested.

If one day, Zhang Yunlei will never sing Sorin's Capsule again, then young people will never sing it again. Degang Guo has more than 70 million fans, and Zhang Yunlei has more than 6 million fans. These two people add up to a huge number of fans.

Beijing Opera Party's attack on Zhang Yunlei has made netizens farther and farther away from Beijing Opera. I wasn't interested at all before, but I learned a little from Zhang Yunlei. Now at first, I lost interest.

In this way, no matter how charming Zhang Yunlei is and how capable Degang Guo is, Peking Opera will not be as popular as crosstalk, but only in Deyun Society at best. There will be people watching the Peking Opera of Qilin Drama Club, but not necessarily other groups.