Witch: This sentimental CGI remake embarrassed Anne Hathaway.

Roald dahl's novel The Witch has the pungent power that we are familiar with. This is a formula that has appeared in his best works, and this formula has also appeared maliciously in movies.

When producer jim henson chose director nicolas Roig to direct the film, which cost 1990, he fell into a creative quagmire. The result was a wonderful adaptation with serious distortion, but it failed in two aspects. Dahl was shocked by the change of the ending. The merger of companies led to confusion in distribution and affected the box office.

The uncertainty in 2020 makes this newly remake film fall into its own non-cinematic fate and directly enter the movie on demand link. However, it's hard not to support this more special remake as robert zemeckis and his actors continue to dig into the story.

First, the voice of chris rock, a talk show actor, introduced us to the basic situation of witches. They're real. They're here to get the kids. Because he was an orphan in Alabama in 1968 (played by Jacques Bruno the rest of the time), he met a complete witch party.

Before the duel took place in the hotel, the most wonderful 20 minutes in the film were wasted, mainly due to the reliable and warm grandmother played by Oak Tawiah Spencer, who helped the depressed eight-year-old Charlie through the trauma of a snow accident, which killed his parents.

But there is a bigger problem in portraying Agatha (Spencer) as a more passive character than Vidal and Rogge imagined. Although she escaped from the clutches of a senior witch when she was a little girl, she is nothing like the legendary fanatical witch hunter Magellan. Every whisper about witches should come from the boy's strict grandmother, not from the adult Charlie, otherwise the myth is meaningless.

In fantasy movies, you will find a more gruesome moment than when the arrogant witch in anjelica huston takes off her wig at the meeting of the Witches' Committee. Anne Hathaway interprets this film from a unique angle in this evil film, and you will definitely feel its tension.

The makeup artist turned Hathaway into a femme fatale. The witch meeting is more like a farce at the end of the year. Hathaway is floating in the air, and she keeps changing her accent. The terrible thing about the witch she plays is that her mouth is bitten from one ear to the other by sharp teeth, and her arm reaches across the room.

Charlie and his new English friend Bruno (voiced by Louis Eastick) become rats, and the film becomes a bold Stewart-style speech conference, which feels out of place with Dahl's writing. Moreover, the story is over-explained, which seems to be that the film lacks confidence in whether the audience can keep up with the plot, and the sensational dialogue makes the whole series of scenes a mess.

But they are just extras, and Hathaway's vampire carnival is even more abrupt. Fortunately, the work continues the ending in Dahl's novel!