Jackie Lui fortune-telling Hong Kong drama

I like the Jackie Lui version, too. Not only the legendary swordsman, but also Jin Yong's TV plays are made in Hong Kong, and they are generally good. No matter from the actor's acting skills or the degree of conformity with the original works, Hong Kong TV dramas are indeed better, but it has to be explained that the scenes of Hong Kong TV dramas are too deceptive, which affects some effects. Understandably, Hong Kong TV emphasizes low cost and high output, and it squeezes actors very much, which is also the reason why many powerful actors in Hong Kong have gone to the mainland in recent years.

Now I miss the classic Jin Yong dramas produced in Hong Kong, such as sculpture shooting: Felix Wong Yat Wa version in 1983, Chile version in 1994; Louis Koo's version of Condor 95; "Eternal Dragon Slayer", Wu Qihua Edition, 2000; The legendary swordsman 96 Jackie Lui Edition; Tianlong Babu 97 Felix Wong Yat Wa Chen Musheng Edition; The duke of mount deer 98 Jordan chan Edition; Sword stained with royal blood 0 1 Lin Jiadong edition. These are all classics worth remembering. However, Chinese mainland also has several films that capture the essence of Jin Yong. For example, Chinese mainland's Wuyue version of Liancheng: I think this is the only one in Chinese mainland that has the level of Jin Yong's drama, and it is very consistent with the original work, so it is worth seeing.

Of course, one more thing I want to say is, now that technology is developed, why can't the martial arts drama be filmed well? I think it has something to do with my understanding of martial arts when I was filming and my understanding of martial arts movements. Of course, the most important thing is casting, which has nothing to do with technology. If it matters, now that new technologies have come out, the director is still showing off all kinds of things, which shows that I am awesome. I can create this effect here. Well, you made progress, but we didn't see the use of coming here, so all kinds of shock waves, all kinds of-you fell down before I tried, all kinds of flying clouds, all kinds of martial arts dramas were made into science fiction dramas, even science fiction thrillers, so the martial arts scenes of such TV dramas made people want to vomit and pee. Alas, I really can't afford to hurt.

I really can't comment on these directors' understanding of martial arts here, because I may not have a deep understanding myself, but a good martial arts drama should create a very objective world. You can't help but create a good environment and let the audience look as if they have seen every family.

As for martial arts, why do I admire Hong Kong drama? It is because Hong Kong drama has successfully grasped the degree of martial arts. In fact, the martial arts of people in martial arts dramas are all derived from the real martial arts, which is such an existence beyond ordinary people, but this degree must be grasped. One of the most successful aspects of Wu's image-building in Hong Kong TV plays lies in his labeling, colorization and musicalization. Is everyone's kung fu, every kind of kung fu, he made a doorway, front and back, that is, as soon as you see this, you will know what martial arts he is playing, even if you don't recognize it, it doesn't matter, and it doesn't look uncomfortable. How to do it is that before and after a person learns peerless martial arts, the effect of martial arts is absolutely different. The animation effect of this peerless martial art when he learned it will also appear when he uses it in the future, which is to put a label on this martial art. In addition, everyone's martial arts colors are relatively uniform before and after, which is related to this person's life experience and personality characteristics. In this way, his martial arts effect actually conveyed some information, that is, colorization. The last point is music. If you are serious, you can find that Hong Kong TV dramas will match the hero's martial arts with passionate or sad music. Every time we make this effort, we must play this music, which is unified before and after, so that the audience can enjoy it. This is the real charm of martial arts drama, not your shock wave, it's just a way to save trouble.

Let's talk about casting. There are two important aspects, one is the right medicine, and the other is the clear hierarchy. The right medicine is to look at the supporting role of the actors, and we don't have much say. After all, we are not from the circle, and there are still many factors to consider. The key point is clear hierarchy, that is, the image of the character should conform to his identity background, just like this new smile. You can't get a young genius, Ping Yizhi, a great doctor, you can't get a middle-aged Fang Sheng, a person who can't move his eyes. I don't object to your pursuit of younger and idolized actors, but you have to be professional. You can't let them wear robes. They don't look like princes. You can't let the thirteen Pacific Insurance, Ding Mian and Bai Liu of Songshan.