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Some people say that this is a kind of sadness, yes, it must be a scholar who takes the world as his own responsibility. He is passionate and fierce, and he feels incompet

Some people say that this is a kind of sadness, yes, it must be a scholar who takes the world as his own responsibility. He is passionate and fierce, and he feels incompetent. Some people say this is a kind of charm. Because of this, China is unique and worthy of the idiom "all-inclusive". The person who said this should also be a scholar. He is clever and alert, and he is a little proud of his wine.

Being a scholar in China is hard work. They are essential, but they will never be noble. They are the mainstream of any era, but they are not the dominant of any era. Truly noble leaders often call them "guys" contemptuously. "China society will never be short of guys who throw cold water or sing high-sounding". Since they are all called "guys", it can be seen that this is not a pleasant role. This is undoubtedly the characteristic of China society, and it is also a bit of "national inferiority" as Lu Xun said.

People in China like singing and dancing. China's literati claim to be "the quintessence of the country" when they are proud, but when they are frustrated, they escape and pretend to be "sentimental mountains and rivers". They are the luckiest and most wronged people in China, which should also be the reason why the literati in Yu's works "defend themselves and masturbate".

China's literary world is never lonely. Even if the literati are hated by the rulers, they can leave some stories for future generations to tell. Before Qin Shihuang "burned books to bury Confucianism", there was the literary inquisition of Emperor Qianlong. The ashes in those pits are cold, and the bodies dragged out have turned into loess, so people can only think in memories ... Of course, China literati also have fond memories. Scholar-officials in Song Dynasty were all outstanding literati, and their articles not only had profound thoughts, but also had gorgeous rhetoric. Even when they whisper before a flower, they take care of a philosophical heart. This is the happiest time for literati and the most colorful time for China's literary world. At that time, China's culture reached its peak.

But when we carefully review that period of history, is there a sad coolness rising from the soles of our feet ―― if the literati in the Song Dynasty were not from a well-born bureaucratic family, and if the literati in the Song Dynasty did not devote themselves to literature for their official career, would that era still make the later literati have a good memory? Gorgeous rhetoric is to set off profound thoughts, and beautiful poetry is to think about the doubts of the cause. When future generations leave a sigh that "Tang poetry attaches importance to emotion, Song poetry attaches importance to reason", should we be proud of the gradual maturity of our predecessors' creation, or should we be sad that culture has become a vassal of politics?

It seems that the literati in China can never get rid of the shackles of politics, which is partly social reality and partly voluntary. No one will give up fame and fortune. Even the tyrant who was born in the rough land of Chu knows the truth that "wealth does not return to his hometown, just like going at night", not to mention a scholar who has read many books of sages. China's Confucianism emphasizes active accession to the WTO, and "to achieve the goal is to help the world". Scholars' attitudes towards politics and society are understandable, and we have no right to criticize them.

Some people say that in China's literary world, there are people who only care about mountains and rivers, and there are also literati who only envy the wild cranes in the idle clouds. A lonely Lin Hejing is full of loneliness. Smart literati will certainly smile when they hear this, and no matter that Mr. Yu has refuted this self-deception idea, just seeing that people know Mr. Lin, they know that he has not escaped the word "fame and fortune", just a few years later. Sometimes I really want to know Mr. Lin's thoughts on his future fame, and I wonder if he can still fiddle with the pipa without second thoughts.

Frankly speaking, most literati in China are not honest enough, and Zhang Ailing is an exception. "It's too early to be famous." This is what Zhang said. Her frankness can generally be seen, especially as a scholar. But it is this woman who dares to admit that she thought she was a "genius" since she was a child, but her writing talent has never been recognized by "literati", so that she is only a senior "Qiong Yao" in the eyes of future generations. Is this the fault of literati or the jealousy of literati? There is no literati like Zhang who lives as gorgeous as summer flowers and dies as quiet as autumn leaves; There are many literati who can make their works praised, but the literati who can make himself such a legend seems to be unable to escape the end covered by Zhang's light-as long as he wants to compare with Zhang. Scholars despise each other since ancient times, which is the loveliness of scholars and the source of their ridiculousness.

Scholars, especially those in China, are the most unfortunate, but undoubtedly the most talented, if they write for survival. There are Klose Bo abroad and Cologne at home. But Gu Long seems even more unfortunate, because krogh Bo is recognized as a great novelist, and Gu Long is just a popular writer. He is not a master of Pop, but Jin Yong is, because Gu Longnong writes to survive, but Jin Yong doesn't need it. Will Cologne fans be sad? It doesn't matter, Gu Long has smiled bitterly for his sadness. The Sri Lankan people have passed away, leaving only the names of Chu Liuxiang, Xie Xiaofeng and Ximen Chuixue to continue the glory of the literati. "China's literary world is now market-oriented." Is this the hope of China literati or a deeper quagmire? Han Han has not heard from you for a long time. The boy who claims to be a genius and is recognized by the world as a genius has forgotten his own name, leaving only Jing M.Guo who keeps "trying" and Zhang Yueran who likes moaning without pain. Did Mr. Murong, who found his own style, only see the darkness in life? I retired, and Wang Shuo hasn't been scolded for a long time. I don't know whether the current literary world is lively or cold. Is this the China literati today? Are we happy or sad?

Scholars in China have laughed and cried; Firmness, hesitation ... So, what should we do?