What do girls with big faces need to know if they want to be beautiful?

The concept of "big" can be traced back to the choice of reference objects mentioned in the last article. Everyone has the concept of big and small, which can only be obtained by comparison.

What is the ratio of face size to reality?

The size of the face is different from the size of the head circumference. You can directly measure the head circumference. In reality, the size of a face is judged by its absolute area. In other words, in reality, everyone will judge the size of the face through the sense of facial weight.

Everyone will refer to the "concentration trend in a group", that is, to the sense of group hierarchy.

The absolute area of the face involves the length and width of the face, as well as the direction of the face lines, which together determine the thickness of the face.

Face length: the vertical distance from the center of hairline to the lowest point of chin.

Generally speaking, under the same height, the longer the face, the longer the head, the smaller the head-to-body ratio (the ratio of height to head length), the stronger the sense of weight of the head, and the overall lack of lightness.

So the face length will affect the head-to-body ratio.

White is Zhang's face long, yellow is Li's face long, Zhang's figure is slightly higher than that of the United States, and the whole is lighter.

In the above picture, the absolute length of Zhang and Li's neck is almost the same. Visually, Zhang's neck is longer, which is caused by the contrast between face length (and head length) and neck length.

Therefore, people with short necks complain that their necks are short, probably because their heads/faces are long and their necks are short.

Face width: the linear distance between the widest points of the face (generally measure the width of the temple, and if the zygomatic arch is enlarged, measure the width of the zygomatic arch).

The eyes are far away from the widest point of the face, and the five senses are not very cramped. They generally have a sense of width, which is more common in Jiangnan, and they are not dominant in telephoto shooting and cameras.

Arimura Kasumi and Tao Tsuchiya both belong to the wide-faced representatives in the camera (not so wide in reality).

The reason has been explained in this picture. The front of the flat head is wider than the round head, which makes it easier to produce a wide face. Even if the wide face has a certain degree of three-dimensional sense, it has a flat feeling as a whole. If it is a big head, the sense of wide face is more obvious.

In the case of similar head length, a wide face will also increase the sense of weight of the head, thus affecting the visual head-to-body ratio.

Face length+face width has the greatest influence on the absolute area of face. When the width and length of the face are higher than the average level per capita, the base of the length and width of the face is larger, and the possibility of producing a big face is higher.

For example, if the public takes a photo with a star with a small head and face, then the public's face, no matter how small, will be 1-2 laps larger than the star's face, because the width and length of the face are larger than the star's.

Simple long face or wide face is not directly related to the face shape, but also depends on the area formed by the combination of face length and face width.

For example, simple wide face and simple long face, the absolute area of human face in the crowd is not large.

If the cardinal number is similar, that is, the face length and width are similar, then the direction of the face line will also affect the absolute area of the face.

It is a bit complicated to judge the direction of face lines, which determines whether the face is an oval face with adduction, an oval face or a square face with outward expansion.

It is divided into hairline, zygomatic mandibular line and mandibular chin line.

(1) hairline

When the hairline shape is different, the forehead width is different, and its change will also affect the face area from the side.

It is more intuitive to change a picture. As the hairline changes from the inside to the outside, the absolute area of Ishihara's face increases accordingly.

Left: Ishihara, middle: round hairline, right: square hairline.

But the arc in the middle is the best match and harmony with her face shape, not the adduction shape with the smallest absolute area. The more the hairline is retracted, the smaller the face is. Natural harmony, matching with face shape is the key.

When the hairline shrinks back, the forehead looks very narrow, which may not be in harmony with the face shape and may not necessarily adapt to various shapes.

Ishihara's temporal bone is not fully developed, and the front is "pointed". It is better to cover your face with your head, which is suitable for the hairline of arch bridge.

Therefore, most of Ishihara's bangs are to block the adduction hairline shape and underdeveloped temporal bone (flat on both sides).

That is to say, under the condition that the length and width of the face are equal and the middle and lower faces are the same, different hairline radians can affect the face area, but not all faces can keep the narrow hairline.

Sometimes a little wider or rounder hairline will make your face look smaller.

Items or medical beauty that affect the shape of hairline: bangs shielding, fetal hair modification, hairline transplantation, hairline shedding and hairline reduction.

The influence of bangs on the face-Hyeon soo Kim with bangs is a lovely wide round face, and pushing bangs out of his forehead is a standard oval face.

Thick bangs are more suitable for long faces and standard oval faces.

The influence of fetal hair on the shape of hairline should not be underestimated. It can not only create an "invisible hairline", increase the visual height of the skull top, but also vaguely change the shape of hairline.

A little wild fetal hair will look more lovely and tender, and a little less fetal hair will make the forehead look more open and more in line with the face.

(2) the shape of zygomatic mandibular line

It can be understood as the angle between the vertical line and the zygomatic mandibular line.

The larger the angle (the left in the above picture), the more introverted the face is, and the face is biased towards the melon face and the diamond face.

The smaller the angle, the more inclined it is to 0, while the face tends to be square.

By changing the angle between cheekbones and mandible, Dr. Xia's feminine and delicate "Korean flavor" will be cut off, and the taste will be different (whether it suits his style is for illustration only).

By changing the angles of cheekbones and mandibles, Arimura Kasumi with a wider face is more refined and elegant, and her face is just blank.

This is also one of the ideas of showing a small face with a wide face-increasing the angle of cheekbones and mandibles, and blocking the widest point of the face with long bangs or hairstyle to achieve the effect of narrowing the face visually.

Items or medical beauty that affect cheekbones and mandibular line: long bangs/hair mask, fat reduction, edema improvement, face-lifting needle, orthodontics, micro-Latin, zygomatic+mandibular angle plastic surgery (these items are not effective for everyone, and are selectively screened).

Note: Not everyone has a good zygomatic angle. For the face with protruding cheekbones on the outside, the angle of zygomatic arch is too large, which is easy to cause the impression that the cheeks are too thin, which affects the smoothness of the face and the overall sense of age.

When Kim So-yeon's cheeks are too thin, he is not as young as when his cheeks are full, and so is Kim Hyun A, so there is no texture here.

(3) Mandibular chin line

Its direction and the position of mandibular angle also determine whether the direction of mandibular chin line is steep or gentle.

Different mandibular chin lines show different tendencies. The lines are steep, the lower part of the face is adducted, the chin presents a small circle, the face is more delicate and feminine, and the male is feminine and handsome.

The lines are smooth, and the chin is Fiona Fang and square. Women have a sense of dignity, heroism and foolishness, while men have a sense of stability, integrity and masculinity.

Top: steep lines, bottom: gentle lines.

By changing the zygomatic chin line, Dr. Xia's lower face changed from a delicate oval face to a square face, with less feminine elements and more masculine characteristics.

Items or medical beauty that affect mandibular chin line: improving edema, reducing fat, face-lifting needle, improving mandibular margin, line carving, micro-Latin, mandibular angle, chin plastic (these items are not effective for everyone, selective screening).

The height of the mandibular angle will also affect the shape of the line. I mentioned all the problems of solving the chin in this class before, so I won't repeat them here.

The line trend of the above three parts can affect the area and weight of the face through the shape of the corner lines when the face length is equal to the face width. Because the hairline shape is easily obscured by hairstyle modification, the line trend of cheekbone-mandible-chin is not easily obscured, so people tend to judge the face shape by the line trend of cheekbone-mandible-chin.

Conclusion: Head-to-body ratio is closely related to face length, head circumference and face width, so it can be concluded that when head circumference is large (58cm) and head-to-body ratio is small (6.0), the cardinal number of face length and face width is large.

If the zygomatic angle is small, even close to 0, the chin line is flat, and the probability of a big face is high, it is not easy to become a good-looking big face (unless the five senses are added together and properly matched).

If only the face is long and wide, the zygomatic angle is too large, the chin line is flat, there is only one or none, and there is room for improvement when the face becomes smaller, it is not necessarily an "unchangeable big face".

If the base of face length and width is small and the face is wider and more square, the visual impact on real people is not great, and the labels of rough and male square faces may be covered up by small and exquisite elements. In reality, the first thing people see is not her with a stiff square face, but "her face is so small."

Everyone will ask, isn't the distribution of facial features, the proportion of facial features and the three-dimensional degree have no influence on the size of the face in reality?

In real life, the distribution of facial features has little effect on the size of the face. Although the end of the eye is far from the widest part of the face, there are many blanks, but we don't need to compare the size of her face through the distribution of five senses, we can judge it by the absolute size of her face.

Aragaki Yui also belongs to the face with a long distance from the end of the eye to the widest part of the face. Do you think her face is big?

The proportion and three-dimensional degree of facial features will not change the absolute area of the face, such as a small face with a small proportion of facial features. Although the face is white and low in stereo, it will not make people feel that the face is big, but the facial features are a little weak. However, these factors will expand the sense of volume of the visual face, which may produce the illusion of a big face.

The distribution, proportion and stereoscopic degree of the five senses interfere with visual judgment.

A large proportion of facial features, proper arrangement and distribution, and proper stereoscopic degree will make people's eyes shift to appreciate the details or stereoscopic degree of facial features, which will make people resonate with beauty and make people not pay too much attention to the size of the face, thus causing interference in judgment.

Arimura Kasumi's face is not dominant, but the details and distribution of facial features are good, and her pure temperament is rare.

In other words, even if the absolute area of the face is very large, large facial features and proper three-dimensional sense can increase the aesthetic feeling, so that people will not care too much about the size of the face.

After knowing the influencing factors, we need to find a solution through the causes (as pointed out in each part above). This is the focus of my discussion, not focusing on the result of big face, but improving and solving it.

Everyone thinks that a big face is a problem, but in fact, it is nothing more than a big face and good looks. If it's a good-looking big face, do you still care about a big face?

Let the proportion of facial features be larger, the details of facial features be more brilliant, and a higher three-dimensional sense will increase the rationality of the existence of big faces. The practice here is different for everyone, so I won't go into details.

What I want to say is that Big Face should not be depressed just by seeing the "big" conclusion, but should actively look for ways to improve or solve it.

Although these methods can't make you change from "big face" to "stupid face", they can be improved, and you can associate big face with good looks. I believe that people care more about beauty than the size of their faces.