Ask for the lines of Master Hou's crosstalk "riddles", and hurry up! !

What are you doing in riddles?

B: it saves you from being melodramatic! You answered the door in the middle of the night and I asked, "Who is it?" You say "I" and you lose.

Should I not talk about me?

B: You won.

A: OK.

This is my home!

You live here?

B: This is an analogy. This is the door.

A: All right. I'll find XXX. I have no idea where he lives. "Hey, what are you doing standing at the door!"

It's nothing. Why am I standing at the door in the middle of the night? I have to call.

A: OK, call the door, Benedict! Benedict. Benedict. Not at home.

B: Are you at home?

A: You don't talk at home?

B: Do you have to ring the doorbell?

Answer: You don't pronounce "I" when you call the door! Benedict. “XXX！”

B: Who is it?

A: "Come out and have a look!"

B: Is it appropriate to "come out and have a look"?

A: You're out.

B: No, get out! You have to say "I".

A: Say "I" and you lose.

B: Don't play if you are afraid of losing.

A: Benedict! “XXX！”

B: "Who ..."

A: "Teacher Zhang told us to meet in the south of Central Park, and we will meet there!"

B: Come back! Why are you here?

A: A message from someone else!

B: That won't do. Start over!

A: I didn't pronounce "I" originally. You have to say "I"! Benedict. “XXX！”

B: "Who is it?"

A: "See you tomorrow!"

B: "See you tomorrow?" Does it make sense? See you tomorrow. What are you doing here today?

Can't we make an appointment?

(Party A and Party B exchange positions while talking)

B: Start over!

You just got back?

B: Wait for me at home? Get out!

A: What's the hurry?

B: It's me. You're not talking about me, are you? Cheating?

Why do you blush and have a thick neck? This is too anxious to have fun!

B: You have to say "I".

A: Say "I" and never give up?

B: That's not a problem.

A: Well, saying "I" doesn't admit failure is cheating.

B: Start over!

A: Benedict! "Who is it?"

B: "Me!"

A: You lost!

B: Call the door!

Crosstalk is born out of stand-up cross talk, but it is "shine on you is better than blue", and its artistic life is enduring. This has a lot to do with the harmony of its content and form.

Simply put, the main content of cross talk is dialogue, and the form it takes is also dialogue, and the relationship between them is isomorphic. Dialogue is not only reflected in the creation and performance of cross talk, but also in the process of appreciation.

Crosstalk, as a stage art (basically), its performance and appreciation are unified in time and space. Crosstalk, like other stage arts, has the problem of communicating with the audience.

As we all know, crosstalk is an art that is best at communicating with the audience, and the theatrical effect produced by crosstalk performance is often beyond the reach of other stage arts.

In addition to the content of cartoons, the form of dialogue and the unique artistic expression of cross talk are also important reasons. In narrative art, the creator is confident that he has the power to penetrate isolated events, grasp their "inner essence" and give them the order of causal connection, thus forming the fictional plot and history of the story and instilling these contents into the audience.

Here, the flow of information is basically one-way and the audience is basically in a passive position.