Reflections on finding high-scoring fairy swords

The ending of "One Sword and Four" is not very clear, it has been one hundred years later.

Murong Ziying left only a white-haired fairy figure and went to the sword tomb to explore the magic sword. Dream glass came back, still so beautiful and refined, stunned by nature, but it was too cruel for her to get along with her beloved Tianhe, and her beautiful face was full of haggard. Ling Sha is long gone, and all that remains is a piece of loess. Fate is so helpless for her that she is doomed to be short-lived. Even after practicing magic, she can't stay with Tianhe for a long time. Dream mirror knelt in front of Ling Sha's grave and mourned sadly. Tianhe smelled the fragrance, and his face was happy and quiet, but he could never see the dream glass again. Mengli got up and stared at her beloved, and the picture was fixed here.

Generally speaking, we can guess that in the hundred years after the bow of Tianhe destroyed Qionghua Sect, at the peak of Qingluan, Ziying focused on casting swords, while taking care of the blind Tianhe with her beloved Lingsha, and at the same time looking forward to the appearance of Dream Glass. It can be said that Ziying has experienced so much, and she has understood the truth that heaven always exists. The time of four people together is an eternal memory for him. Ziying is not without feelings. Han Lingsha, a lively and lovely, naughty and eccentric grave robber, is also called "Little Ziying" and must occupy a very important position in his heart. Now, Ling Sha has passed away, re-entered the reincarnation, Li Meng came back, and her best friend Tianhe was finally taken care of. In this complicated world, there is nothing to care about. So he took his sword and left the world that puzzled him. Maybe focusing on fencing will make him forget all this.

In this century, it should be a good thing that Tianhe has a lover, Ling Sha, and a friend, Ziying. The only regret is that he paid the price for the amazing bow and arrow that saved the whole life a hundred years ago. He can't see this beautiful world or the dream mirror. However, according to Tianhe's personality, he can definitely relax. He finally stopped his eldest brother's folly, finally saved Ling Sha, and finally lived in seclusion with Ling Sha in Qingluan Peak. What is it to make some sacrifices yourself? The only regret may be Li Meng. Did Li Meng have a good time in the fantasy world? Will she come back to see us?

Although Ling Sha is short-lived, she may be the happiest person. What was the reason why she got Hou Yi's bow for Tianhe at the expense of her birthday? Now, in the second half of my life, I can swallow the wind and kiss the rain at Qingluan Peak to watch the sunset, and I can cast a sword to play "Little Ziying", even if the time is shorter, it will become eternal.

Dream glass this one hundred years may be the most painful, after all, and Tianhe decree by destiny, one hundred years, she must miss Tianhe all the time. Perhaps in this hundred years, she finally completed the mission entrusted by her mother and led her people to live a stable and happy life. She must have found a reliable successor in the fantasy world, abdicated and came to this world to find Tianhe herself.

This ending can be said to be very characteristic of China. Liang Zhu's love is very worrying, but in the end they drew a pair of butterflies, which finally gave people some comfort; Liu Lanzhi and Jiao Zhongqing in Peacock Flying Southeast also became a pair of birds in the tree. Think about many TV plays and novels we have seen. Many of them have ambiguous endings, which always leave a little room for imagination for the viewer. The ending of "Eternal Dragon Slayer" is that Zhang Wuji is thrusting a thrush at Zhao, who is weak and asked him to draw it. The story comes to an abrupt end, giving people too many reverie. What is the result? Maybe every reader has his own answer.

The ending of Xian Jian Si is unique, but it gives people unlimited room for daydreaming. There are too many stories that can happen in a hundred years. The above ideas are my own. Maybe many people will think so. There may be many players who don't think so. They will think that what happened in that hundred years is consistent with their ideals. At the end of the play, no one will leave for the dream glass, and rhombic yarn will be short-lived and even cry. Why do you want Li Meng to bear such arduous and inevitable responsibilities! What's wrong with diamond stealing money from the dead and helping the living? This is providence! Tianhe's own belief that "life is up to me" really can't be realized? Perhaps this is an irresistible natural law that no one can predict.

Fortunately, the ending has been a hundred years later. We can imagine that life in Tianhe, Lingsha and Ziying will be better and happier in a hundred years, but I can't imagine how wonderful life in Li Meng is. Even if she and her people are not harassed by enemies and live a stable and happy life, how can she be happy without being with "Yun Gongzi"? So she was haunted for a hundred years and finally came to the world to find his Tianhe.

The ink painting scene between Li Meng and Tianhe is undoubtedly one of the most beautiful scenes in Xian Jian Si Li. Just like the fairy sword saves the moon in one mile, Linger dies in battle, Anu plays the flute to bid farewell, and the fairy sword jumps into the melting pot in three miles. It is the attraction, selling point and shining point of the whole game, and the whole game is particularly moving because of those scenes.

When the song "Back to the Sleepwalking Fairy", which I have heard countless times, sounded again in the ending, my heart couldn't help but tremble and my whole body was as cold as an electric shock. All the plot scenes of "Sword Four" came back to my mind. What makes me so delicate and sentimental? It is the fairy-tale purity of the four stories of the Fairy Sword, the lovely beauty of the protagonist, the natural music, the dreamy poetry, the eccentric optimism and kindness of the Ling Sha elves, the clarity and beauty of Li Meng, the deep and restrained Ziying, and the free and easy truth of Tianhe. ...

All these come together into a picture called The Sad Tragedy of the Past. The whole game music, costumes, characters and scenes all show the unique classical features of China, especially the music. The Erhu version of "A Dream in the Fairy Tale" can be said to be too consistent with the words "emotional entanglement", "tenderness" and "tragedy". The passionate and deep erhu performance is repeated, such as men and women expressing their feelings, feeling helpless, lingering and charming and romantic.

The scene of Ji Qin singing while touching the piano is quite exciting, which is a bit beyond words. For example, the new warbler leaves the valley and the milk swallow returns to its nest, which changes the expression of music in the history of Xianjian and makes people feel the expression of music in emotion more intuitively. Look at Tianhe's expression at that time. Although silly, everyone listened carefully. On the one hand, it shows that Ji Qin's singing is moving, on the other hand, it does show that music caused them to sing in the dream glass of Lingsha, Tianhe.

There is also the song "Butterfly Love", which is played slowly with a flute and an erhu. This is in line with the sadness of Li Meng and Tianhe at that time.

Another major feature of Xiansi is clothing and character modeling. Tianhe is dressed in hunting clothes, which is in line with his personality. He is always in a hurry, especially when he is ready to kill the enemy, which makes people laugh. Ling Sha's delicate red dress is consistent with her warm and cheerful personality. She is characterized by a sudden slap in the face of Tianhe; Li Meng's clothes have the classic temperament of Hanfu. Long-sleeved dancing clothes, coupled with a pair of graceful clothes, are just like painting, giving people a comfortable feeling like the aroma of her gestures. Ziying people are in the middle, and their clothes are also serious robes, but they are also comfortable to look at.

The story is full of ups and downs, precise and meticulous, and it goes without saying that it is promoted layer by layer. There are many touching stories, especially Ling Sha's last grave robbery, which makes people feel that his love for Tianhe is so grand and firm. Didn't Li Meng bow to Tenga Hajime? I want to give him one, too Since I won't live long, I will give him the best bow to protect him.

The whole fairy silk feels more helpless and regretful after playing. Although this helplessness and regret will be alleviated after watching the ending animation, it has been a few days since the game ended. I still have it in my heart. If you want to talk about people, you are just looking for guilt. After a person finishes playing Xian Si, he doesn't think about tea and rice. Although I know very well that playing fairy sword can only be regarded as a fairy tale, this fairy tale is so perfect and moving that I can't extricate myself. As someone said, I want to read, I want to read. After I came out, I felt something. Playing games is the same. At present, I'm just playing and breathing with the protagonist.

Late at night, I still have two figures in my mind, one red and one blue, bright red eyes and one finger holding my chin. Blue is quiet and bright, sleeves are dancing and ribbons are flying.