Find a mainland movie that is not necessarily famous but has profound connotation and can make people think.

The trick for farmers Tang Chaoyang (ornaments) and Song (ornaments) who work in private small coal mines to get rich is to befriend foreign farmers who have no place to work, take them to work in coal mines, then create "safety accidents" to kill "relatives" while working underground, and then seek personal gain from mine owners. They set their eyes on Yuan (Wang), an ignorant rural boy of 16 years old, at the railway station, and made a fake ID card, renamed it Yuan, and became Song's nephew.

The three men came to a new small coal mine and became coal diggers. Yuan's eagerness to learn, simplicity, innocence and understanding often remind Song of the triviality of studying, giving birth to compassion and refusing to start, and the contradiction with Tang Chaoyang is intensifying day by day. Soon, Zhao-yang Tang set a deadline for him.

Comments after reading:

Last night, the school held the China Week Film Exhibition, and I went to see the movie Blind Well. Sporadic dozen people sat in the huge cinema, and there were more Americans than China. Before we started, an American, or because his wife is from Taiwan Province Province, began to discuss political issues with me condescendingly, Taiwan Province Province. I argued with him loudly because I knew that the Americans around me were listening to what the Chinese mainland girl was arguing about. But I always felt weak, so we argued until the movie started.

Before I saw this movie, I knew it would show many cruel facts. Those poor miners, their riff-raff, would uncover the surface of the prosperous society, show its darkness and show it to me with blood. However, I really want to know how I feel. When the disdainful voice of Americans in the back row reached my left ear slightly, it was when their miners were bargaining with the young lady in the film, and when they killed another miner's brother. They said that China people were worthless. . . Many times later, I could only curl up and bury my head. I don't know, I mean. . I also know or heard that miners have a hard life, and small coal mine owners are all black-faced, colluding with government officials and concealing accidents, but I have never seen such a picture.

Yes, I feel the pain of such a group of people so clearly. Moreover, it was also the miners at the bottom who were killed for financial gain. However, when I clearly feel such pain, I feel that there is nothing I can do and we can't replace it. When I heard the voice of American disdain passing around, I just said to myself, finish the movie quickly, hurry up.

I am not a person who doesn't want to face the cruel and bloody reality of our country, and I am not a person who wants to separate myself from my compatriots who are still in pain. It's just that the movie last night made me very uncomfortable. First of all, I had a difficult and calm debate with a native English speaker on sensitive political issues for half an hour. Finally, during the film screening, I listened to the disdain of others one after another and was shocked by all the images shown in the film. Originally, the movie was over, and they had a discussion about the movie. I got up and left at the moment when the credits came out.

I walked out of the depressed screening room, walked past the most luxurious museum in this school and stepped on the thick carpet on the ground; There is a China scholar holding an exhibition in the next hall. A group of Americans, holding small glasses, looked at the postmodern oil paintings drawn by female scholars in China about the backward times in ancient China. They ate exquisite cookies, drank French red wine and looked at China's little feet, eunuchs and distorted "eight bitches throwing themselves into the river". What can you expect them to experience?

Why can these foreign "friends" fly in like flies only when we describe our sufferings, and then make comments and look at this country with a self-righteous sense of national superiority? Maybe when they meet a China girl like me, they can condescend to say that she will defend the independence of Taiwan Province Province to the death and the international community will support her. Artists and gentlemen who make movies, why? I can really understand the pain you feel and express, a concern for the disadvantaged groups, but I can't replace it, or even help at all. Learn how to linearize nonlinear differential equations in a small range of critical points; Learn Montaigne-Fleming equation, which is very theoretical and unreliable; How far is it from changing the situation that these hard-living miners have no money to send their children to school to discuss whether borrowing costs should be capitalized or expensed?

It is understandable to show suffering, and I always feel the same way when I see it. Of course, I also agree that such images will always give the authorities a real representation of the bottom of society and alert some people who don't know the real situation. The power of this image can be enormous. I can't take the sword of Damocles, which can solve second-order differential equations, to save any compatriots with the same skin color, the same language and the same blood. At this time, especially abroad, I am particularly weak. I feel your pain. Every word you cursed in the film stuck in my heart like a knife. However, foreigners' undisguised contempt for a few backward places in China is also hurting my ridiculous self-esteem, and I even want to hit them with a chair under me.

When did the images we took not specifically reflect the suffering, and the simple scenery we painted attracted so many comments as it does today?

When my fellow victims no longer die unjustly in the dark mine, all your children can go to school, and you can learn what you are interested in without leaving your hometown.

I don't have to feel weak again and again at any time. In such a luxurious and self-righteous country, I try my best to support myself and safeguard the dignity of myself and my motherland.

This film reflects a series of problems in the transformation of contemporary China. News link: In recent years, there have been many black coal mine incidents in Shanxi, Guangxi and other provinces and cities.

Three Gorges Good Man Keywords: Three Gorges Project, Shanxi Coal Mine

To tell the truth, there are not many films in China that truly depict human nature, and even fewer films can show the director's humanistic compassion. But there is no doubt that this is definitely red gold grown by rare earths.

Film review:

I was born in my grandmother's cabin by the Yangtze River. With the Three Gorges Project, it has become a memory forever at the bottom of the river. Being in a foreign country, seeing a movie about the Three Gorges has made me lose my discrimination. Mountains and rivers, grass and trees, are as familiar as the hometown specialty bacon that my aunt just gave me, which makes me lose interest in all kinds of French ham.

So, when we are calm now, we can think about this movie carefully.

Jia is from Shanxi, so he continued to write about the Three Gorges from the perspective of two Shanxi people. Although we can't grasp the social situation in our hometown like Ren Xiaoyao, it is more wonderful than the world. Taking the Three Gorges Project as the background, it is easier to grasp a distinct sense of the times than a complex metropolis.

Compared with Xiao Wu, this film lacks a cathartic climax. Although there are clues such as extramarital affairs and finding a wife thousands of miles away, its suspense is not wonderful, and its wonderful degree is not even as good as tabloid social news. This is the beauty of Jia's films, or that Jia has found his own narrative style, not relying on plot and suspense to fulfill the audience and himself, because the reality has never been fulfilled.

Perhaps the director dare not make up an unfamiliar life without authorization. The film does not describe the living conditions of the Three Gorges immigrants in detail, but it successfully shows the whole environment. The real Three Gorges is like that mottled wall, those blank eyes and those naked black shoulders, and it is by no means as elegant as the TV landscape film. All the scenery is beautiful, light as paper money, and the life behind it is often heavy.

The economic level of towns along the Three Gorges has been hovering around the poverty line. Even after the Three Gorges immigrants, many blind constructions, vain projects and even misappropriation of resettlement funds made the Three Gorges immigrants sacrifice not only their hometown below the water level. What is even more frightening is that the environmental effects brought by the Three Gorges Project have begun to appear, and the extinction of the baiji is an example.

As a Three Gorges man, the Three Gorges Project was once a boastful capital. "Merit lies in the present, benefit lies in the future", there is such a propaganda slogan on the Three Gorges site. But gradually, I feel a kind of vanity. I didn't win much envy when I told foreigners that we had the largest dam in the world. It's like boasting that you have the most precious gold teeth in your mouth, but everyone knows that they are not natural.

As for UFOs, this one is quite Marquez-style magical realism. In fact, China today is full of absurdity. For example, all kinds of people in movies have mobile phones, but they may not be able to solve the problem of food and clothing. For example, the leader shows off the bridge built with people's fat and paste, just like showing off his plaything. This absurdity may be far greater than the appearance of UFO, so the protagonist in the movie is indifferent to it, and they care about the survival of daily necessities.

More than one director in China tried to show his concern for the bottom with extras and original ecological performances, but either he used a fairy tale ending to make the tearful audience forget those sufferings after they walked out of the cinema. Or look down on all beings from the perspective of a merciful God and let the audience think that their watching is a kind of pity and charity. Jia's films put this ambiguous concern aside, just telling you the fact that whether you watch this film or not, whether you are moved or not, there are such people and such lives in reality.

At the end of the film, Sanming and migrant workers will go to Shanxi to work in a coal mine with a high casualty rate. For them, there is no hope, just moving from one kind of suffering to another. Still alive, just alive.

When a person walks into a cinema, he is either looking for fun or seeking truth. If he wants to feel sensual pleasure or erotic reality, then he can go to another hall. Of course, you know which movie I'm talking about. Therefore, we must continue to be sincere in doing business.

I don't know if it suits you.