Five Essays on Reading Teahouse

Teahouse is Mr. Lao She's description of the tragic situation of the little people in that era through the characters in the teahouse. The following are five reading essays on Teahouse compiled by me. Welcome to read and share, I hope it will help you.

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Teahouses are common in China, but they are a very special place. Teahouses almost condense various forms of the whole society, and with the changes of society, scenes of human drama are staged simultaneously.

In this three-act play, there are more than 70 characters, 50 of whom have names or nicknames. The identities of these characters vary greatly. Some of them have been members of parliament, some have been directors of the gendarmerie headquarters, some are remnants of the Qing Dynasty, some are leaders of local evil forces, some are storytellers, fortune tellers and peasant women. All kinds of characters constitute a complete "social" level.

The creative intention of Teahouse is very clear. Through the change of "Yutai" teahouse furnishings from simple to new and then to simple, it shows the characteristics and culture of the teahouse in each specific historical period. At the beginning, tea drinkers played with birds, tea and insects. Although they were antique, they were all quiet because of the appearance of "detectives" and the note "Don't talk about state affairs". In the second act, the survival of Yutai, the renovation of teahouse facilities and the contraction of the scene undoubtedly hint at the teahouse's struggle in this increasingly contradictory society. The bigger the "foreign flavor" in the teahouse and the note "Don't talk about state affairs" written by Zhang Yue, the greater the crisis. In the third act, not only did you write a note "Don't talk about state affairs" with a large number, but there was also a note next to it: "Pay for tea in advance". This shows that the teahouse has reached the point where it can't make ends meet, and "paying for tea in advance" and "not talking about state affairs" obviously reflect a causal relationship.

Lao She takes the teahouse as the carrier, sees the big from the small, and reflects social changes. It is "tea" that brings all kinds of people, social classes and social activities together. If there is no "tea", everything in the teahouse will cease to exist. Because of this, Lao She also devoted a lot of pen and ink to Beijing teahouse culture in his plays. For example, in early teahouses, besides drinking tea, there was also a snack "carrion noodles". While drinking tea, you can also do many things that have nothing to do with tea; Teahouses in Beijing, like those in Jiangnan, are places for "eating and drinking tea"; Old customers of teahouses can get credit, and people who drink tea can also bring their own tea. Teahouses are also good places to listen to books, where storytellers can make a living. ...

Such details add a real atmosphere to the theme of Teahouse. Besides the theme of service, it also shows a bright spot of China teahouse culture. The artistic value of teahouse lies not only in reflecting the social changes in a historical period through a teahouse, but also in reflecting the influence of social changes on teahouse economy and teahouse culture.

Reflections on Teahouses II.

Lao She, a person who should be remembered by Nobel, but in the end, as the last line in his drama Teahouse said, "I love our country, but who loves me?" , to fall.

Teahouse has more than 70 characters, representing small people from all walks of life in that era. Mr. Lao She vividly reflected the characters' joys and sorrows through the description of their language, manners and movements, but Rainbow, the owner of the teahouse, was smart and flexible, and Grandpa Four was always honest and frank, smart and smooth, but he was full of helplessness and bitterness in the process of skillfully coping with that era.

I learned about the fifty years from the late Qing Dynasty to the victory of the Anti-Japanese War from the information on the Internet. At that time, some people went to parties every night, while others entertained themselves for their own lives. Wang Lifa, the teahouse owner created by Mr. Lao She, is such a classic image. He just wants his father's teahouse to prosper. What's wrong with that? However, like a clown, he was mocked by the coldness of the world again and again. All kinds of people come in and out of the teahouse. Wang Lifa looked at their sadness and watched himself fall into this suffocating whirlpool. The more entangled, the more desperate, and the more desperate, the more entangled.

In the meantime, many details touched me, and also highlighted the decline of the whole society under the fragile gorgeous skin at that time. Foreign goods flooded the market, eunuchs bought girls as wives, and foreign goods flooded the market temporarily. After all, it is human instinct to try new things. Take "eunuchs take wives" as an example. First of all, eunuchs can be said to be the representative product of the constitutional monarchy, and the dynasty first promoted the Qing Dynasty. It happened in the last section that the story involved the late Qing Dynasty, so we have finished the topic of "eunuch taking a wife". Here is the verb "buy". In modern society, everyone. Finally, another keyword "wife" is believed to be needless to say. Eunuchs can't get married unless the emperor gives a girl a gift to have dinner with eunuchs who have made great contributions. After a careful study of the whole sentence, we say in mathematical language that there are evidence A, evidence B and evidence C to prove that the "Qing Empire" exists in name only.

No matter how intoxicating the appearance is, tearing it apart is just hypocrisy. It is very important to see the essence through the surface at any time, just as we see the characteristics of that era through the soul written by Mr. Lao She.

Reflections on Teahouse 3

When talking about Mr. Lao She, many friends' first impressions are excerpts from Winter in Jinan, Teahouse and Camel Xiangzi that they have learned in textbooks. At that time, I was still young, and I don't know why I chose so many works by Mr. Lao She in my textbook. I just recite one by one according to the teacher's requirements. Now re-reading Teahouse, I really appreciate Mr. Lao She's easy-to-understand, unpretentious, humorous and humorous literary language, as well as his strong Beijing charm.

As a modern novelist, a famous writer, an outstanding language master and a people's artist, Mr. Lao She left many novels, poems, folk art and literary works to future generations. However, whenever it is mentioned, people will never forget the most representative drama-Teahouse.

The story of the teahouse takes place in Yutai Teahouse in Beijing. People come and go in the teahouse, bringing together three religions and nine streams in society. All kinds of characters are performing their own small destiny under the background of the times and taking turns to appear. Wang Lifa, the shopkeeper, after decades of changes, wanted to run his own shop with the belief of "improvement", but he saw all the joys and sorrows of life and the world was cold.

Teahouse adopts the most commonly used and traditional three-act drama structure in all script structures. From the failure of the Reform Movement of 1898 in the late Qing Dynasty in the first act, to the imperialist invasion of the Republic of China by warlords more than ten years later, and to the victory of the Anti-Japanese War in the third act thirty years later, this period of the Kuomintang spies and American soldiers running amok in Beijing spanned half a century. The people in the teahouse grow old with time, but what happened in the teahouse is closely connected with the times and out of touch with the old friends. The fate of the characters, social features, national history and changes of the times are all concentrated in a short three-act drama.

Although there are many characters in Teahouse, it is not confusing to read because of its distinctive features, prominent contradictions and clear relationships. The lines given to every character by Mr. Lao She have a profound social imprint, always reflecting the style of an era and the helplessness of people in that turbulent era.

Wang Lifa's careful and painstaking management; Master Qin was young and vigorous, saved the country through industry, and finally his dream was shattered; Honest and frank, honest and prosperous, poor and old; Kang's fate is bumpy, firm and kind ... There is always a note saying "Don't talk about state affairs" in the teahouse, but who can really have nothing to do with state affairs? Reading Teahouse now is no longer shallow and rough when I was young, but I can better understand that era and history, and admire Mr. Lao She's characterization and subtle use of language.

Teahouse, as the main representative play of China, is not only a classic play of Peking People's Art, but also a milestone of China's plays which are well-known overseas. It has been adapted into movies and TV series of the same name many times. Not only Yu Shizhi, Lan Tianye, Zheng Rong, Huang Zongluo, Ying Ruocheng and other older performing artists have played characters in the play, but also familiar actors such as, Pu Cunxin, Song Dandan and Chen have performed the new version of Teahouse in different forms.

The classic of Teahouse is deeply hidden in every character and every line, which is not only the art of language, but also the charm given by stage performance. Teahouse on the stage glows with all the brilliance of the script, and this drama has also become a "miracle on the oriental stage" and a model of drama teaching. Whether an actor's acting skills are exquisite or not can even be tested by Teahouse.

For many years, people's love for Mr. Lao She's Teahouse has made this stage a classic, and the real classic will never end. Although we only read the script today, one day more people will be willing to come to the scene and go into the teahouse to enjoy the play.

Reflections on Teahouse 4

Teahouse is a classic in the history of drama and one of my favorite works.

Before this work, as a novelist, he had written many masterpieces handed down from generation to generation. In drama, multi-step creation laid the foundation for the success of Teahouse.

The story of the teahouse takes place in a big teahouse. People come and go in the teahouse, and there are all kinds of people and different religions. A big teahouse is like a small society. There are weak people and strong people, but they are all oppressed people, but there are more weak people. I think the article Teahouse is good in three aspects:

First, everyone is telling their own stories.

Second, irrelevant people came at once and left without any burden.

Third, language skills are full of personality.

Everyone is interpreting his own story, but it is closely connected with this era. Just like a river, the trunk is very important, but what's wonderful about it without countless drops of water gathering? The life and death of these characters reflect that era. In the book Teahouse, underage father and son come down in one continuous line, just like Tang Tiezui and Tang Xiao Tiezui in the text; Pockmarked Liu and Pockmarked Xiao Liu are the same person. Their clothes have changed, but their virtues have not changed. This way of writing helps to keep the story coherent. Although the characters in the article say their own things, they reflect the times.

Irrelevant people come up and disappear immediately. There is no burden. This article reflects the society at that time with some lower-class people, so it will use many little people. If these little people exist all the time, it will make the wonderful article lose its luster. The best way is to get rid of it at once. As a mature dramatist, Lao She is successful.

Language skills are full of personality. Lao She is called "the master of language art", so Lao She will definitely use the language well. In Teahouse, the language lines of each character are designed in place. Such perfect language skills are attributed to the tempering of art and come from the accumulation in life. Lao She is a writer with humble origins and strong civilian color. From the perspective of an unknown generation, Luoshe showed the life scenes of three times, namely, after the failure of the Reform Movement of 1898 in the late Qing Dynasty, the period of the Northern Warlords' separatist regime and the eve of the collapse of the Kuomintang regime in the early Republic of China. It summarized the sharp correspondence and conflicts of various social strata and forces in China and revealed the fate of semi-feudal and semi-colonial China. In the article Teahouse, Lao She gave full play to his language skills.

Characters can be divided into protagonists and small people. Wang Lifa, a big shot and a major figure, was in his twenties at first, but he was smart, selfish and not bad-hearted. Tang Tiezui smoked opium and made a living by looking at his face. Pockmarked Liu and Pockmarked Xiao Liu are as evil and cruel as matchmakers ... From prime of life to old age, the story runs through the whole play, although loose, but it is not too far from the point and unintelligible. Judging from the history of Lao She's personal life, Teahouse is a writer with rich life experiences and personal experiences. In the new historical scene, China looked at the old China in the past half century and wrote a book that indulged in it. It is not trapped by the old road, but it has precipitated the lessons of history and revealed the trend of historical progress.

The success of Teahouse broke the norm of "three unifications". Some people commented that Lao She's Teahouse was an ancient ode and an elegy.

Comments on Teahouse 5

On this day, I opened the bookshelf at random, and accidentally saw the Teahouse written by Mr. Lao She in a corner of the bookshelf, which seems to have never been read. So I picked up this book and read it.

I don't know if I didn't see it, but I was shocked when I saw it. It turns out that the story of this book is wonderful and philosophical. This book is a drama and a tragedy, divided into three acts, which describe people's life experiences and States in the late Qing Dynasty, the early Republic of China, the middle Republic of China and the late Republic of China respectively. This book tells the story of a teahouse opened by owner Wang Lifa, which turned from prosperity to decline and was finally forced to death by warlords. At the same time, I also wrote a story about Kang Liu, a farmer. He owed money to others and was forced to sell his daughter as the wife of a eunuch, which eventually hurt his daughter's life.

After reading this book, I actually cried. Wang Lifa has been a snob all his life. He always greets others just to survive in troubled times. However, his kind words and bow still failed to make him live a smooth life, and he was finally forced to hang himself by warlords. Kang Liu's daughter didn't dare to hum songs at the eunuch's house until the eunuch died and was free. But when he was free, he was chased by others and forced to flee all the way. Well, it's all Yi Fu's fault. During the period of Fu Yi's rule, the closed-door policy made people live in poverty, but Fu Yi didn't realize this mistake, so she became the king of national subjugation and was deprived of her freedom and rights. But you can't regret this life, and this is the price of mistakes. In this book, I feel sad for the darkness of society and the selfishness of people. In fact, ordinary people should not be blamed. In order to make a living, everyone must become cruel and cold-blooded. The fault lies in the decline of warlord power, and the people have nowhere to make a living, so they have to flatter, nod their heads and lower their eyebrows, and live like dogs.

In fact, there are many such people in today's society. In order to win the respect of the boss and have a place in the company, many employees of the company use various dirty means to frame others and raise themselves. Didn't these people look like ordinary people at that time? But they didn't see clearly that this is a democratic society, and this is a society where knowledge determines fate. As long as we have technology and knowledge, why should we worry about not having Bole? Where is not a place to live?

Dear people, take up your dignity and show your skills. Don't be a person who racked his brains to frame others, but be a strong person who stands out by his own skills.

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