Panlou fortune-telling

Is there a description of the ancient market?

The cancellation of business, entertainment and customs curfews in Tokyo in the Northern Song Dynasty and the disintegration of the market system promoted the prosperity of Tokyo. "Preface to Tokyo Dream China" describes Tokyo at the end of the Northern Song Dynasty, saying: It has been peaceful for a long time, and there are many people. I admire children, but I am encouraged; Class (point) is old and doesn't understand war. Different seasons, each has its own appreciation. At night, when the lights are on, the moon is in the sky, and snowflakes are in full bloom, climb high and look far, and teach the pool to visit the park. When you look up, you will see the embroidered bead curtain in the brothel painting pavilion. Carved cars compete in the street, BMW competes in the imperial road, resplendent and magnificent, and Rocky is fragrant. The new voice smiled at Liuyuan, and tuned the tune in the teahouse and restaurant according to the tube. Eight famine together, Xian Tong. Collecting treasures from all over the world is easy to return to the city; The odor in Huihuan area is recorded in the kitchen. Flowers are all over the road, so why not have a spring outing, empty flutes and drums, and a few nights of banquets? Clever words are amazing and extravagant words last forever (note: Tokyo Dream, pp. 39-40, 1, 14, Shanghai Classical Literature Publishing House, 1956. This can be said to be an overall summary of Tokyo's urban prosperity and cultural prosperity. By the end of the Northern Song Dynasty, the commercial activities inside and outside the city were more active, especially the "mat-laying" in Tokyo mentioned in the Song and Yuan books, from which we can see the prosperity of the city. Zhang Zhicheng, the director of Zhang Zhicheng, escaped this strange disaster: "It is said that Zhang Shilian, a clerk, opened a sewing shop in Kaifeng, a border state in Tokyo." This member's "Rouge Wool Shop is at the door with kitchen cabinets on both walls" (Note: Beijing Popular Novels, page 44, page 47, Shanghai Classical Literature Publishing House, 1954 edition. )。 Related to this is the record in Zheng Jiedu's Gonggong (Mr. Wang thought it was a book of Song and Yuan Dynasties): "It is said that there was a rich man named Zhang in Kaifeng, Tokyo, the capital of the Song Dynasty, with a first name and a second name. This member hibernates in the red brocade tent in summer and sleeps in the blue gauze kitchen; Two lines of pearls and jade lead, and a pair of beauties help. ..... There is a gold and silver shop on the first wall of the door, and a warehouse on the other side. " What should be described here is the scene of "laying a mat" in Tokyo. For "boundary body" and "bedding", Tokyo Hua Meng Records have a more detailed description. According to the article "Dongjiaolou Street" in Volume II, "From Xuande East to Dongjiaolou, it is the southeast corner of the imperial city. Cross the street south to Ji ā ng @ ④. Gaotou Street goes north, and it is the most troublesome to go to Donghuamen Street, Chenhuimen, Lu Bao @ ⑤ Palace, and all the way to the old Zizyphus jujube gate. The exhibition between Xuanhe and the exhibition "Cutting without stopping". Panlou Street is in the east, and Eagle Shop is in the south. Only eagle storks are sold, and the rest are covered with real pearls and silk. Nantong Lane, known as the "boundary body", is not a place where gold, silver, colored silks and silk are traded. The house is magnificent, with a wide facade and a looming look. Every transaction is moving and shocking. Panlou Hotel is located in the north east street. Since Wugeng City went to sea, it has been trading clothes, calligraphy and painting, and playing rhinoceros jade. " (Note: The Chinese Dream in Tokyo is on pages 39-40, 1, 14, Shanghai Classical Literature Publishing House, 1956. This is undoubtedly one of the most prosperous markets in Tokyo, and the wealth of goods is staggering. Closely connected with commercial activities is Goulan Wazi, which is an entertainment place for urban residents. In the setting of urban fairs, the tile centered on Goulan gradually formed in Song Dynasty, and urban entertainment activities promoted related service industries, promoted commercial trade, and formed a large-scale fair. Let's look at the relevant descriptions in the script. Song Sigong made a scene to ban the soul. Zhang wrote that after cheating, he "re-entered the city, went to Sangjiawali, took a leisurely walk, bought wine and snacks, and went out of the tile." In Make Affectionate Zhou Shengxian, Bao sent people to catch grave robbers. At that time, Zhu Zhen had not been discovered, but he was playing in Sangavali. Author: Nan 2006- 10-4 19:02 Reply to this statement- Ge Yonghai) Goulan Washe, which was quite prosperous in the Song and Yuan Dynasties, existed in the Five Dynasties. Shi Hong, Zhao Longhu and Chen Junhui (written by Mr. Tan Zhengbi in Song and Yuan Dynasties) wrote about the situation of Emperor Guo Wei hanging out in Tokyo and Vacherie at that time. "This Guo Dalang unhappy in Tokyo, once pounced on Pan Ba Niangzi. Pan Ba Niangzi recognized him as a brother when she saw that he didn't look like him. Instead of teaching him to go to court, she let him stay at home. I cured myself. I went to the valley to see it, killed my apprentice in Goulan and fled overnight. " (Note: Yu Shiming Yan, page 2 15, Shaanxi People's Publishing House, version 1985. As for the establishment of washe, it can be traced back to the Tang Dynasty from the Five Dynasties, from which we can see the influence of urban entertainment activities in the Tang Dynasty (Note: Yang Kuan's Study on the Institutional History of China's Ancient Capital, pp. 272-274, Shanghai Ancient Books Publishing House, 1993). )。 In the Tang Dynasty, colorful buildings were built in the open space of Suzaku Street in Chang 'an, and various competitions of folk art activities were held. Yuefu Miscellany records the competitions between pipa experts. In addition, Chang 'an's theaters are concentrated in Ji 'en Temple, Jianfu Temple and other places, and performances should also be performed in the open space in front of the temple. In the Song Dynasty, Goulan also began with a temporary theater on the ground above the street. For example, in the Southern Song Dynasty, the so-called "Luqi people" who had no fixed place performed in the roadside open space. Lin' an "holds the open space under the government wall, and people of all colors are making a big noise here." "There are many people making a scene in other markets." ("Jisheng Market in Beijing") Goulan should have this stage when it was first founded, and then it gradually developed and fixed, eventually forming the scale of "wretched". In the Northern Song Dynasty, the towers to the east of Kaifeng Wazi were the most concentrated, while others, such as Caomenwai, Baokang, Laofengqiumen and Daniexi, all had big tiles. Among many tiles, Sangjiawazi is the largest and most famous, which is reflected in the above script. "Tokyo Dream Record Dongjiaolou Street Lane" contains: "Sangjiawazi in the south of the street, near Beizhongwa, near Beiziliwa. Among them, there are more than 50 large and small goulan, among which Lotus Shed, Peony Shed and Riwazi Hager Shed are the largest elephant sheds, which can accommodate thousands of people. Since Ding Xianxian, Wang Tuanzi and Zhang Qisheng, someone can make a scene here in the future. There are many medicines in Wali, such as selling divination, drinking old clothes, exploring, eating, shaving, drawing on paper, making music and so on. Living here all day, I don't feel it. " It can be seen that Washe was rich at that time. Urban entertainment and customs are always combined. As far as festival customs are concerned, the Lantern Festival is the most striking. As early as the Tang Dynasty, the midnight snack curfew was lifted, and the free space and time of urban life were enlarged indefinitely during this period. Therefore, the description of the Lantern Festival has always been a highlight in all previous novels. In the books of Song and Yuan Dynasties, the Lantern Festival in Tokyo was highlighted and rendered. The Lantern Festival system in the Song Dynasty was looser than the previous generation. "Yan Yi's Search Record" Volume III: "The Story of the National Dynasty, Three Dengs. On the first day of the first month of the fifth year of Taizu's reign, he wrote:' The Yuan Dynasty lit lamps, but the old days lasted only three nights. Now that the imperial court has nothing to do, the place is peaceful, and the people enjoy themselves, it is just right to make Kaifeng House bright for seventeen or eighteen nights. Take the latter as an example. " (Note: A Record of Yan Yi, page 25, Zhonghua Book Company, 198 1 version. If the description of Yuanxiao in The Biography of Zheng Yiniang has been in remembrance, there are a lot of quantitative positive descriptions of it in other words. The Story of the Ring: "I think there is no purpose for the country to celebrate the Lantern Festival in the second year of the current regime and the Yuan Festival. Aoshan stands and lights are everywhere. Shehuo, Luotian. No door closed, internal and external contact. Everyone went to the front of Wufeng Tower, under the side door, inserted golden flowers, enjoyed royal wine, and the country and the people enjoyed it together. From the fifth day of the first month to the twentieth day of the first month, the whole people are singing and playing, and the military and civilians are playing together. " (Note: See "Qing Ping Shan Tang Hua Ben", which Mr. Tan Zhengbi thinks is the content of the Song and Yuan Dynasties. ) The Lantern Festival, Zhaao Mountain, Imperial Wine and Money were also described in the previous episode of "The Legacy of Xuanhe": "In front of Tokyo Ouchi ... from the solstice of winter, Aoshan Mountain was built, with a height of 16 feet and a width of 365 steps; There are two columns in the middle, 24 feet long; Twice, a golden dragon encircles the column, and each dragon mouth lights a lamp, which is called a picture of the double dragon. There is a card in the middle, which is three feet six feet long and two feet four feet wide. Eight big characters read: Xuanhe Cai Shan, have fun with the people. " "Then look at people, don't ask the rich and the poor, old and young, and give them a glass of royal wine at the end of the door." Another example is throwing money. Siguiguan "got the imperial edict, paid the grain and robbed the Wan family" (Note: Song and Yuan Pinghua Collection, 344 pages, 322 pages, Shanghai Ancient Books Publishing House, 1990). ), Yun Yun. In addition to the Lantern Festival hosted by the imperial court, some noble officials and nobles also tied Aoshan Mountain and set off fireworks. For example, director Zhang Zhicheng wrote that Wang Zhaoxuan's family tied a small Aoshan, and Zhang Yuanjia "set off a lot of fireworks" (note: Beijing popular novels, 50-5 1 page, Shanghai Classical Literature Publishing House, 1954 edition). )。 .