Teahouse: Teahouse has been improved and experienced many vicissitudes; Square inch of land, deduce the world.

From the curtain, the young shopkeeper of Beijing Yutai Teahouse remembers his father's teachings and greets guests from all directions with dignity and comprehensiveness. In the small teahouse, the "Don't talk about state affairs" on the wall is quite conspicuous. People of all religions shuttle here, and all kinds of absurd things emerge one after another. Birds are kept in cages, fortune telling, antique jade articles are bought, chess is played, detectives drink tea with banners. However, behind this school of "prosperous peace", there is a suffocating decline: the worship of foreign goods by the old aristocrats, the father's strong selling of women to support his family, the impassioned call of the national capitalist Mr. Qin for saving the country through industry, and the outspoken demise of Mr. Chang, the standard bearer.

The teahouse seems to be full of harmony, but in fact it is full of dangers. Between the talks, it can be said that there is a lack of enthusiasm. We are talking about short-lived parents, bickering in officialdom and flattery, which reflects the shakiness of the Qing Dynasty and the changeable situation in Beijing.

"Don't talk about state affairs" has become a decoration. Five or two foreign watches, twelve daughters, village women take their daughters to beg, and tea drinkers enjoy themselves.

Master Qin and Master Chang have their own understanding of the current situation of the Qing Empire.

The state of Qin wants to sell its old land to run factories and industries to save the country. Only by running large factories can the poor be gathered together, their employment problems be solved and their lives be stabilized. This reminds me that Jean Valjean used this method in Les Miserables. It is an effective measure to establish factories to recruit poor people, solve employment first, stabilize income sources and let them support themselves. This can understand Qin's indifference and even disgust when he saw rural women begging. At that time, there were countless poor people, but they could not save everyone. It's no use giving blindly. What they lack is a stable source of income, not a temporary relief fund.

There are often different understandings. He bluntly said that "the Qing Dynasty is going to die". He saw the last nobility of the imperial nobility and ignored the poor. He did not see that the essence of social unrest came from the double oppression of the external world and the inner world. The Qing Dynasty was just a chess piece. The old aristocrats didn't see the minimum needs, the corrupt bureaucratic class, and everything was just entertaining themselves. In the face of the decline of the country, he is patriotic, afraid of being finished, but unable to return to heaven. His contempt for the old bureaucrats is his pride and his bane.

The warlord regime is chaotic, the people's livelihood is bleak, and the people are miserable, displaced and precarious. It seems that chaos is just a trick of foreigners. Which warlord can be without the support of foreigners? On the one hand, it is difficult for warlords to rise in cooperation in their own way. On the other hand, in order to stimulate munitions, funds are flowing out.

Xing, the people suffer; Death makes people suffer.

All the big teahouses in Beijing are closed. Wang Zhanggui's brain is very clever, and the teahouse has been greatly improved, so that it survived. He rented out the backyard of the teahouse to college students, put a phonograph in the main hall, removed the shrine of the God of Wealth, took the Drunken Eight Immortals away, and replaced them with beautiful women in advertisements, small tables and rattan chairs.

Can be improved, the more you change, the more you forgive, cold!

The "foreign flavor" in the teahouse and the note "Don't talk about state affairs" written by Zhang Yue are getting bigger and bigger, which indicates a greater crisis. It hasn't opened yet, but it's doomed.

Teahouses that have worked so hard can't stop the brand of the times. In Beijing, gunshots began to roar, refugees flocked, soldiers robbed and left, and patrol officers came to extort money from time to time. The turbulent times have made small teahouses no longer prosperous. Some people are happy, some are sad, and some are free and easy. Tang Tiezui's business is booming; Grandpa Chang is free and easy and optimistic after he is released from prison, and it is very difficult to support himself. Mr. Song's old aristocrat, who loves face and can't make ends meet, changed silk into coarse cloth. I found out who gave the meal and who mixed up in Song Wuzhong, transformed myself, warmed my job, and the scenery remained the same.

Kang and his mother escaped from the palace, and two deserters wanted to marry. The pimp pockmarked Liu has been beheaded in a muddle, full of danger, darkness, chaos and turmoil are eating away at this riddled country.

Cui Jiufeng's dialogue with Mr. Qin is another denial. "He said that industry saves the country. Who did he save? Saved himself, he is getting richer and richer! But his little career, hum, the foreigner stretched out a little finger and pushed him to the ground, and he could never get up again! " In Cui's view, saving the country by industry is self-help. Qin's factory is in the hands of the great powers. He can run this factory only because foreigners let him. Finally, "We are all conquered people" is suffocating.

The old teahouse is getting worse and worse, and Wang Zhanggui himself is getting older and older. There are more notes and bigger words in the museum that say "Don't talk about state affairs". Next to these notes, there is a new note that says "Pay for tea in advance".

"Pay for the tea first," you said, burning your mouth, "but in order to make a living, you have to do it again.

In every adversity, he uses "improvement and reform" to stimulate potential vitality, and this time is no exception, as he himself said: "improvement, I never forget to improve, and I always refuse to lag behind others." It's no good selling tea. Open an apartment. The apartment is gone, add a storytelling! Storytelling is no longer popular, well, I'm not afraid of shame and want to add a waitress! "

A storyteller can't earn a bowl of noodles; Kang's mother, afraid of dragging down the shopkeeper's family, discussed going to Xishan to find Kang Dali. The waitress introduced by Pockmarked Liu walked into the teahouse and talked with the old shopkeeper. Xiao Liu pockmarked son inherited his father's footsteps and showed off his grand plan to Tang Xiao Iron Mouth; The thug Xiaoerdezi ran to the teahouse to arrest people; Grandma Pang threatened to hand over Kang; The strike movement of teachers and students, ideological enlightenment, was attributed to riots; Sending all the children to Xishan, alone in the teahouse, wiping away tears, waiting for the arrival of the storm, is the last peace.

Often grandpa four's life is difficult, but people are particularly tough; Mr. Qin's warehouse was robbed by reverse production and the factory was demolished; Wang Lifa's teahouse will also be occupied and turned into an information gathering place.

A few people * * * have experienced many vicissitudes, been radical, ambitious, expecting and despairing. Finally, they returned to the original point and had to give in to reality. It is the helplessness of individuals in the big environment, leaving only a lot of gas to vent, and no one tells them.

Three old people who have been away for many years have become bosom friends from tit-for-tat and don't like talking to anyone. It is difficult to find bosom friends, tell each other their misfortunes and make fun of each other.

Finally, they told each other their misfortunes and threw paper money for themselves in tears. This is a memorial to them and a funeral for the old days. The lights in the teahouse gradually dimmed, but the sunshine in the street gradually brightened up. ...

The small teahouse reflects the secular life and customs of China society for half a century, and every detail of it is a charming cultural symbol. Broad space-time pattern, intensive plot, highly concentrated dialogue.

Formally, it breaks away from the traditional focus mode, observes the life attitudes of different times and classes in Teahouse from the perspective of translation, and deduces the historical changes and the indifference of the world.

The trivia of a small teahouse is like the ups and downs of a big era. The course of teahouse from primitive simplicity to trendy to dilapidated is the history of social change.

Times are closely related to the fate of characters.

"Don't talk about state affairs" hangs high, but which scene is not talking about state affairs.