A brief introduction to the life of crosstalk master Ma

Ma, the son of China's late crosstalk master. Ma devoted himself to exploration in long-term artistic practice and created a unique? Horse crosstalk? He was the oldest and most experienced at that time, the oldest and most accomplished in the field of phonology? Crosstalk master? . The following is a brief introduction to the life of crosstalk master Ma, which I compiled for you. I hope you like it!

A brief introduction to ma's life

Ma, a famous performing artist. Hui nationality, 19 14 was born in Beijing, and was born in Yongchang County, Gansu Province. Born in a family of Quyi, my grandfather Ma was a famous storyteller, who was good at telling The Water Margin and became famous for a while. Who is Father Ma Delu? Bade? One of them is the pet and husband of Enxu, a former crosstalk artist. Mother En Cuiqing once learned to sing Beijing Rhyme Drum; Brother Ma Guiyuan studied in Li Deyang and was good at acting? Wen Wei? Be famous for jokes. Ma studied at Huiwen Middle School in Tianjin since childhood. His family environment made him familiar with the art of cross talk since he was a child. Lie down under the influence of my father and brother? Say? 、? Study? 、? Funny? 、? Singing? Deep foundation. After graduating from junior high school, I dropped out of school to speak crosstalk because of my poor family.

1930, he began to perform on stage and studied under Zhou Deshan. Zhou is also a classmate? Bade? One. Ma Zaixue's rapid progress in studying art has also broadened her horizons. After long-term artistic practice, it has formed a style of tight inside and loose outside, orderly, delicate and subtle, implicit and meaningful. Ma has a solid artistic foundation, great fame and good acting skills? Infiltration? There are also literary jokes, such as cross-courtyard, geographical map, eating Yuanxiao, and articles.

The relationship between horse and Hou

Ma and Hou are both leading figures in the field of phonology, and they have made outstanding contributions to the development of cross talk art, but it is a pity that Ma and Hou have never cooperated. Some people say that peers look down on each other, and Ma and Hou have always refused to cooperate because of disagreement. In fact, the real reason is that Ma and Hou have different artistic styles, so they can't cooperate. The relationship between the two families has not always been harmonious, as the outside world speculated.

Horses are Hou's grandfathers in generations, so Hou has always regarded himself as a junior in front of horses and showed great respect for them. Ma also asked his only son to learn cross talk and learn Hou, so the relationship between Ma and Hou has always been very good, and there is no so-called bad blood and contradiction.

Although Ma and Hou have a very harmonious relationship in private, they are real masters of art and are serious in cross talk performances. Because of their different artistic environment, different artistic paths and different styles, both sides refused to change their styles at will, so Ma and Hou have never had the opportunity to cooperate for decades, because in essence Ma and Hou represent two schools of crosstalk art, which is different from other art forms. Once the sects are established, it is difficult to accept other styles, so it is difficult to be compatible with hundreds of schools. Therefore, Ma and Hou have never had a chance to cooperate. However, only their artistic pursuits are different, which does not affect their personal relationship. Moreover, Ma was very open-minded and later asked his son to learn from him.

Ma's apprentice

There are countless apprentices of Mr. Zuma, the master of phonology in China. Ma's apprentices are very famous, such as Yan Xiaoru, Zhang, Jin, Ban Degui, Lian, Chang, Gao Xiaolin, Wang Xiaoyu, Fang Xiaowen, Ren Xiaohai, Yin Xiaosheng, Yu Baolin and Chang Baofeng.

In today's phonology, if we say who the apprentice of Ma is, the audience should pay more attention to it, which shows that the apprentice of Ma has a high position in phonology. Because Ma, as a master of phonology in China, it was with his efforts that cross talk rose from a folk art to a special art form that can be performed on a special stage. Therefore, Ma can be said to be the first person to make cross talk artistic, and I have made indelible contributions to the development of this art. ..

One characteristic of Ma's apprentices is that many of them are actually older than Ma, but they just admire Ma's reputation and like the art of cross talk, so they become Ma's apprentices. So many of Ma's apprentices later became big names in the music industry, but now many of them have died, and there are not many apprentices who are still alive. It's really a pity.

Ma's disciples never had any opinions. As long as he is a material maker and willing to learn this art, Ma always spares no effort to support his disciples. Moreover, Ma once said that the most gratifying thing in his life was to see his disciples carry forward the art of cross talk. It would be even more gratifying if his disciples could surpass his master in achievement.

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