The characteristics of ink-wash style illustration-traditional ink-wash illustration picture books, show the charm of the East and tell children the survival law of nature.

Style characteristics of Guo Chao's illustrations The style characteristics of Guo Chao's illustrations are as follows:

1. Common illustrations in national tide style, with rich and delicate lines, even colors and low saturation. The overall Chinese style is heavy but exquisite and durable, with a wider scope of application.

There are many lines in the picture, but the lines will be thinner. Basically, lines are used as bones to shape every object, and the overall color is more unified.

3. Lines are an important part, and the number of lines determines the fineness of your picture.

4. A picture has 1-3 general color systems to form an illustration.

5. The color is not fixed, but it can be light and bright, paying more attention to the performance of ink painting and the paper texture of the picture to reflect the characteristics of Chinese style.

6. Creating with the texture of rice paper or kraft paper background will give people a stronger Chinese flavor, and the background will be treated with ink.

7. Some colors in the picture are antique, the overall color is less, the saturation is lower, some are gorgeous, and the saturation is higher, but the overall color is not too much, and there is a general color range. You should control the number of your own colors.

National tide style illustration is an illustration that combines Chinese style elements with trend elements, and uses Chinese style elements to draw people and things that appear in the world. The color matching, composition and elements of the picture should have obvious Chinese flavor.

The traditional ink-and-wash illustrated picture books are full of oriental charm, telling children about the survival law of nature and buying many picture books for two children. However, some time ago, I learned that most of them are picture books imported from abroad and lack our own picture books. Now the whole country emphasizes cultural self-confidence, but self-confidence comes from understanding. If children know little about their own country's culture, where can they be confident?

So when I saw Autumn Fruit, my eyes lit up and I was immediately moved by this picture book full of traditional elements. The name with classical colors, coupled with the ink painting cover picture drawn by the unique techniques of Chinese painting, has a unique charm.

The original animation has no dialogue. It tells the story of a green grasshopper how to feed, how to avoid danger again and again, and how to survive tenaciously in fruitful autumn, and reveals the survival law of nature by sketching.

This adaptation retains cool and full ink paintings, and then Zhou and Zhou Yinxu's father and daughter wrote words to create this picture book version of Autumn Reality.

When I was still at school reading Man and Eternity, I first learned about Mr. Zhou, and I was deeply attracted by his wise and meaningful words. Through his description of his daughter's twittering in Baby, Baby, we can also see that Zhou Yinxu was a particularly aura child since he was a child, and the words they wrote were the same. I especially hope that children can get in touch with it from an early age.

A Guo was foraging in a fruitful garden in autumn, and the cracked pomegranate made him drool. It jumped a few times, but it couldn't reach it, so Guo had to reluctantly transfer the target.

Fortunately, orchards in autumn always give people hope. It climbed to the green towel gourd again, and was about to absorb the sweet juice of the towel gourd. Suddenly, when it saw mantis's sickle-like forearm waving, it broke out in a cold sweat.

I managed to avoid praying mantis, and accidentally found some delicious berries. I picked a dozen berries and was about to have a full meal. When I didn't reach my mouth, I was robbed by a few overbearing grasshoppers.

Full of fruit in the garden, the fruit was stared at by a big cock before it was eaten in its mouth. Fruit and fruit feel the cruelty of life again and again. But since things have happened, we should deal with them with great energy, shouldn't we?

The fruit flashes, hides, jumps and moves, and escapes from the cock's sharp mouth and claws again and again. Then, at the right time, he jumped on the rooster's comb and bit it. The cock was in unbearable pain and ran into a big stone head-on.

That's too bad. The slug was thrown high.

Great, the fruit fell on a tall branch!

Twist a head to see, just a stone's throw away, it turned out to be its dream pomegranate seed! It's really "I can't find a place to get it, I can get it without effort."

There is no earth-shattering story in this book, and there is no hero in the protagonist's aura. However, the wisdom of living in the cracks of natural laws, the positive attitude of enjoying life happily in the harsh key, and the spirit of daring to win with small breadth and wit in the face of enemies dozens of times bigger than themselves were deeply infected.

In addition, China's unique philosophical views in ancient times, such as "living in the present", "Mulberry harvested in the lost east corner" and "a blessing in disguise", make the whole book very heavy to read.

Zhou and his daughter, Zhou Yinxu, are concise and restrained about the text of this animation, which complements the blank illustrations and stories with strong oriental wisdom, forming a special tension and having an unspeakable satisfaction after reading it.

This is a picture book with great oriental aesthetic feeling. You can feel the unique beauty of oriental painting just by looking at the cover. The pomegranate in freehand brushwork is full and attractive, and a large number of blank spaces are comfortable, which gives people an attraction that cannot be ignored and exudes the unique beauty of Chinese traditional culture.

The overall design is also very interesting. The text page and the illustration page are patchwork. When reading the text, you can see the blurry margins of the illustrations. This setting of "hiding half of her face in front of us behind the half-hidden face of her guitar" reminds people of screens in ancient houses and doorways in garden buildings. It is exquisite and unique, and the furnishings in the house and the scenery in the garden are unobstructed, which brings people beautiful expectations, reverie and overall reading in one go.

Reading such a picture book not only gains a story, but also appreciates a series of meticulous paintings. This perceptual experience can invisibly enhance children's aesthetics.

Autumn Fruit is a picture book with traditional characteristics and ancient rhyme created by Zhou's father and daughter. In the fast-paced life, it is a rare enjoyment to slow down with children, calm down, immerse yourself in the pages of ancient books, feel the influence of traditional aesthetics, taste the charm of classical culture, understand the laws of nature and the wisdom of life of small insects, and experience the wonder and exquisiteness of everything in the world.

Give children more wonderful mathematics enlightenment books, master systematic knowledge in games, and lay the foundation for primary school learning.

How to draw an ink illustration 1 through PS, select the "File/New" menu, and open the "New" or Ctrl+N dialog box named: Chinese painting in ink and water towns, with a width of 600 pixels, a height of 480 pixels, a resolution of 72, and a mode of RGB document, as shown in the figure.

2. Execute the menu: Filter/Texture/Texture, and the dialog box for adding texture will pop up. Set the zoom ratio to 100% and highlight it as 8, as shown in the figure.

3. Select the lasso tool in the toolbox, randomly set irregular figures in the workspace, and set the foreground color values as: R:0, G:53, B:4, as shown in the figure.

4. Execute menu: select/modify/expand to pop up the expanded selection dialog box, and set the expansion amount to 20 pixels. Execute menu: filter/stylize/diffuse to pop up the expanded selection dialog box, and the setting method is normal, as shown in the figure.

5. Select the mobile tool in the toolbox, hold down the Alt key of the keyboard, select the layer 1, hold down the left mouse button and drag out the copy of the layer 1, as shown in the figure.

6. Select the daubing tool in the toolbox, select the layer 1 and daub it in the workspace, as shown in the figure.

7. Execute the menu: Filter/Blur/Dynamic Blur, and the dialog box of dynamic blur selection will pop up. Set the angle to 0 and the distance to 48 pixels, as shown.

8. Select the brush tool in the toolbar, and set the brush to 3, normal mode, opacity to 100% and flow to 100% in the brush tool property bar, as shown in the figure.

9. Select the daubing tool in the toolbox, set the brush to 17 in the daubing tool property bar, set the mode to normal and the intensity to 50%, and daub in the workspace.

10. Select the gradient tool in the toolbar and set a reference in the gradient toolbar properties, as shown.

1 1. Set the layer blending mode to positive overlay, and set the opacity to 100%, as shown.

12. Select the pen tool in the toolbar and draw the shape of a ship in the workspace, as shown.

13, set the foreground color to black, and then stroke, as shown.

14. Select the brush tool in the toolbar and set the brush to 13 in the brush property bar. Normal mode, opacity 30%, flow 100%, as shown in the figure.