I'm anxious for the extract of "Crying Card" in He Wenxiu, a Shaoxing opera! ! !

I like Yin school best, such as Xiang, Mao and so on. ...

silver medal

Yinpai is a small school of Yue Opera, which was founded by. Yin Guifang, 19 19, was born in Xinchang, Zhejiang. /kloc-began to study opera in regular classes at the age of 0/0, and/kloc-entered the "Dahua Stage" at the age of 0/2. In this "Trinity Class" of Shaoxing Literature and Opera, Shaoxing Big Class and Huizhou Class, he laid a solid foundation in both civil and military aspects. She began to learn from Hua Dan, then turned to be a pupil, and actively engaged in the reform of Yue Opera in the 1940s. On the basis of inheriting the tradition, combined with our own conditions, we learn from others' strengths, blend into one furnace, deliberately innovate and be unique.

Yin school is characterized by euphemistic lingering, free and easy, simple and meaningful, fresh and stretching, which is a typical style of combining softness with rigidity. This style has already begun to appear in the records of 194 1 "A Broken Belly Test, Pan Mei on the Tower" and 1943 "Jia Baoyu Crying". Yin Guifang's voice is rich and sweet, but the range is not wide enough. According to her own conditions, she makes full use of the advantages of the mid-bass area, pays attention to the timbre change of human voice and the charm of vocal music, and pays attention to the expressive force of vocal music, giving vocal music a strong emotional color, which makes vocal music have a unique rhythm beauty. She inherited the fine tradition of China's rap art, singing smoothly and beautifully, paying attention to the combination of pronunciation and iron paste, with natural pronunciation and clear pronunciation. The melody of Yin-school vocals mostly revolves around the middle and bass areas, but in important key sentences, abnormal peaks are often used to enhance expressive force. For example, in A Dream of Red Mansions, the phrase "Sister Lin becomes a treasure sister" cries, and the melody jumps up. Combining falsetto singing in the high-pitched area, Baoyu's grief and indignation are deeply moving.

The adagio of Yin School stretches beautifully, especially describing the feelings of characters in detail with the big narrative "Clear Board"; Various artistic means were mobilized when making the cavity, such as the arrangement of opening the cavity, the use of inserting sentences, the change of plate type and the change of throwing the cavity. , so that the whole singing is distinct. The tune of singing closely revolves around the characteristic tone of Yin School. The vocal structure is rigorous, and the vocal style often embodies the freedom of rules, that is, with the changes of characters' feelings, the rhythm of fast and slow changes and elastic changes is consciously used to make the vocal slowly fluctuate. For example, "Wandering Sighs" is the "clear board" section of the sentence 1 16. According to the lyrics, these roles are

The tone of Yin School has distinct characteristics. Its initial sound is very low, friendly and natural, and it varies according to the specific feelings of different roles in different plays. The intonation of Yin School often appears among arias, especially large narrative arias. With the turning point of the characters' feelings, a slow-paced and mellow opening song is suddenly inserted, which not only fully expresses the characters' feelings, but also gives the audience a sense of appreciation. For example, the "sister" in "Love on a Mountain, Sending a Letter" has a kind and indirect tone, full of affection and softness, and truly expresses the affection for the beloved; "Mother listens to Tao" in "He Wenxiu Fortune Telling", with simple tone and sincere tone, which is an enlightening singing sentence of "clearing the board" in the whole paragraph; "Xiang Jun" in The Peach Blossom Fan in Memory constantly embellishes a sound-dependent cavity in the falling melody, which makes the tone have a crying factor. Others, such as Begonia Heart to Heart, I'm Really Not Lonely, Sister in A Dream of Red Mansions and Lady in Wedding Candles, all have their own characteristics.

When shaping the musical images of different characters, Yin Guifang absorbed the nutrition of his brothers' dramas and enriched himself. In the scene of "Crying for Fortune Telling" in "He Wenxiu", the singing is based on [four tunes], absorbing and drawing lessons from the factors of Hangzhou Opera [Wulin tune] and Suzhou Tanci, and creating a novel [fortune telling tune]. This tune is a combination of rap and singing, with flexible rhythm, humor and good voice.

In order to create the image of the patriotic poet Qu Yuan, Yin Guifang changed the style, singing style and singing method of the gentle young dramatist in the past, and absorbed some characteristics of the old Peking Opera and the impassioned and high-pitched tone of Shao Opera, making the singing of Yin School more vigorous and powerful. The singing of Tian Wen absorbed the intense timbre of Shao Opera [Running Water Board], and was interspersed with [Moth]' s close-paced, forceful singing, which was seamless and magnificent.

Yin school has a great influence. , Xiao, Gao Jianlin, Song Punan, Shen Jialin,, Mao,, etc.