Fortune-telling of Anhui Sizhou Opera _ Anhui Folk Sizhou Opera

There are Taoist feelings, Sizhou opera and Huangmei opera in northern Anhui.

1, Daoqing is a kind of Quyi, which is also called fishing drum in some places. -Generally speaking, singing is the mainstay, supplemented by speaking, accompanied by fishing drums and simple boards. The combination of Daoqing, Yinggeliu and Sanxianshu also formed the traditional folk art form of Henan pendant.

2. Sizhou Opera is a local traditional opera on both sides of Huaihe River in Anhui Province. It is a national intangible cultural heritage and one of the four major operas in Anhui Province. The aria of Sizhou Opera includes the impassioned impassioned North Opera, the gentle and soothing South Opera, and the extremely difficult coloratura, coloratura and folk music piano books.

Huangmei Opera is one of Anhui local operas, which is gradually formed and developed by tea-picking lanterns, folk songs, yangko, tea songs and Hua Gutiao. It has absorbed many factors such as Gao Qiang, tea-picking opera, Han opera, Chu opera and Beijing opera, and gradually formed its own artistic characteristics. Huangmei opera is generally simple and fluent in singing, and is famous for its bright and lyrical expression, rich expressive force and simple and meticulous performance, as well as its truthfulness and vividness.

Quyi related introduction:

Quyi has a long history. As early as ancient times, China folk storytelling, jokes, and especially playing, singing, jumping and laughing all contained the artistic elements of Quyi.

In the Tang Dynasty, the emergence of popular stories such as street novels and stories about spreading Buddhism to the people, and the popularity of Daqu and folk tunes made the rap skills flourish. Since then, Quyi as an independent art form began to take shape.

By the Song Dynasty, due to the development of commodity economy, the city was prosperous, and the citizen class grew, the rap performance had a special position. Professional artists, speaking skills, drums, various palace tunes, singing and income were extremely prosperous, which were recorded in detail in Meng Yuan's Dream of Tokyo and Ned Weng's The Sound of the Capital.

From the Ming and Qing Dynasties to the early Republic of China, with the germination of capitalist economy, the number of cities surged, which greatly promoted the development of rap art, that is, on the one hand, folk rap with strong local color in the surrounding areas of cities flowed to cities one after another, and became more and more mature in performance practice, such as Taoist feelings, lotus drops, Fengyang flower drums, overlord whip and so on.

On the one hand, some old songs have changed in the process of communication, combining the characteristics of various regions and dialects. For example, Yuan and Ming Ci with scattered rhymes gradually evolved into Tanci in the south and Drum Ci in the north. During this period, new varieties and new songs of Quyi emerged constantly, and many types of Quyi were famous artists and schools. Most of the Quyi varieties we see today were spread from the Qing Dynasty to the early years of the Republic of China.