Random talk on xianjian culture

Whether a good game can produce a successful series of generations does not depend on the similarity between characters and system settings, but on its cultural heritage-inscriptions.

Any successful game series has a profound and rich culture behind it. It is so popular in European and American games, such as Dungeons and Dragons, the base camp of oriental games, FF in Japan, and Xuanyuan, another sword in Daewoo Double Sword. After experiencing the rush of Fairy Sword 2 and the relative cultural emptiness caused by the axe chisel, this set of Legend of Fairy Sword and Chivalrous Man 3 in front of me finally excavated and continued its own fairy sword culture for this game series which plays an important role in China's games. No wonder countless players lamented after playing Xianjian 3, and Xianjian finally came back.

Perhaps because of the nature's teasing, eight years ago, a fairy sword created unprecedented glory in the game history of China, which paid little attention to cultural inheritance and continuation. A successful game must bring out its own series, which is the best reward for players' enthusiasm. However, due to congenital deficiency, it is difficult to find the cultural chain between this game and the sequel. Although it has been waiting for eight years, Xianjian 2 brings players not cultural inheritance, but only the continuation of the characters' stories and plots in Xianjian. Although Daewoo tried to impress the players with the death of Samui, it was impossible for the players to recognize Xianjian 2 as a sequel to Xianjian. Perhaps this contributed to the emergence of Xianjian 3.

God will fly, and the devil will respect. The duel a thousand years ago gave birth to a series of stories for later generations. Around the same magical spirit sword, immortals, fiends, demons, nuwa, mortals and sword immortals, all kinds of characters in the six realms meet in the world of sword immortals. From wood blade in 1 xianjian to the magic sword created by the combination of virgin blood and countless ghosts, the carrier of the concept of xianjian began to change constantly, and the only constant was the eternal friendship around xianjian. Just as Xuanyuanjian is destined to become the symbol of Xuanyuanjian series, the ever-changing Xianjian will also become an indispensable sword in every Xianjian series game.

The Lock Demon Pagoda in Shushan was destroyed and rebuilt many times. This pagoda, which was originally used to lock evil spirits in the world, has become an important meeting point in the world of xianjian. If Shaolin and Wudang are authentic Wulin in China's martial arts novels, then Shushan is the representative of Xianjian culture and the symbol of justice.

Magic is not magic, Tao is not Tao, and good and evil are in people's hearts. Desire is not desire, affection is not affection, and marriage is predestined. The unknown fortune teller's ode to the fairy hit the nail on the head in the immortal sword culture with boundless good and evil and endless lust. Whether a person is good or evil, good or evil, should not be decided by race, nor should it be known at once. In the whole Fairy Sword 1, Yue Bai is the only truly evil person except the treacherous devil who hinders travel on the way. Xiao Shi and Ge Luojiao, who fought side by side with Xiaoyao, just went astray for the justice they imagined, or were forced to kill for the whole family. How blurred is the line between right and wrong in xianjian culture. The respect of the devil, the ghost is the nightshade, the snow scene of the demon and the fairy, and the sorbet are all people who value friendship and move the true feelings. Xiaoyao, I can't keep the light. Zi Xuan wants to break the fate of Nu Wa, and the earth-shattering love that Xianjian relies on has been continued here. When they are also running for their loved ones and going through fire and water together, they can't be together for various reasons after suffering. Beautiful love and friendship through life and death are the most important parts of Xianjian culture. Although Jing Tian was reincarnated as a god, he didn't undertake the heavy responsibility of reversing history. Xiaoyao was just a dream-chasing teenager in a fishing village. The culture of xianjian has never been too heavy, because under a heavy mission, it is impossible to bear the affection of children with xianjian characteristics. Therefore, in a world where history is completely overhead, what we appreciate is the sad and beautiful love performed by a group of spoony children.

Without the heavy historical burden, Xianjian culture has far-reaching influence, which has both advantages and disadvantages. If many "xianjian-style" games appeared in a period of time after the appearance of xianjian, xianjian opened another door of game culture for China. It lets gamers in China know that the original game culture can do the same under the heavy world outlook of FF and Xuanyuan, so that they can put down the heavy burden of historical mission, concentrate on walking the rivers and lakes, and risk their lives for their loved ones. You can abandon racial boundaries for your sweetheart and prove your eternal love to the six realms with your sword. You can ignore the teachings of the door rules to your sweetheart, and the fairy lock demon tower will collapse.

Without xianjian, a series of game literature around xianjian in the past eight years will cease to exist. Destined for a beautiful love, every young man and woman wants to change the fate of free light, and the countless scripts produced afterwards have played a self-evident role in promoting the development of China's martial arts games. Although it can be said that the Xianjian culture was really perfected and formed today after the appearance of Xianjian 3, the development of this culture was gradually formed at the beginning of the release of this unexpected game eight years ago.

It can be said that the Fairy Sword 1 eight years ago created a milestone in China's martial arts game and laid a solid foundation for the final maturity and perfection of the Fairy Sword culture. But in these eight years, what Daewoo has done can be said to be very insufficient. Although there are rumors that this sequel, which has been prepared for 8 years, is not Xianjian 2, but Xianjian 3 that we see today. However, whether it is to satisfy the players' carefree re-legend, or to be forced by the players' pressure for a short period of time, Xianjian 2 is not as good as the game name of Legend of Fairy Sword and Chivalrous Man, and it is unprecedented in the eyes of Chinese players all over the world in terms of culture and plot. Fairy sword 2 caused the confusion and lack of fairy sword culture. Fortunately, Legend 3 of the Fairy Sword and the Chivalrous Man brought them back and carried them forward. Today, we are very happy and gratified to see the maturity and perfection of Xianjian culture, which makes this irreplaceable game develop continuously. Maybe when we get the next series, we will naturally say, hey, this is the fairy sword.