Who can give me some simple poker skills?

Phenomenon: The magician holds a deck of playing cards, and there are spades and Zhang Meihua A on the table. The magician began to deal cards neatly to stop the audience. When the audience stops, the magician puts the ace of spades on the top of the dealt pile of cards, and then neatly puts the dealt pile of cards on the bottom of his hand. Organize the cards. When the cards were dealt again, the audience stopped again. The magician put the ace of clubs on top of the dealt cards, and then closed them neatly. Put the closed card at the lower end of the card in your hand. The magician put the cards on the table. As soon as he opened the card, he took out the ace of spades and the card above the ace of spades and put it on the edge of the table. Then take out the top picture of club A and club A, open two cards, and there are four aces on the table. Surprise the audience. Interpretation: Just put a heart-shaped A at the top of the card in advance, and then put a square A at the bottom of the card before magic. Just follow the above steps.

Four-k phase aggregation

Preparation: First, select four "K" cards from the whole deck, then select the other two cards and insert them after the second "K". (Note: The six cards must be neat, and the audience should not find that there are two other cards in the four "K")

Magical steps:

1) Open the stack of "K" and show it to the audience in a fan shape (hide two miscellaneous cards behind the third K), and then put these four cards (actually six cards) face down on the top of the whole deck of poker.

2) Tell the audience that these four "kings" are very good friends and they will never be separated.

3) Put the top card "K" at the bottom of the whole deck, and you can show this card to the audience.

4) Insert the next top card (not "K") in the middle.

5) Repeat step 4.

6) Now leave the fourth picture at the top. You can open it and show the audience that it is a "K".

7) While cutting the card from the middle and putting the lower part on it, you can explain to the audience: "The four heavenly kings are good friends, so even if they are separated, they will come back together soon."

8) Open the whole deck in a fan shape and show the audience that the four "K's" are magically gathered together.

Pure manual card recognition method

With an ordinary deck of poker, let the audience shuffle cards at will and let him choose a card from the deck and give it to the magician. At this time, the magician put his right thumb down and the other four fingers on it, so that the card stands upright and turns his back on himself. Pay attention to the position of his hand under his chest, and arch the card inward with his fingers. At this time, you can just see the number and color of the card corner. Be careful to move naturally and quickly, and the card should not be bent too much. As long as the card is in the low position and just can see the point, this method should be performed well.

1:4 ace runs up and down.

Effect: Show the audience four trump cards. . Put it on the top. . Start opening the four aces on the desktop. Then take one and put it down Call me. A ran there. Put another one on it. . Call me. A runs down. Take another one and put it down. Ring your hand and run up! Take another one and put it in the middle. . Call me. Hey ~ it's not on it. . Ha ha. . Down there!

Exercise: When you show the audience four aces, put an empty card under them. Then look at it separately. When you put it on the table, the first card is the last card inserted in the middle! Others follow suit and get the above effect!

2. Fable magic

Effect: Take a piece of paper and write two cards. For example: red 2 black 2. But not for the audience. Insert the paper into the middle of the card. And show it to the audience. . Paper is sandwiched between red 2 and black 2!

Practice: Write the upper and lower cards on paper. . After plugging it in. When you give it to the audience, you hold the top half of the paper with your back to the paper in your right hand. The lower half of the left hand is pressed against the paper. . Can give the audience an illusion!

3. Three-card fable

Effect: Shuffle. Give the card to the audience. Ask the audience to randomly divide a table card into three parts and put them on the table. The magician can know what cards are on the three cards!

Practice: first know the top card. . You can't wash the top one when you wash it! After being divided into three points. The first one is the card you remember. The card with the second score or more is the card with the first score or more. The cards in the third hand are the cards in the second hand. Then the top three cards were legendary!

4: 4a first.

Effect: Divide the card into 4 parts. Pick up the first book. Take three cards from the top of the first copy to the bottom of the first copy. . Then take a card from the top of the first card to the other three cards. Put down the first card. Take its second card. Do the same thing as the first card. Take the third portion. The fourth card is the same. What about after it is finished? There are four aces at the top of each card!

Exercise: At the beginning of the magic, four aces are at the top of the card. Then press the top and naturally put it on it!

5: Unified 3K

Effect: Kill Three Kings. . For the audience. Then the magician himself put a miscellaneous card on the table. Let the audience put a k on the miscellaneous card. The magician plays another one. Let the audience play another one. The magician plays another one. The audience plays the third picture! Put the cards on the table on the cards on the left hand. Shout for unity. Open the top three. The three kings are together again!

Practice: put the fourth K under the second card of the master card in advance. That is the location of the third picture! Just follow the above practice!

A very interesting card trick, the reason is very simple, as long as your performance ability is in place, then cut the crap and start teaching.

First of all, when we open a deck of poker, we secretly recite a card. Method: Beginners can push cards in front with four fingers and hold down the first playing card with their thumbs. Push from left to right! !

At this time, the first card that the audience saw actually became the second card.

We ask the audience to write a card in the first 12 cards and remember the design and position of this card, such as the fourth card.

Then we put the cards together and be careful not to let the audience see that there is a card behind us.

After the cards are closed, the fourth card that the audience sees becomes the fifth card. When we count to 4, it is actually the third card that the audience sees. Inserted in the middle of the cards, the fourth card that the audience sees is on the first card.

In fact, there are two ways of expression. You can tell the audience in one breath that you will be the first card. Believe it or not. Hehe, this is a kind of

The second is that you ask the audience, when is your birthday? In which number can this card appear, for example, 3. Tell the audience to hold the whole deck of cards and think about the cards they just saw. You put the cards on the table one by one, and the cards seen by the audience are in the first card you put down. Of course, the third card is not seen by the audience, so the audience will laugh at you, but it doesn't matter if he looks good soon. Explain to him that maybe you didn't concentrate just now, so think again. You put the counted three cards at the top of the whole deck, and the first card just now becomes the third card. Tell the audience to hold the cards and think about the cards he just saw. When counting 1 2 3 again, the audience will see the cards coming.

Manifestation phenomenon:

The magician held two cards in his left hand, and the audience looked back and forth, indicating that there were only two cards. Then put away the two cards, hold them in front of your eyes, blow a sigh at them and say, "Poker flies, poker flies." Separate the cards again. At this time, the magician has seven cards in his hand.

The magician put away the cards again, saying that the cards were scattered and there were only two left.

Repetition is fun.

Performance skills:

The magician holds two playing cards in his hand, and the last one is pasted with five cards with oblique angles (as shown in Figure 2). When the magician confessed the cards in his hand, the cards with diagonal edges fell. Poker will turn when it is folded and blown. If you open it again, of course, it will become seven cards (actually, two cards and five cards with oblique edges). Because the audience is far away and can't see the diagonal edge, it is considered to be a flying card. When it is folded again, the magician only needs to turn the poker around and spread it out, and the extra poker will "fly away" again.

Mathematical guessing card

Demo:

The performer handed a deck of cards to the audience, then turned around and asked the audience to follow his password.

1. Put three piles of cards on the table, and the number of cards in each pile should be equal (assuming 15 cards), but don't tell the performers.

2. Take four cards from the second pile and put them in 1 pile.

3. Take 8 cards from the third pile and put them in 1 pile.

4. Count how many cards are left in the second pile (1 1 in this example), and take the same number of cards from 1 pile and put them in the third pile.

5. Take five cards from the second pile and put them in 1 pile.

The performer turned around and said, "Take away the second and third stacks, so there are still 2 1 cards in the1stack, right?" The audience counted it, and it was 2 1.

Secret:

This is a magic designed by using the principle of identity transformation in mathematics. Be sure to remember: first, the number of cards at the beginning of each pile must be equal. The second time is the third time to take an equal number of cards from the 1 heap. In this example, the mathematical formula is 4*2+8+5=2 1.

Comments and suggestions:

This is a magic completely performed by mathematical laws, and the audience in this magic should be more "honest". If he doesn't do exactly what you say, your last move will fail. However, the most puzzling thing about this kind of magic is that the audience completely controls the cards. And it is very interactive. Of course, not all the audience are such "honest people". To deal with them, we need to use some "forced card" magic.

Discoloration of heaven and earth

Performance method:

The performer folded the cards into a fan, so that the audience could see clearly that there were red cards and black cards inside, and at the same time explained the reverse side. The performer drew a few more pictures, so that everyone could see the front and back clearly. Then, he folded the stack of cards and waved it up and down a few times. After re-unfolding, the stack of cards turned black.

The secret of magic:

1. Take red cards and black cards above 10 to perform;

2. Tear off half of some black cards vertically from the middle. Then tear off half of all red cards and stick the torn half cards together to become two-color cards;

3. Stack the special cards separately. When performing, when the cards are displayed in a fan shape, there are naturally red and black. After waving the cards, the cards turn over and turn black after unfolding;

Remember that all the cards drawn to the audience must be black cards that have not been manipulated.

Recognize the card in the bag

Take any five cards, face up, and put them on the table. The performer stepped back to let the audience recognize a card. Count silently from right to left. Remember the name of the card. The performer put away five cards and put them in his pocket. Then leave a card in the bag, take out four cards and put them on the table, with the cards facing up. Then he asked the audience what cards he recognized. After the audience answered, the performer said, I have put that card in my bag for a long time. So he took it out and put it on the table, with the card facing up, which is exactly what the audience knew.

Method:

1. Before the performance, put the other four cards in the loan.

2. When the performer takes back the five cards on the table, he should take them back from right to left in sequence (Figure 1).

3. After putting five cards in the pocket with four cards, take out the other four cards hidden in the pocket in advance and put them on the table, with the backs of the cards facing up (the audience mistakenly thinks that this is four of the five cards).

4. Then the performer counts the cards in the bag according to what the audience said, and draws this card out for the audience to see, which is the audience's approval.

There are five cards on the table and four cards in the bag, which can be performed many times in a row without revealing any clues.

Teach more.

1 There is a piece of paper and a pencil on the desk. The performer went to the table, turned out his clothes pocket for the audience to see, proved that there was nothing in the pocket, and then turned it back. The performer picked up a pencil and wrote a number on the paper (not for the audience to see). After writing, he put the note in his pocket. The performer said to the audience, "You can say a number now. I have predicted this figure, which was written on the note just now. Ok, now just think of a number and say it. " After the audience quoted a number, the performer took out a note from his pocket and showed the audience the number written on it. It's really a number quoted by the audience. What's going on here? Can performers really predict?

Specific operation:

The performer puts a pencil lead about 1 cm in the corner of the table in advance (because it is small, the audience will not find it). Of course, you can also hide pencil lead in other places as you like. When the performer picks up a pencil and writes numbers on the paper, he should pretend to be writing, but nothing was written at that time. After writing the note, put it in your pocket. When the audience reported the numbers, the performer secretly picked up the pencil lead on the table. Then put your hand into your pocket and use pencil lead to quickly write down the number quoted by the audience on the note (for the convenience of writing, when asking the audience to quote numbers, you can limit the number quoted to between 0 and 9). At this time, the performer takes out a piece of paper for the audience to see (when the audience sees the paper, the performer can throw away pencil lead), and the audience will feel very incredible. Good performance, this is a very wonderful little magic!

2. The banknotes turned white.

Preparation: banknote 10, blank paper 10.

Mode of performance: The performer puts a white note between the 9th and 10 bills in advance. At the beginning of the performance, the performers were holding 10 banknotes. Then take out a few positive and negative notes from the fan-shaped notes, and take the opportunity to move the 10 note to the bottom, with a pile of white paper below. Then, tidy up the stack of bills, punch the stack of bills with your right fist, and then spread the fan. Strange! The original pile of money has turned into white paper. Then pretend to take out some paper, so that you can cover the banknotes with the confession paper, and it looks as if all the banknotes have turned into white paper.

Note: The paper money and white paper used for performance should be new and strong.

3. The newspaper is tenable

It's amazing that the performer pours water into the funnel made of newspaper. How can newspapers contain water? But he still solemnly folded the bottom of the newspaper funnel to prevent water from coming out; The audience waited to see if the water flowed from under the newspaper. Unexpectedly, the performer suddenly threw the newspaper into the air, held it down and unfolded it. There was not a drop of water, and the newspaper was completely dry. Then roll up the newspaper and pour water from it into the cup. As a prop, you need two ordinary daily necessities: a large glass with a handle and a newspaper. In addition, an auxiliary prop is needed-a transparent plastic container with a diameter of 3 ~ 4 cm and a height of 15 cm, and an ear on it. During the performance, the glass is placed on the table and the plastic container is hung behind the glass (from the audience's point of view). Now roll the newspaper into a funnel, pick up the cup in your right hand, and lift the funnel-shaped newspaper behind the cup from bottom to top in your left hand, so that the plastic container behind the cup is hung in the newspaper. The water in the cup can be poured into the plastic bag in the funnel-shaped newspaper. When the water is almost poured, lift the hand holding the newspaper from bottom to top, let the glass hang the transparent plastic container, and then put down the glass. In order to enhance the performance effect, the performer deliberately pretended to hold the newspaper carefully, which meant not to let the water shake out, but suddenly he threw the newspaper into the air or simply threw it at the audience. Then roll the newspaper into a funnel shape and pour the water back into the cup from the newspaper-first put the plastic container hanging on the glass into the funnel-shaped newspaper, then pour the water from the plastic container into the forest, hang the empty plastic container in the same way, put the cup away, and then spread the newspaper to the audience.

4. Jumping competition

If you meet a group of friends by chance, you can tell them that you have just discovered a wonderful pulse detection method. So, you take out two ordinary wooden matches from your pocket and put one of them in the palm of your left hand, which shows that it can be regarded as a pulse counter. Then, put the second match under the first match and let it be used as a pulse generator during the whole demonstration. When your friend carefully observes that counter, he will naturally find that it is jumping up and down according to a certain rhythm, as if recording your heartbeat. Suddenly, your heartbeat lost its normal rhythm, and finally, it stopped beating with a nearly silent song. Next, you give the matches to your friends, let them check them carefully, and then let them have a try. Obviously, although they try their best to "glow" as happily as you do, the result is only to see two matches lying quietly in their palms "sleeping". You'd better use big wooden matches when performing this program. It is precisely because the requirements for props are not high, so you can borrow such matches as props anytime and anywhere. In fact, the real secret of executing this program lies in the hidden mechanism of matching pulse generator.

Performance method

1. As shown in the figure, the first match was climbed by the left hand as a pulse counter. Adjust the position of the match so that it is close to the root of your finger and its head is facing yourself.

2. Hold the second match, the pulse generator, with the thumb and forefinger of the right hand, and press the nail of the middle finger tightly on the back of the match, as shown in Figure 2.

If you put a little pressure on the match with the fingernail of your middle finger, or let the match slide very slowly on the fingernail, then the match will inevitably produce a series of imperceptible pulses.

4. Put the generator match under the counter match, as shown in the figure. According to the method specified in the third step, let the nails of the middle finger of the right hand rub the matches smartly, so that the matches in the right hand will inevitably cause a series of vibrations in the left hand.