Do Feng Delun, Daniel Wu and others represent a prosperous and beautiful era of Hong Kong films?

I think Feng Delun and Daniel Wu can fully represent the beauty of Hong Kong films. At that time, when there was no dermabrasion filter in film and television, they attracted a large number of fans by their five senses, and they didn't have the same milk sound and milk smell, each with its own handsome appearance, which was really the peak of contemporary beauty.