Why should some cultural relics be prohibited from going abroad for exhibitions? How bad are the first batch of banned cultural relics in China?

Time is aphasia, but stones can talk. -"Feng Jicai Helan Mountain Feelings"

Cultural relics are the witness of a country and even a nation's history and culture. They bear the traces of years and record stories thousands of years ago.

Modern people use these cultural relics to communicate the past and the present through high technology and tell stories thousands of years ago to modern people. These cultural relics are of great value to the study of modern history and culture.

As the only surviving country among the four ancient civilizations in the world, China stands proudly in the east of the world. We have a mighty history of 5,000 years, which not only left us with excellent traditional culture, but also left us with many cultural relics with great artistic appreciation and research value.

These cultural relics are not only valued in China, but also aroused great interest from foreign experts, who want to lend them to their own national exhibitions and strengthen cultural exchanges.

But not all cultural relics have been approved for exhibition abroad. What are these cultural relics that are forbidden to go abroad for exhibitions? What kind of unique charm do they have to attract experts and scholars at home and abroad?

First, the vast territory and abundant resources depend on China.

As we all know, China has 9.6 million square kilometers of land, four great inventions and various ingenious technologies. China has a vast territory, rich resources and a prosperous history, and countless countries have contributed treasures to China's tribute.

All these have left countless precious treasures for China. China is also a unified multi-ethnic country, and cultural relics come from all ethnic groups and countries, with a wide variety and beauty.

However, with the war and historical changes, many cultural relics have been displaced or looted or damaged, and China has lost a lot of precious cultural relics, which is sad.

Through the efforts of all parties, future generations will either participate in the auction or repair it, so that antiquities thousands of years ago will reappear in front of the world. According to statistics, as of 20 17, the Palace Museum alone had 186269 cultural relics.

There are many precious cultural relics called national treasures. They are either representative isolated porcelains in the Song and Yuan Dynasties, or statues of major gods in religious places, paintings and calligraphy before the Yuan Dynasty, silk works, unearthed ancient poems and so on. They are not only called treasures, but also forbidden to go abroad for exhibitions.

The reason is that it is too precious and easy to be damaged in transit. These precious cultural relics have particularly important historical, artistic and scientific values. If they are damaged, it will be a great loss.

Second, it is forbidden to go out, precious and lonely.

There are many things in China that are forbidden to go abroad forever. The square pot of lotus crane unearthed from Gong Zheng's tomb in Lijialou, Xinzheng, Henan Province, reflects the important changes in the aesthetic concept of bronze art in the Spring and Autumn Period. It is huge, the pot body is decorated, fragile, easily damaged and difficult to transport, which is also the reason why it is forbidden to go abroad for exhibitions.

Duck-shaped glass banknotes unearthed from Feng Sufu's tomb in Beiyan, Xiguanyingzi, beipiao city, Liaoning. Because of its unique shape, the paper money looks like a duck, with a bulging belly. When it is empty, it will be unstable, and it will not be stable until it is filled to one third. We have to admire the wisdom of the ancients. Because of its unique shape, it is forbidden to go abroad for exhibitions because of its unique shape among unearthed cultural relics.

Bronze chariots and horses were unearthed in the tomb of the famous king of Qin. Due to the age, grave robbers were rampant, and the bronze chariots and horses had been broken into more than 8 thousand pieces when unearthed. It was a pile of debris when it came out. China's team gathered many talents, and it took eight years to restore them before they were built and put into the museum for the world to visit.

Wu Ding, the stepmother of Shang Dynasty, is a well-known national treasure cultural relic. Its preciousness even makes it a representative of cultural relics and appears in the history books of primary and secondary schools.

Wu Ding, the Empress Dowager of Shang Dynasty, was 133 cm high,10cm long, 79 cm wide and weighed 832.84kg.. The magic of Wu Ding, a huge stepmother, is that the tripod body and four tripod feet are all cast in one piece except the tripod ears, which is a feat in ancient times when technology is underdeveloped and materials are scarce. The tripod ears are cast after the tripod body is cast.

Stepmother Wu Ding, as a symbol of rights, has exquisite skills, huge size and incomparable majesty. It is rare at home and abroad.

The horn-shaped jade cup of the Western Han Dynasty, the agate cup of the animal head in the Tang Dynasty, Zhang Xi with two wheels and twelve rings of silver flowers, the ivory cup inlaid with turquoise in the late Shang Dynasty, the jade brothers in the Shang Dynasty, the crystal cup in the Warring States Period and so on.

China has been submerged for 5000 years, and everything that can survive in the world is extraordinary. Everything has witnessed a legendary history and has unique value.

They are unique and rare. After being "destroyed" by time, they can't stand any bumps. Many silk fabrics are already very fragile when they are unearthed, and they will be destroyed by a little wind.

The staff tried their best to restore it, but naturally they couldn't take it out and let it cross the ocean to accept the "wind and rain". Other orphans handed down from ancient times, because of their unique shapes, have high ornamental and appreciation value, and are forbidden to take out of the country because of too many uncertain factors in transit.

There are also many cultural relics that have just been taken home. They drifted for many years and finally returned home. Naturally, I don't want to send it out.

All these facts prove the existence of China's 5,000-year history. This one, any injury in peacetime is a great loss.

Third, read the history of the morning and evening through cultural relics.

These cultural relics are beautifully shaped and have a long history. They condensed the wisdom of China people and reflected the corresponding characteristics of the times. "Qin loves luxury", and the unearthed cultural relics are huge and exquisite, which is amazing.

In the Tang Dynasty, cultures blended and cultural exchanges were frequent, and Buddhism also flourished in China. The famous The Journey to the West was adapted from the famous Journey to the West by Xuanzang in the history of the Tang Dynasty, so most of the cultural relics in the Tang Dynasty were religious and varied in style. Through all kinds of wonderful cultural relics of the Tang Dynasty, we seem to see a prosperous scene in which a group of prosperous Tang Dynasty congratulated us from all directions.

Stepmother Wu Ding is a masterpiece of bronze manufacturing industry in Yin and Shang Dynasties. Through Wuding, we can see the development and outstanding artistic achievements of bronze casting industry in Yin and Shang Dynasties.

Wu Ding, the stepmother, was originally made by the Shang Dynasty or Zujia as a sacrifice to her mother's martial arts, which reflected people's worship of nature and ancestors in the Yin and Shang Dynasties and the fine tradition of conforming to nature and putting "filial piety" first in ancient China.

The precious first-class cultural relics are not the cultural relics themselves, but the history of a dynasty it reflects. From the unearthed cultural relics, we can witness the rise and fall of a dynasty, the aesthetics and characteristics of a dynasty, and we can know how people lived and worked thousands of years ago and what they fought with.

Some historical allusions recorded in the history books have become fragmented in the long river of time. After several generations of praise, we have no way of knowing the truth and credibility of the story.

But once the corresponding cultural relics are unearthed, it can be proved that this really happened, and it really happened in history. No matter a person or a thing, we can tell the world what he was like under the witness of cultural relics. Tell people the historical dusk it witnessed.

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"If one day, China becomes the most powerful country in the world again, it must rely on our culture instead of anything else."

As the carrier of culture, cultural relics have been shining for thousands of years. The state has adopted different ways to deal with different cultural relics. Some of them are strong and still suitable for overseas exhibitions for cultural exchange, which has attracted worldwide attention.

But some of them are scarred because their history is too long, or the years are too cruel to them. In this way, they are suitable to stay in their own country, feel the warmth of home and tell the people of China the history in detail.

We should understand the practices of other countries and learn from them. Use the right things in the right place. Arrange all the work reasonably, so that different things and people can glow in places suitable for him.

Make the best use of everything, let everything do its job where it suits him, and play the biggest role where it suits you. Believe that there is no useless talent, don't feel sorry for yourself, find a direction that suits you, and you are your own genius.

Reference: Feelings at the foot of Helan Mountain in Feng Jicai.