Which works of Mo Yan won the Nobel Prize?

Mo Yan won the 20 12 "Nobel Prize in Literature" for "The Magical Native China". His representative works include Red Sorghum, Sandalwood Punishment, Chest and Hip, Wine Country, Fatigue of Life and Death, Frog and so on.

The news that Mo Yan won the prize caused a strong shock wave in China and even the world. His works are numerous, but they were not widely known until he won the Nobel Prize in Literature.

Besides writers and works, the translators of Mo Yan's works have attracted worldwide attention. The names of translators unfamiliar to ordinary readers such as Ge Haowen and Chen Anna surfaced. Both writers and ordinary readers are full of praise for them, and they are also the heroes who carry forward China culture and China writers.

Extended data:

Mo Yan's artistic characteristics

While studying western modernism, Mo Yan soon realized that he wanted to escape from the "scorching blast furnace" like Faulkner, Marquez and other western modernist masters, and the result of his escape was to return to his literary hometown "Gaomi Northeast Township". He tried to learn Qilu culture, Pu Songling's Strange Tales from a Lonely Studio, Romance of the Gods and Yuan Zaju.

Draw nutrition from traditional folk cultural resources such as folk stories and folk arts (including high-density ash-throwing New Year pictures, high-density clay sculptures, high-density paper-cutting, Qiang Mao, etc.). ), especially Strange Tales from a Lonely Studio, had a great influence on Mo Yan, who once commented that Strange Tales from a Lonely Studio was a book that turned decay into magic.

20 12 mo Yan delivered Nobel Prize in Literature's lecture "the storyteller" in Sweden. he said: "more than 200 years ago, there was a great storyteller in my hometown-pu Songling. many people in our village, including me, are his descendants." Fatigue of Life and Death is the novel that best reflects the influence of Strange Tales from a Lonely Studio on Mo Yan.

Mo Yan gets inspiration from various folk arts, legends and ancient literary texts that are biased towards the romance of ghosts and gods, such as Tu in the Romance of Gods and a large number of cultural relics in his hometown Dongyi in Strange Tales from a Lonely Studio, and also gets fresh nourishment from rich real life.

While partially or partially simulating history and reality, he inserted the wings of free imagination into his own creation, and then achieved a near-perfect combination of high authenticity and superb artistic creativity psychologically and logically.

Therefore, on the basis of inheriting modernist masters such as Kawabata Yasunari, Kafka, Faulkner and Marquez, literature is rooted in the land of local culture and literature and art, and has achieved a leap from "modernism in China" to "modernism in China".

Baidu Encyclopedia-Mo Yan