"It's no use just saying a dream of red mansions and reading all the poems." What do you mean?

It's no use talking about a dream of red mansions and reading all the poems.

Chenfengmei Shangqiu Huimin high school

It is futile to read all the poems without talking about A Dream of Red Mansions. A Dream of Red Mansions is the highest peak of China's classical novel creation, which has reached a level that is hard to be compared with by later generations in terms of language art and ideological art..

The novel takes the love tragedy of Jia Baoyu and Lin Daiyu as the main line of the story, and many hidden lines are intertwined, outlining a blueprint of the whole society with Jia family as the main background. The ups and downs, joys and sorrows during this period all reflect the author's weather-beaten life experience and deep loneliness. Let me briefly talk about the artistic value of this book from two aspects: language and thought.

The language of A Dream of Red Mansions (including only the first 80 chapters, the following are true) has reached the acme of novel art, and every sentence in the novel can make people memorable and full of praise. Whether it is the text poetry, the use of language skills (such as double words and puns) or the expression of family proverbs, it is worth savoring carefully. For example, the twelve "exclamations" in Twelve Women in Jinling not only conform to the character's character, but also show the fate of the character; For example, the clever hints of witty remarks, such as Thousand Red Holes, The Same Cup (Thousand Red Tears, the Same Sorrow), Yuan Ying's sympathy (which should have been sighed), the lies in the village (which disappeared), and the anxiety (luck), such as Wang Xifeng's "This symbol exists in the world, only to see it today, and besides, it is unique. Use more pens, use more pens.

When I first read A Dream of Red Mansions, I only saw Baochai's love story, which taught us to bravely and resolutely pursue the sacred love in our minds, but its ideological value is far from simple. Although Cao Xueqin wrote in the first time of the book that "nothing more than talking about love", his life experience did not stop there. In his book, he made it clear that he didn't like the traditional story mode of "gifted scholars and beautiful women". A Dream of Red Mansions involves too many ideological elements. Some say it's good, others say it's hidden. Lu Xun also said, "A scholar sees the Book of Changes, a Taoist sees lewdness, only lingering, a revolutionary sees people, and a gossipy woman sees secret things in the palace ..." Among them, there are classics, Buddhists, Youdao, which are complicated, and it is for this reason that it is only.

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