Fortune Telling Collection - Free divination - What artistic conception does the image in the original Book of Songs express?
What artistic conception does the image in the original Book of Songs express?
In Zhu's Biography of Poetry, the third chapter and the fourth chapter are mentioned, which means that these two chapters are mainly lyrical, and the poems are all based on mulberry trees, from the poet's youth and beauty to his decline, and at the same time reveal the process of men's love for her to disgust. "Before the mulberry leaves fall, their leaves will flourish", using moist and bright mulberry leaves as a metaphor for a woman's beautiful face. "Mulberry has fallen, but it has fallen yellow", which is a metaphor for women's haggard and abandonment with the withered and yellow leaves of mulberry leaves. "In xi, where pigeons are picked, mulberries without food; If you are a woman, you will have no worries with the literati, and then you will say "Don't eat the mulberries of pigeons to revive the next sentence" (Biography of Poetry). Mulberry is sweet, and it is easy to get drunk if you eat too much; Love is beautiful, but people who are infatuated with love are easily deceived. A man who is addicted to love can still be freed. Once a woman falls in love, she can't get rid of it. What a painful language this is! From green mulberry leaves to yellow mulberry leaves, it not only shows the age of women from prosperity to decline, but also implies the passage of time. It is generally believed that women get married for three years, but there is another explanation: "Three years old, many years. "Pressing' three' is an imaginary number, and there are many words, actually not three years." (Cheng Junying's Book of Songs) In fact, it means that the relationship between husband and wife has gradually fallen apart and finally broken down in recent years. The woman had to get into the car again, cross the ice water and return to her family. She thought it over and over again, without any mistakes, but the man's "two virtues." Here, women look back on their married life in a reflective tone, looking for the reasons for being abandoned, and finally get a lesson: in a man-centered society, there are only spoony women and heartbroken people.
The fifth chapter of the poem describes the situation before and after being abandoned by Fu. The first six sentences inherit the previous chapter "self-pity, poor at three years old" to make up for the suffering of being a woman for many years. She gets up early and goes to bed late and works hard. Once her life became better, her husband became violent and cruel. The word "violence" can be reminiscent of the ferocious face of her husband and the scene of the heroine being abused. The last four sentences wrote that she was ridiculed by her brothers after returning to her parents' home. "Biography of Poetry" explains this cloud: "Gai follows people and is not hated by his brother, so he abandons them and returns without the sympathy of his brother. It is inevitable to be accused, but he is just mourning himself. " It is not enough to say that the heroine is "slutty"; But other words can help the reader understand the mental stress she suffered at that time and the inner contradictions arising from it.
The sixth chapter, Fu and Bi Xing, is narrated in a lyrical way. They talked and laughed when they were in love. Men swear that they will grow old together. But he had a grudge before he was old, and it was irreparable. There are two metaphors here: in the vast soup, there is always a bank with water; The vast and continuous swamp is also a marginal zone. The implication is: Why isn't my pain over? "Biography of Poetry" points out that "this prosperity" is actually more prosperous than China. With these two metaphors, the poet strongly expressed his resentment and told the endless pain of abandoning his wife. In order to get rid of these pains, she made up her mind to sever the emotional connection with the man: "It's no use thinking about it!" From then on, I don't want him to change his mind. Forget it, forget it. But can she really do it? Fang Yurun thought: "Although the words have been spoken, how can you forget them?" Yes, judging from the character that this woman has always loved, she can't make a clean break with men emotionally. This is the tragic character that is often said today.
Feng Weimang, a national style, comes from The Book of Songs. It is a folk song of the Chinese people in the pre-Qin period. ***6 chapters, each chapter 10 sentence. This is a long poem about a woman who abandoned her wife and confessed her marriage tragedy. The heroine in the poem recalls the sweetness of love life and the pain of being abused and abandoned by her husband after marriage with great sadness. The whole poem consists of six chapters. In the first chapter, I told you that my first love decided my marriage. The second chapter describes that he fell in love, broke through the shackles of the matchmaker's words and married himself; In the third chapter, she tells a group of beautiful young innocent girls not to indulge in love and points out the inequality between men and women. The fourth chapter, expressing resentment against self-protection, points out that this is not the fault of women, but the willfulness of self-protection; The fifth chapter, the next narrative, describes her labor and abuse after marriage, as well as her brother's ridicule and self-injury misfortune; The sixth chapter describes the love in childhood and the deviation today, denounces the hypocrisy and deception of self-protection, and firmly expresses the feelings of self-protection. This poem expresses her remorse and resolute attitude through the self-report of the abandoned wife, and profoundly reflects the oppression and destruction of women in love and marriage in ancient society. The Book of Songs is the first collection of poems in the history of China literature. It has had a far-reaching impact on the development of later poetry and has become the source of the realistic tradition of classical literature.
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