Who is the fighting spirit and great personality of the great writer?

Why not (2) send the canopy and dare not stand up to meet it.

The broken hat covers the downtown area of the yen, and the excellent leakage overflows the midstream.

A bow is better than an ox.

Hidden in the unified management of Xia Dong Chunqiu ⑤ ⑤, a small building.

note:

1 Lu Xun's Diary193210 June 12: In the afternoon, the banner of Liu Yazi's book reads: "What do you want for a tent? ... Duff enjoys meals, idle people pump oil, thieves are half-linked, and desolation is always invited. " Press, 6543810.5, Yu Dafu got together for dinner accompanied by his younger brothers Yu Hua and Lu Xun. Idle people, () The preface of the three episodes says: "I will prepare the materials in A Brief History of Chinese Novels and Notes on Old Stories of Novels to inspect the youth in the province. The name of the proletariat means "freedom" and "freedom" means "three idle sets", so the essay calls itself "idle people". Guan Yu Dayou Qian said that the doggerel was stolen. There are three theories: First, Comrade Guo Moruo borrowed money for "delicious food, sweet cows", but there was no half-coupon, but for the last part, see Note (4). Two poems by Yao Hun (Tie Gou), a poet from Nanshe, were completed by borrowing. Comrade Hong Rong offered a festival, and Lu Xun and Yu Dafu joked, "Have you worked hard these days?" Lu Luxun spent a day thinking about "bash elbows" to answer him. Duff joked: "It seems that the crown game is Korean?" Lu Xun said: "Look at what you said, half of me put together to make a poem." The so-called stolen half, one (

2 Gai Hua's: Lu Xun's "Gai Hua Collection" inscription: "I have never learned fortune-telling in my life, but I heard from the old man that people sometimes have to pay the price for the championship ... This kind of sports, the monk is lucky: at the top of the crown, it is natural to become a Buddha for the ancestors, but the layman can't. Gai Hua, this is a necessary cover, and it has already met obstacles. Huagai was also fought by the Yellow Emperor, ending in the colorful clouds of Zhuolutian Emperor, with golden branches and jade leaves, and flowers like a handkerchief, so it was the crown of the tree. " This is the yellow emperor's imitation cloud car cover.

(3) In a word: "Wu Zixu's soldiers", "If you miss the boat." The book "Biography of Zhuo" says: "There are hundreds of wines in the boat ... and enough life is carried out in the floating wine boat. "

4 Be willing to be a willing ox: Comrade Guo Moruo's "A willing ox has undergone a qualitative change", and he wrote an article: In Hong's "Beijiang Poetry", I mentioned that I was drunk and dreamy, or that I was willing to be a willing ox. "But this allusion fell into Lu Xun's hands, but it completely changed its nature. The real decadent magic (People's Daily 1962, 16 October) Zuo Zhuan Mourning Gong 2006 Martin Confucius said: Did you forget your cow and break your teeth almost? " Seiko loves children, pretending to be cows, mouth to mouth, and ropes, so that children can ride their children and lose their teeth.

⑤ Unification: That is to say, I am hiding in a small building, but there is a unified world.

⑥ His "Xia Dong Spring and Autumn Annals: How to Change" ignores the climate outside the white terror, and Lu Xun is often oppressed and compared to a transportation tent.

In order to avoid the tracking and persecution of reactionaries, it is still very dangerous to carry a broken cover in the city center, such as a leaking boat floating on the water and accidentally sinking. In such a dangerous environment, Lu Xun adopted an uncompromising and strong fighting attitude. Chairman Mao's "Literature" and "Speech at Yan 'an Forum on Literature and Art" said: "Lu Xun's poem,' bow your head and be a willing ox' should be our motto." Noise refers to the enemy here, and we will never give in to any vicious enemy. "Obedience" here means that all members of the proletariat and the broad masses of the people, all revolutionaries and all revolutionary writers and artists should follow Lu's example and be the cows of the proletariat and the masses. . "Chairman Mao's spirit is very noble. Lu Xun's persecution of reactionaries is often hidden in a small building with realism but not limited to realism. The reactionaries lost a large area of land in the northeast and joined the National Government on the day of the 1932 18 Incident 12 to avoid threatening the enemy.

Moved to Luoyang, the capital, and moved back to Nanjing in June+February of 65438. The author wrote: This poem is so ironic that I only know how to get rid of it, no matter how trapped the country of origin is, the consequences will be at my own risk.

This song "The Second Biography of the Bridge of the Nose", "Crossing the Eyebrows" and "Bowing" describes two completely different attitudes of revolutionary soldiers towards the enemy and the people. Not just these two meaningful vivid images. Comrade Lu Xun and Guo Moruo once praised this related sentence in a series of poems: "Although there is only the word 14, the other shore is endowed with the power of life and death, love and hate, and the spirit of unity and struggle, which will be an unprecedented criticism." He said: "Thousands of people mentioned disease and death." "Qian" or "very unhappy" refers to the broad masses of the people, but on February 4, Lu Xun 193 1 "Li Bing said," Fortunately, it's nothing, it can release long-distance love to study, but your mother is skeptical. Condemn and die without illness. I don't know what tomorrow will be like in this world. Lu Xun gave a new meaning here. This kind of blame refers to the enemy, not to the masses and all kinds of enemies. This is the same as Untitled, The Stealing of Xiangling in Qing Dynasty and Reluctantly Exporting Xiao Ai's Secret. Like The Secret of Little Love, there are many enemies, and "unhappy" means more consistent with the enemy, so it means "more consistent with the enemy"

There are also some differences in the interpretation of "self-mockery", so you can talk about it.

Interpretation of the theme of Self-mockery: First of all, it says: "As for the topic of Lu Xun's Self-mockery, it is writing skills. In fact, Mr. Lu Xun hardly laughs at himself. " Since there is no need to laugh at yourself, why laugh at yourself? What do you mean by writing skills and self-mockery? This problem is not clear at present. Said: "This poem is called self-mockery, but in fact the enemy is sarcasm." Then laugh at the enemy instead of laughing at yourself. If they don't laugh at themselves, then why is the title "self-mockery"? "Self-mockery since the play to laugh. What did Lu Xun's plays mock? Make fun of what happened to her, laugh at their situation and laugh at the persecution of the enemy. "Every poem ends with" This is self-mockery. At the end of every poem, the object of ridicule is always "teasing and mocking the enemy?" Have fun, not "second, can you still have fun?"

How do you explain "self-mockery"? The title "self-mockery" is its source. There is a kind of "poetry collection" called "Hypothesis", which includes Dong Fangshuo's "One Party is in Trouble, Yang Xiong" and "Ban Ki-moon's Play to Answer Guests", with three themes. In the first chapter, "One side is in trouble", three guests explained themselves with a smile, instead of "self-deprecating and self-deprecating". "The Biography of Han Dong Fangshuo" said: "It is difficult to have masturbation instructions in the setting." Dong Fangshuo believes that the guests' ridicule, rather than the real guests' teasing or laughing at themselves, should be answered by them. "Mocked" Yang Xiong and banned "answering guest drama" until Han Yu "learned". Suppose a person laughs at himself and answers. The satirist in The Selected Works of Oriental Shuosan's Set Theory is the author's self-mockery. These articles are divided into two parts, some of which have been partially answered. In fact, they are self-deprecating, but the form of teasing by guests comes from themselves.

Lu Xun's "self-mockery" is to change the article from "self-mockery" to delete its formal customer self-mockery and regard it as actual self-mockery for short. "Satire" is actually divided into two parts, and Lu Xun's self-mockery and "banter" can be divided into two parts. "Mock", assuming that the guests tease themselves and play with their own questions, Lu Xun jokingly said, "Let's mock the questions first. For example, do you want to send another crown, and actually ask, have you won the championship? " He ridiculed that "the article is ridiculous, such as Dongfang Shuo's saying that his lips are rotten and his teeth are falling", saying that it expanded the decline of "official". Ban Ki-moon said that "the door of balance", Han Yu said that "crawling before postscript often leads to trouble" and "the first boy refused". Lu Xun also had similar self-mockery, such as "I dare not stand up, but I am satisfied" and "this is part of writing myself" laugh at oneself

In the past, "Satire" wrote: "Satire" is often due to identity. For example, Dongfang Shuo said that Zhong said that "the smile of today's owl is better than that of the phoenix, and the phoenix said that Ban Ki-moon" is the wall, so Lu Xun mocked "The golden streamer of Kuang Lu", "Looking down on a thousand fingers, bowing down as a willing ox, its far-reaching significance has already expounded that Chairman Mao's display of nature is far ahead of others. Self-mockery is a part of self-mockery, unlike the explanations listed above. It is a "self-deprecating" writing skill. " I dare not stand up and break my hat. How to write skills, how to ridicule the enemy? How to mock the enemy after the awning? "Self-mockery" is not another part of yourself at the end of each year. Of course, Lu Xun's "banter:" is very different from the past "ridicule" in form and content. In the past, customers laughed at themselves, and Lu Xun only called it "self-mockery", which is a different proposition. Former customers laughed at themselves and laughed at themselves as accounts. Their injustice did not dare to touch the feudal rulers and beautified them. Lu Xun jokingly said: "This revolutionary poem is a stab at the will of the Kuomintang reactionaries to show his contempt for the enemy and his determination to fight for the revolutionary cause to the end. So what was the previous "ridicule" point? It shows that Lu Xun is creating, just like Lu Xun's Romance was inherited and developed. Pointing this out will help us understand the topic of "joking" and make it more in line with real poetry.

Ironically, a joint "hiding in a small building to become a unified management of Xia Dong in the Spring and Autumn Period" explained that "the irony is that the last two sentences are self-comfort, not politics." Two Kuomintang reactionaries moved to Luoyang on 19321October 28th, and moved back to Nanjing in February 65438. The author wrote this poem. If we can't move back, the three "hiding in the small building" once again expressed Lu Xun's "positional warfare" thought? The fortifications of the "Xiao Lou" bunker are a trench in the front line. Hide in the Xiao Lou, take the opportunity to attack, so that you can better protect yourself and destroy the enemy. "The four' unification' is a self-contained, unified' small building' that is in direct opposition to the Chiang family dynasty. Although it is small, it serves as the enemy's outpost, the proletarian struggle and the entire revolutionary struggle."

Let's look at "Mock" written before. Dong Fangshuo said that in the later period, he said "don't stop believers, be the master of the country", Yang Xiong said "but be silent, but be lonely and keep the moral homeland", and Ban Ki-moon said, "Beautiful blog, keep a breakthrough in Seoul for a day." Loneliness is to talk about your own content. To be sober, it is not the irony of others, but the political inappropriateness. The enemy of irony, but political education is not ironic. Lu Xun once said, "hide in a small building and be the master of the past." Content and loneliness are similar in form. Of course, no matter what we only know, when the enemy rushes into the city, the spirit is completely different. The former retreats and the latter fights.

Hidden in the small building "how to play? Not positional warfare. Street fighting in Xiaolouhao, hiding in Xiaolouhao, Lu Xun's anti-cultural "encirclement and suppression" and war, how can Xiaolouhao cover and attack the enemy? ? The struggle against cultural "encirclement and suppression" is to ensure that we can use newspapers hidden in small buildings to attack the enemy and leave this battle position. How can we attack the enemy's trench warfare? Lu Xun wrote all kinds of pseudonyms in his articles to confuse the enemy in battle, and his combat essays used all kinds of ingenious artistic techniques to deceive the enemy, so we should hide and attack the enemy instead of hiding in a small building to defend ourselves against the enemy. Say, third, I'm afraid it's not realistic. Hiding in a small building, "holding your ground" and becoming a unified proletariat in the whole revolutionary struggle. The original sentence: "hide in the small building and dominate the world." Not a small building, an old revolutionary base area, dominating the world. To this end, he hides in front of the small building in summer and winter, and hides outside in spring and autumn. So, no matter what the political climate is, who cares! No matter what it means, if a small building is an important stronghold of the whole proletarian revolutionary struggle related to it, it must pay close attention to the political climate of the outside world anyway. 4. Inevitably seek depth.

Then what exactly do they mean? Lu Xun's reactionaries often escape persecution, so I dominate the world in an external political climate such as a small building and a pipe. This is "self-mockery", but it is not limited to self-mockery, but also satirizes the Kuomintang reactionaries who only know how to avoid, no matter how dangerous the motherland was. These two, whether they laugh at themselves or "laugh at themselves", violently attack the enemy and hit the enemy directly. The program joked: "Revolutionary Campaign. There are two related "cross eyebrows and cold pairs" in Qiang language.