"Carrying a heart? Fear: Who else is not mistaken?

There is a film that brings together the despicable things in human nature and gives the audience a psychological advantage in joy.

There are a lot of despicable human nature in Up and Down.

Opening an inn named "Cyclamen" in the hinterland can make Yang Baiwan have a little money besides food and clothing, but it can't dispel the pent-up troubles in his heart: due to physical reasons, he has no children so far, so he has to sit up and take notice of Sun Erniang and Pan Jinlian's wife Ma Lilian. You can listen to Ma Lilian, but you can't make your wife really like Pan Jinlian. Therefore, after he failed to seek medical advice, he planned to buy a murderer to get rid of Ma Lilian who was suspected of cheating.

Babi patted the doctor who was afraid of cheating him in the backcountry. It is a small deception and a small satisfaction. Yang Baiwan is going to spend tens of thousands of yuan to buy the demand of murdering his wife and children, which makes him desperate.

Playing online games in Internet cafes, the gigolo pretends to be a masseur. Besides making some money by massaging women in the hinterland, his greatest wish is to cheat a beautiful woman into marrying him.

After the fat robber and the thin robber successfully robbed a jewelry store, they couldn't accept the plan of the thin robber to divide the spoils, so they didn't dare to say anything, so they had to secretly hide a diamond ring and stick it under the table when the cyclamen came to eat noodles. His biggest wish in fear is to get the diamond ring back.

With a wig, false eyelashes and full breasts, Ren Suxi just wants to marry a rich man and live a good life from now on.

Yang Baiwan, Bi Yuanxiao, chubby robber and Ren Suxi, these despicable features, have been made into a play by Li Yuhe, the director of On pins and needles. With a fictional character Mark who only eats white rice to make tofu sauce, we can experience the fun of watching movies in fear, joy and contempt, and at the same time brush our sense of existence with satisfaction.

That's all, "On pins and needles" has become the comment of some fans: "This movie is very good, but I'm tired of watching too many movies of this type." What's more, it failed to live up to Tagore's words. Li Yuhe, the director of this film, deliberately blacked out the screen before the film started: We read the world wrong and said they lied to us.

Yang Baiwan listened to the story of the dumb, and went to find the false trace, in order to solve the great disaster, because he was wrong about his wife and the dumb. Never put off till tomorrow what you can with Yang Baiwan's money, shirtless to act as the illusory mark, which led to the fatal disaster. This is because he misjudged Yang Baiwan's confusion. Before misreading each other's reliability, both fat robbers and thin robbers mistook the world for a robber's world. The beautiful boy mistook the young lady for a good woman; The young lady mistook the well-dressed gigolo who was driving for a rich man ... After these mistakes were incorporated into the film by Li Yuhe, the art soaked these jokes in tears, so we would be immersed in the bitter aftertaste after laughing.

However, is it the ultimate pursuit of "holding your heart and hanging your heart" to laugh with tears? Have all kinds of wrong ideas on the screen spread outside the screen? Li Yuhe's answer is yes. He reminded us with the help of Zhang Hui's novels that everyone's observation was biased. He also told us that the inherent concept would distort our observation by disrupting the timeline with silent movies. If we understand why Li Yuhe presents this uncomplicated story in a multi-angle and silent film, Tagore's words quoted at the beginning of the film will echo in our ears: We read the world wrong and say they cheated us. Then, when we watch "On pins and needles", is it also a kind of self-righteousness to gain psychological advantage through the plight of the characters on the screen?

On the other hand, walking under the scorching sun in Shanghai in May, we can't help sweating: we thought the world we saw was primitive, but unexpectedly, the world in our eyes has changed shape because of refraction, myopia and astigmatism, but we are still on a distorted track. So, if we exchange seats with Yang Baiwan, we are on the screen, they are off the screen, and they look at us, is this ridiculous? I'm afraid there is no doubt.

While the subtitles are slowly rising, the film explains the ending of the thin robber in the form of a small window, but many viewers can't wait to leave. Needless to say, their "seven ups and eight downs" are incomplete. Many viewers are habitually late for the movie, so they didn't see the crowning touch of the movie, Tagore's sentence. Therefore, they think that this movie is a repeat of the "Twist FunAge" series-isn't it wrong to dare to draw conclusions without watching the whole movie?