What are the romantic styles of Li Sao?

(1) is a realistic and profound romantic work and the direct source of China's romantic literature. Its romantic style is embodied in: 1. It created a lyric hero image far beyond purity and height, lofty ideals, strong feelings and Jie Jun's personality, which made this image far beyond the secular and reality. 2. The whole poem always runs through the poet's tenacious struggle spirit of transforming reality with ideals. 3. Romanticism is widely used in the whole poem, and the poet weaves a grand and magical world through imagination and blending myths and legends, historical figures and natural phenomena. Poets often exaggerate to highlight the characteristics of things.

(2) The widespread use of Bixing. On the basis of inheriting the tradition of metaphor in the Book of Songs, is it symbolic to further combine the figurative things with the content to be expressed? In addition, Li Sao broke through the characteristics of a fragment in the Book of Songs, and expressed the content systematically and item by item, which was vivid and rich.

(3) Incorporate lyricism. The first part of the poem expresses feelings in the broad background of the poet's historical development for most of his life. The second part fictionalizes a series of situations such as female commandments, Zhong Hua's words, supernatural divination, witchcraft divination, wandering from the sky and so on, which makes the whole poem have plots and vividly expresses the poet's long-term struggle experience and complicated thoughts and feelings.

(4) Li Sao is a great creation of the poet. This is mainly manifested in the following aspects: on the one hand, Qu Yuan borrowed from the folk songs of Chu State, on the other hand, he borrowed from the prose brushwork that was in its heyday at that time to lengthen the poem and form a huge sketch, which not only helped to contain rich content, but also strongly expressed his surging enthusiasm; Structurally, the whole poem is basically four sentences and one chapter, with different words and many even sentences, which forms the characteristics of change in neatness. His language is very refined, absorbing a large number of Chu dialects, using function words very flexibly, and his sentence-making is quite distinctive; In addition to the poet's inner monologue, there are also questions and answers between subject and object, and there are a lot of extravagant descriptions in the poem, which have had a far-reaching impact on later ci poetry.