Review of Riverside Scene at Qingming Festival

The Riverside Scene at Qingming Festival 1 Riverside Scene at Qingming Festival is one of the top ten famous paintings handed down in China. The works of Zhang Zeduan, a painter in the Northern Song Dynasty, are the only masterpieces in the world and the first-class national treasures. This painting depicts the prosperity and natural scenery on both sides of the Bianliang River and Bianhe River in the Northern Song Dynasty, and it is a valuable cultural heritage of our country.

This winter vacation, I was lucky enough to visit the "moving" riverside scene in Tomb-Sweeping Day. From a distance, the whole painting is crowded and bustling. But a closer look shows that people from different industries are engaged in various activities. Look! There are some vendors and tourists on the west side of the bridge. There are all kinds of groceries in the booth. Some tourists pick and choose in front of the booth, some watch the passing ships, some gather at the roadside to tell their fortune, and some are ready to board the ship at the dock. In addition to tourists, pedestrians on the street are also in an endless stream: vendors pushing trucks in a hurry wipe the sweat from their foreheads from time to time; The rich boy rides in a carriage and is carefree; Naughty children are running and jumping, and their mothers are anxiously chasing them behind them ... There are pubs and teahouses on both sides of the street, where diners chat or push cups for a change. On the vacant lot next to it, three or five big men gambled together, and the people around them also leaned in. Camel bells rang in the distance, and a western camel team was crossing the road. ...

There are many ships coming and going on the Bianhe River. Some are docked at the dock to load and unload goods, some are driving on the river, being pulled by followers, and some have just landed. ...

Tomb-Sweeping Day's "dynamic" riverside scene seems to put me in it and really feel the prosperity of the capital of the Northern Song Dynasty. Later, by consulting the information, I learned more about the Riverside Map at Qingming Festival.

The Riverside Scene at Qingming Festival vividly records the city appearance and people's living conditions of the capital of the Northern Song Dynasty in the form of a long scroll, which is a true portrayal of the urban economic situation in the Northern Song Dynasty and has high historical and artistic value. However, the riverside scene on Qingming Festival is not a bustling city scene. At that time, officers and men were lazy and taxes were heavy. This is a "prosperous and dangerous picture" with a sense of urgency.

After reading The Riverside Scene at Qingming Festival, I was attracted by the painter's exquisite observation and exquisite brushwork. The carriages, sedan chairs, boats, houses, pavilions and small bridges in the picture have their own characteristics, which seem to have drawn me into the long river of history, made me cross the capital of the Northern Song Dynasty and become a child playing on the streets of Bianjing in the painting. ...

Thoughts on the Riverside Scene at Qingming Festival 2 "Riverside Scene at Qingming Festival" is of great historical value. During the Northern Song Dynasty, Bianjing was a national land and water transportation center with developed transportation and rivers. There are many lively markets, shops and even night markets in Bianjing City. On holidays, the capital is even more lively. In order to show the prosperity of Beijing, Zhang Zeduan chose the scene of this important festival in Tomb-Sweeping Day to describe it in detail.

The center of the Riverside Map on Qingming Festival consists of a rainbow-shaped bridge and the street surface of Qiaotou Street. After a cursory look, I found no clutter. A closer look shows that these people come from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people; Some people ride cars, ride horses, carry goods, drive donkeys and push unicycles ... There are teahouses, pubs, pawn shops and so on on both sides of the street. There are many vendors with big umbrellas in the open spaces on both sides of the street. Pedestrians in the street are still the same: some are picking up goods, some are driving ox carts to deliver goods, some are driving donkeys to pull trucks, and some stop to see the scenery. There are many boats coming and going on the river, which is a race in Qian Fan. Some are parked near the dock, and some are driving in the river. Some big ships were overloaded, and the owners hired many trackers to tow them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatman on this big ship is very busy and will hit the bridge. This scene attracted the attention of tourists on the bridge and nearby boatmen. Zhang Zeduan painted vividly, adding more flavor to his life.

From The Riverside Scene at Qingming Festival, we can see several distinctive artistic features: First, it is rich in content. The riverside scene in Tomb-Sweeping Day, from the vast Yuan Ye, the vast rivers and the towering battlements to the nails and rivets on ships and cars, the small commodities on vendors and the words on the market, are all harmoniously organized into a unified whole. There are many shops, hotels, teahouses and dim sum shops in the street, as well as towers, river ports, bridges, cargo ships, government buildings and thatched cottages. There are 8 15 people, more than 60 kinds of livestock, more than 20 wooden boats, more than 30 pavilions and more than 20 trolleys on the riverside map at Qingming Festival. Such rich and colorful contents are rare in ancient paintings of past dynasties. People of all colors engage in various activities with different looks and temperament, and various activities are arranged alternately, full of dramatic plot conflicts, which makes the audience look at the industry with endless aftertaste.

Second, the structure is rigorous, complicated but not chaotic. What is commendable is that such rich and colorful content, prominent theme, echo from beginning to end, the whole volume is seamless. Every figure, scene and detail in the painting are arranged reasonably, and the relationship between the pictures, such as density, simplicity, movement, gathering and dispersion, is handled properly, so as to be complex but not miscellaneous, but not chaotic. It fully shows the painter's profound insight into social life and superb ability to organize and control pictures. Thirdly, in terms of techniques, the combination of big brushwork and meticulous brushwork is good at choosing vivid and poetic things, scenes and plots with essential characteristics to express. Observe life very carefully and portray every character and prop. Everyone has his own identity, way and plot. Buildings, bridges and other buildings are rigorous in structure and detailed in description. Cars, horses and boats cover all aspects, so be careful not to lose sight of the whole picture or the situation. For example, the objects on the ship, the way of nailing and riveting, and even the method of tying the rope are all explained clearly and magically.

Zhang Zeduan has a high artistic generalization, which makes The Riverside Scene at Qingming Festival reach a high artistic level. The Riverside Scene at Qingming Festival is unprecedented in its rich content, numerous characters and grand scale. The picture of Riverside Scene on Qingming Festival is dense and orderly, from quiet suburbs to bustling city streets, attracting people everywhere. This painting depicts the prosperity of Bianjing in the Qingming period. It is a witness to the prosperity of Bianjing in that year and a portrayal of the economic situation of the city in the Northern Song Dynasty. Through this painting, we learned about the city appearance of the Northern Song Dynasty and the life of people from all walks of life at that time. In a word, The Riverside Scene at Qingming Festival is of great historical value.

I have to admire the rich imagination and creativity of our predecessors, who left us a lot of valuable wealth and experience, and what we have to do is to exert this imagination and creativity in life and production and create our beautiful home. Do our best to protect these unique wealth. A few weeks of art appreciation courses really taught me a lot. Most importantly, I learned to look at things with appreciation and find ordinary beauty around me. And these things are obviously incomprehensible in the usual textbooks. When we all learn to appreciate the beauty around us, our lives will be as vivid as works of art.

As a China person, I think everyone has heard of The Riverside Scene at Qingming Festival! I am no exception. I have heard a lot about you, but I have never seen it. I have never seen the moving scene of the riverside scene on Qingming Festival. I didn't expect to meet in Dingzhou, my hometown in Gong Yuan this winter vacation.

Although I didn't have a chance to go to Gong Yuan before, I didn't have the heart to visit the scenic spots in Gong Yuan this time. As soon as I entered Gongyuan, I went straight to the mobile exhibition hall of Riverside Scene at Qingming Festival.

When we arrived at the exhibition hall, it was dark and opaque. After a while, my eyes adapted to the darkness, and I saw a curtain opposite the exhibition hall, about 100 meters long and about 3 meters wide. According to my mother, The Riverside Scene at Qingming Festival recorded the city life of Bianjing City in the Northern Song Dynasty, and used high technology to project the scenes in the painting on the curtains. The characters, animals, birds and cars in the painting can all walk around and are all "alive". Looking at it, I seem to have "crossed" into the Great Song Dynasty. The market is really lively! Some sell fish, meat, vegetables and eggs; Some sell knives, scissors and groceries; There are tea sellers ... a camel caravan came home with a full load, and the camel owner was very happy. I guess he was thinking: great, this business is done! And the children chased each other, and their young faces were filled with cheerful smiles. In the pub, someone shouted, "Bartender, bring me another pot of wine!" " "Looking up again, there are two or three beautiful women sitting in the room playing the piano. Their slender fingers move gracefully back and forth between the strings. I seem to really hear the melodious voice. Someone is carrying a sedan chair or driving a horse in the street, as if doing something. Someone is enjoying the cool under the big tree beside the street, and there are several strong men who are five big and three thick. A group of people around are watching and cheering, so lively!

Such a vast picture scroll, the picture structure is rigorous and orderly, and the various activities of the characters are portrayed very carefully and vividly in one go. The Riverside Scene at Qingming Festival * * has 96 chapters in total, with 14 epilogues written by Tibetan collectors in past dynasties. Only the last emperor, Puyi, had as many as three pieces, which proved Puyi's favor for The Riverside Scene at Qingming Festival. Only such a magnificent masterpiece as The Riverside Scene at Qingming Festival can accommodate the great dream of the next generation of emperors.

Through this visit, I have a further understanding of cultural relics, and the dynamic version of the Riverside Map on Qingming Festival has added a brilliant stroke to Dingzhou!

Thoughts on the Riverside Scene at Qingming Festival 4 The Riverside Scene at Qingming Festival is a genre painting of the Northern Song Dynasty, written by Zhang Zeduan. The architecture and people's livelihood in the suburbs of Bianjing, the capital of Hui Zong era, and on both sides of the Bianhe River in the city were recorded with exquisite meticulous brushwork, and the prosperous scene and natural scenery of Bianliang and Bianhe River in the Northern Song Dynasty during the Qingming period were described. This long scroll adopts the composition method of scattered perspective, bringing complicated scenery into a unified and changeable picture. There are more than 500 characters in the painting, with different clothes and expressions, interspersed with various activities and paying attention to drama. The composition is dense, paying attention to the change of rhythm and rhythm, and the brushwork is very clever.

The whole picture is divided into three sections.

The first paragraph, Bianjing Guochun. There are several huts, grass bridges, running water, old trees and boats hidden in the sparse forest fog. Two porters are driving five donkeys loaded with charcoal. They are going to town. A willow forest, with faint green branches, makes people feel that although it is chilly in spring, it is already spring back to the earth. In the sedan chair on the road, a woman sat in it. The top of the sedan chair is decorated with willows and flowers, followed by riders and bearers who come back from the suburbs of Beijing to visit the grave. The description of the environment and characters points out the specific time and customs of Tomb-Sweeping Day, which opens the curtain for the whole painting.

In the middle section, the busy Bianhe Wharf. Dense population, grain ships gathered. Some people rest in the teahouse, some people go to tell fortune, and some people eat in restaurants. There is a "Wang's Paper Horse Shop" that sells grave-sweeping sacrifices. Ships in the river come and go, end to end, either pulled by trackers or rowed by boatmen, some full of goods, upstream, some docked at the dock and nervously unloaded. Across the Bianhe River is a large wooden arch bridge with exquisite structure and beautiful shape, hence the name Hongqiao. There is a big ship waiting to cross the bridge. The boatmen either propped up the bridge with bamboo poles, hooked the bridge with long bamboo poles, pulled the boat with hemp ropes, or were busy putting down the mast to pass the bridge arch smoothly. The people in the neighboring ship also pointed to something, as if shouting loudly. People on the bridge also leaned out and talked nervously, expecting the ship to pass smoothly.

In the back, busy downtown street. Centered on the tall tower, there are rows of houses on both sides. Teahouses, hotels, shoe stores, butcher shops, temples, public halls ... These shops specialize in silk, jewelry, spices, incense, paper horses, medical clinics, car repair, fortune telling and plastic surgery ... all walks of life have everything; The big stores also put up "Happy Doors with Coloured Buildings" in front of their doors and hung banners to attract business. Pedestrians in the market, shoulder to shoulder, are in an endless stream. Businessmen who do business, gentry who watch street scenes, officials who ride horses, peddlers, family members who sit in sedan chairs, monks who walk with baskets on their backs, foreign tourists who ask for directions, children in the streets who have heard of books, children of rich people who drink in restaurants, disabled elderly people who beg on the edge of cities ... men, women, children, intellectuals, farmers and businessmen, and people of various religions. Sedan chairs, camels, ox carts, rickshaws, peace carts, flatbeds … all kinds of things. In the five-meter-long picture scroll, * * * meters depicts more than 550 characters; Fifty or sixty cattle, horses, mules, donkeys and other livestock, () more than 20 cars and sedan chairs; More than 20 large and small vessels; Houses, bridges, towers, etc. They also have their own characteristics, reflecting the characteristics of architecture in the Song Dynasty.

The Riverside Scene at Qingming Festival is a long scroll with historical value. A masterpiece handed down from generation to generation, a first-class national treasure. This is one of the most famous works in China's painting history. It is not only of superb artistic level, but also has many interesting stories circulating around it.

The Riverside Scene at Qingming Festival is rich in scenes, but it is not trivial. It shows the painter's ability to grasp the macro scene and see the subtle painting realm in reality, which makes people admire his meticulous observation and vivid expression.

The Riverside Scene at Qingming Festival is an immortal masterpiece, and it is a national treasure in terms of artistic value and historical value. The original is now in the Palace Museum in Beijing.

Thoughts on the Riverside Scene at Qingming Festival 5 "Riverside Scene at Qingming Festival" is one of the top ten famous paintings handed down in China. The genre painting of the Northern Song Dynasty, 24.8 cm wide and 528.7 cm long, is the only masterpiece that Zhang Zeduan, a painter of the Northern Song Dynasty, has ever seen. It is a first-class national treasure.

The center of the Riverside Map on Qingming Festival consists of a rainbow-shaped bridge and the street surface of Qiaotou Street. At first glance, crowded and chaotic; A closer look shows that these people are from different industries and engage in various activities. There are some vendors and many tourists on the west side of the bridge. There are knives, scissors and groceries on the stall. There are tea sellers and fortune tellers. Many tourists lean against the railings by the bridge, or point at them, or watch the ships coming and going in the river. On the sidewalk in the middle of the bridge, there are bustling people; There are people who ride cars, ride horses, carry loads, drive donkeys, transport goods and push unicycles ... The south side of the bridge is connected with the street. On both sides of the street are teahouses, pubs, pawn shops and workshops. There are many vendors with big umbrellas in the open spaces on both sides of the street. The street extends eastward and westward to the quiet suburb outside the city, but there are still pedestrians on the street: some are carrying goods, some are driving ox carts to deliver goods, some are driving donkeys to pull trucks, and some stop to watch the scenery of Bianhe River.

There are many boats coming and going on the Bian River, which can be described as a race in Qian Fan. Some are parked near the dock, and some are driving in the river. Some big ships were overloaded, and the owners hired many trackers to tow them. A big ship carrying goods has passed under the bridge and will soon cross bridge opening. At this time, the boatman on this big ship is very busy. Some people stood at the top of the canopy and put down their sails; Some people are struggling to support the pole by the boat; Some people hold the ceiling of bridge opening with long poles, so that the boat can pass safely with the water. This tense scene attracted the attention of tourists on the bridge and nearby boatmen, who stood by and cheered. The Riverside Scene at Qingming Festival vividly depicts the busy and tense traffic scene on the Bianhe River, adding more vitality to the painting.

This painting depicts the bustling scene and natural scenery on both sides of Bianliang and Bianhe, the capital of the Northern Song Dynasty, during the Qingming period. In the form of long scrolls, the composition method of scattered perspective is adopted to bring complicated scenery into a unified and changeable picture. There are more than 1000 people in the painting, with different clothes and expressions, interspersed with various activities, paying attention to drama, dense composition, rhythm and rhythm changes, and ingenious brushwork. This is a valuable cultural heritage of our country.

The Riverside Scene at Qingming Festival has great artistic charm in detail description! Each of us should study!