Is it okay to tear the paper written by fortune teller?

Paper-cutting of traditional cultural stories

A. What are the traditional paper-cuts in China?

China's traditional culture includes paper-cutting, ceramics, drama, architecture, Chinese medicine, martial arts, kites, Chinese embroidery and so on. ), Chinese knots, clay figurines, dough figurines, patterns.

B. Paper-cutting of China traditional culture

1, Chinese paper-cutting is a folk art of cutting and carving patterns on paper with scissors or carving knives, which is used to decorate life or cooperate with other folk activities. In China, paper-cutting has a broad mass base and is integrated into the social life of people of all ethnic groups. It is an important part of various folk activities.

2. It inherits the continuous visual image and modeling format, contains rich cultural and historical information, expresses the social identity, moral concept, practical experience, life ideal and aesthetic taste of the general public, and has multiple social values such as cognition, education, expression, lyricism, entertainment and communication.

3. On May 20th, 2006, the paper-cut art heritage was approved by the State Council to be included in the first batch of national intangible cultural heritage list [2]. 65438 At the fourth meeting of UNESCO Inter-Committee for the Protection of Intangible Cultural Heritage held from September 28th to1October 2nd, 2009, the Chinese paper-cut project was selected into the List of Representatives of Intangible Cultural Heritage of Humanity.

(2) Extended reading of paper-cutting of traditional cultural stories: content significance:

1, folk paper-cutting is good at combining a variety of objects and images to produce ideal and beautiful effects. No matter whether one or more image combinations are used, they are modeled by "image implication" and "meaning conformation", rather than by objective natural forms. At the same time, they are also good at using metaphor and combining conventional images to create various mascots to express their psychology.

2. Pursuing auspicious metaphor has become one of the ultimate goals of image combination. The geographical closure and cultural limitations, as well as the intrusion of adversity such as natural disasters, aroused people's desire for a happy life. People pray for ample food and clothing, prosperity, health and longevity, and all the best. This simple wish is conveyed through paper-cutting.

C. The main content of China traditional culture [paper-cut]

First, it is used for posting. After copying, it can be directly pasted on doors, windows, walls, lanterns and ribbons for decoration. Such as window grilles, wall flowers, ceiling flowers, cigarette lattices, lantern flowers, paper-tied flowers, and door stickers;

Second, it is used for decoration, that is, for decorating gifts, dowries, sacrifices and offerings. Such as flowers, flowers, fireworks, candlestick flowers, fragrant flowers, Chongyang flag;

Thirdly, embroidery patterns are used in clothing, shoes, hats and pillows. Such as shoe flower, pillow flower, hat flower, bib flower, sleeve flower and suspender flower;

Fourth, printing and dyeing, that is, as a printing plate for blue printed cloth, used for clothing, quilts, curtains, bags, bibs, headscarves, etc.

(3) Extended reading of paper-cutting of traditional cultural stories: Because paper-cutting works are cut out or carved out on paper, hollowing out should be adopted. Because of hollowing out, paper-cuts with public lines must be connected with lines, and paper-cuts with bus lines must be disconnected with lines. If you cut off some lines, the whole paper-cut will be fragmented and out of shape.

Thus, there is a structure that does not fall or cut. This is an important feature of the art of paper-cutting, which pays great attention to lines, because the picture of paper-cutting is composed of lines.

According to practical experience, the lines of paper-cutting can be summarized into five words: "round, sharp, square, missing and line". Requirements: "Round as autumn moon, sharp as wheat awn, square as blue brick, lacking as sawtooth, walking like beard." It can be said that lines are the basis of paper-cut modeling.

D. Paper-cutting of China traditional culture

Paper-cutting is an art of hollowing out paper and other sheet materials with scissors and carving knives. This artistic version has been listed in the intangible cultural heritage list.

The paper-cutting in Yuxian County, Hebei Province is quite famous (of course, other areas are also very good).

History of paper-cutting: Paper-cutting in the Tang Dynasty has been in a period of great development, and the handicraft art of paper-cutting in the Ming and Qing Dynasties has matured and reached its peak.

Paper-cut theme: animals, people, plants, stories, myths and legends.

Paper-cut engraving: Yang engraving, Yin engraving, Yin and Yang engraving.

Symbolic meaning: Entrusting things and transmitting information, borrowing conventional conceptual images, entrusts people's yearning for a better life and expectations for good luck and happiness. For example, "Lotus (Lotus) has been around for more than a year (fish)" and "Five Blessingg (bat) is coming to the door".

E. What are the legends and stories about the origin of traditional culture and national art paper-cutting in China?

1. Paper was invented in the Western Han Dynasty (6th century BC). Before that, there could be no paper-cutting art. But at that time, people used very thin materials to make handicrafts by hollowing out and carving, but it was popular long before paper appeared, that is, carving, carving and cutting patterns on gold foil, leather, silk and even leaves. 2. It is recorded in Historical Records Jiantong Di Feng that in the early years of the Western Zhou Dynasty, the leaves of the pole were cut into "poles" and dedicated to his younger brother, which was named the Tang Dynasty. During the Warring States period, leather carvings (one of the cultural relics unearthed from Chu Tomb No.1 in Jiangling, Hubei Province) and silver foil carvings (one of the cultural relics unearthed from the Warring States site in Guwei Village, Huixian County, Henan Province) were all demolished together with paper-cutting, and their appearance laid a certain foundation for the formation of folk paper-cutting. Visually, it gives people an empty inspiration and artistic enjoyment. The carrier of paper-cutting can be paper, gold and silver foil, bark, leaves, cloth and leather.

4. Paper-cutting is a folk art form with a long history and widespread in rural areas of China. The emergence and spread of this folk art is closely related to the festival customs in rural areas of China. On festivals or wedding celebrations, the word "Xi" is usually affixed. People stick beautiful and bright paper-cuts on snow-white walls or bright windows, doors and lanterns, and the festive atmosphere is rendered very rich and festive.

5. Paper-cutting art is a traditional folk craft of Han nationality. It has a long history and is enduring. It is a treasure in China folk art, and also a treasure in the world art treasure house. Simple, vivid and interesting artistic modeling has unique artistic charm. Its characteristics are mainly manifested in the two-dimensional concept of space, the texture of knife and paper, lines and decoration, freehand brushwork and implication and many other aspects.

6. Paper-cutting has many contents and wide meanings. And plain hope to avoid evil; Dolls, gourds, lotus flowers and other patterns symbolize more children and more happiness, and farmers in China think that more children and more happiness; Poultry, livestock, melons, fruits, fish and insects are closely related to farmers' lives and are also important contents of paper-cutting. Paper-cutting, as a folk art, has strong regional characteristics: Shaanxi window grillage style is simple and unrestrained; Hebei and Shanxi paper-cuts, beautiful and gorgeous; Yixing paper-cut is gorgeous and neat; Nantong paper-cut is exquisite. Although paper-cut is simple to make and simple in shape, it can fully reflect the connotation of people's life, has strong folk characteristics, and is the condensation and exaggeration of many folk art forms in rural areas of China.

F. Introduction of traditional culture paper-cutting

Folk paper-cutting is an artistic style created by working people to meet their spiritual needs, and it has been applied and spread among them. It exists in the deep soil of workers' life, is not restricted by utilitarian thoughts and values, embodies the most basic aesthetic concept and spiritual quality of human art, and has distinctive artistic characteristics and life interest.

Technically speaking, paper-cutting is actually cutting and carving on paper to express the image to be expressed. Working people have perfected this art form in their long-term artistic practice and life practice by virtue of their own intelligence. Formed a variety of techniques such as tearing paper, ironing paper, color matching, color matching, dyeing, sketching, etc., so that the expressive force of paper-cutting extends infinitely in depth and breadth. As thin as a silkworm spinning silk and as thick as a big brush. Its different forms can be attached to the pendulum lining or hung in the air. Because the tools and materials of paper-cutting are simple and popular, and the techniques are easy to master, it has irreplaceable characteristics of other art categories. Therefore, this art form has spread almost all over China's urban and rural areas since ancient times, and won the people's love.

G. The main content of China traditional culture [paper-cut]

Chinese paper-cut forms:

Paper-cut for window decoration

Xihua

Fireworks, fireworks

Xie Hua

Door tip

Luanzhoumai

Bean fragrant flower

Paper-cut flower

Paper-cut banner

Paper-cut Chinese characters

Common paper-cuts in China:

Chinese character

insect

quadruped

bird

Flowers and plants

figure

scenery

Types of traditional Chinese opera facial makeup

Clowns; Joker

immortal

H. China traditional culture, about 50 words, paper-cut culture.

Paper cutting, also known as paper carving, window cutting or painting cutting. The difference is that when creating, some use scissors and some use carving knives. Although the tools are different, the artistic works created are basically the same, which is collectively called paper-cutting. Paper-cutting is a kind of hollow art, which gives people a sense of emptiness and artistic enjoyment visually. Its carrier can be paper, gold foil, silver foil, bark, leaves, cloth, leather and other sheet materials.

They are artists and folk artists from different regions and schools, with different styles, characteristics and a wide range of subjects, including opera figures, birds, insects, fish and beasts, and descriptions of rural real life, reflecting the working people's love for life and their pursuit and yearning for truth, goodness and beauty. Whether it is A Qin, who reflects the people's good fortune and happiness, or historical stories, folklore and figures loved by working people; Whether it is the unique cultural background and folk customs in the north, or it is used in four seasons celebrations and wedding ceremonies, it reflects the superb wisdom and rich imagination of the people. Coupled with the dense modeling design, meticulous and exquisite knife work, gorgeous and bright unique touch dyeing, everything is very lively, interesting and durable. The ornamental, collectible and practical features of paper-cutting make this art with local characteristics more dazzling.

First, traditional culture paper-cut materials

China's traditional culture is a kind of national culture that reflects national characteristics and features, and it is the overall representative of various ideological cultures and ideologies in national history. It refers to the culture with distinctive national characteristics, long history, profound connotation and excellent traditions, which was created by the Chinese nation and its ancestors living in China and passed down from generation to generation. It is the crystallization of thousands of years of civilization in China. In addition to the core content of Confucian culture, it also contains other cultural forms, such as Taoist culture and Buddhist culture. China's traditional culture is a kind of national culture that reflects national characteristics and features, and it is the overall representative of various ideological cultures and ideologies in national history. It refers to the culture with distinctive national characteristics, long history, profound connotation and excellent traditions, which was created by the Chinese nation and its ancestors living in China and passed down from generation to generation. It is the crystallization of thousands of years of civilization in China. In addition to the core content of Confucian culture, it also contains other cultural forms, such as Taoist culture and Buddhist culture. The shadow play of China traditional culture has four distinct characteristics: 1, which has been handed down from generation to generation. China's traditional culture has been interrupted in some short historical periods and changed more or less in different historical periods, but it has not been interrupted on the whole and has not changed much on the whole. 2, national characteristics. China's traditional culture is unique to China and different from other national cultures in the world. It has a long history. It has a history of five thousand years. 4. Broad and profound. "Wide" refers to the breadth of China's traditional culture-rich and colorful, and "deep" refers to the depth of China's traditional culture-unfathomable. [Edit this paragraph] Cultural overview 1. A traditional overview of China's traditional culture: benevolence, righteousness, courtesy, wisdom, faithfulness, loyalty, filial piety, restraint, forgiveness, courage and tolerance; Chyi Chin's calligraphy and painting, three religions and nine streams, 360 lines, four great inventions, folk taboos, loyal service to the country, bamboo, folk songs, loess, Yangtze River, Yellow River, red, moon ... Agricultural culture: farmers, farmers, hoes. Porcelain Palace Officials in China Traditional Culture: Palace Culture, Royal Studies. A hundred schools of thought contend: Confucianism (Confucius, Analects of Confucius, Mencius, Mencius, Xunzi; Benevolence, righteousness, courtesy, wisdom and faith; The Doctrine of the Mean) Taoism (Laozi, Zhuangzi; Morality, inaction and freedom) Mohist school (Mozi, Mozi, universal love) Legalist school (Han Fei, Li Si, Han Feizi) famous artists (Deng, Hui Shi, Gong Sun) Yin and Yang school (Zou Yan, Five Elements, Fire and Water) strategists (Guiguzi, Su Qin, Zhang Yi, Han Feizi). Jasmine, top ten famous songs (Mountain Flowing Water, Guangling San, Wild Goose in Pingsha, Three Lane of Plum Blossoms, Ambush on Houses, Flute and Drum at Sunset, Fisherman's Q&A, Eighteen Beats by Hu Jia, Autumn Moon in Han Palace, Chun Xue) chess:. Books: China calligraphy, seal cutting, Four Treasures of the Study (pen, ink, inkstone, rice paper), woodcut watermark, Oracle Bone Inscriptions, Zhong Dingwen, Han bamboo slips, vertical binding books. Painting: Chinese painting, landscape painting, freehand brushwork; Dunhuang murals; Eight horses, Tai Chi (Tai Chi). The paper-cut zodiac signs of China traditional culture: rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog and pig. Traditional Literature: Tang Poetry, Song Ci, Yuan Qu, Qing Dynasty Novels, Song, Fu, Book of Songs, Thirty-six Strategies, Sun Tzu's Art of War and Four Great Classical Novels. Traditional festivals: Lantern Festival, Cold Food Festival, Tomb-Sweeping Day, Dragon Boat Festival (Zongzi, Dragon Boat Race, Qu Yuan), Mid-Autumn Festival, Double Ninth Festival, Laba Festival (New Year's Eve, red envelopes, reunion dinner), New Year's Eve and Spring Festival (January Festival). China's plays: Peking Opera, Shadow Play, Yue Opera, Sichuan Opera and Huangmei Opera; Peking opera mask. China architecture: Great Wall, arches, gardens, temples, clocks, towers, temples, pavilions, wells, stone lions, houses, Qin bricks, Han tiles and terracotta warriors. Chinese characters: Chinese characters, couplets, riddles (riddles), two-part allegorical sayings, idioms, reflections, wine orders, etc. Traditional Chinese Medicine: Traditional Chinese Medicine, Traditional Chinese Medicine, Huangdi Neijing, Compendium of Materia Medica. Religious philosophy: Buddhism, Taoism, Confucianism, yin and yang, five elements, compass, gossip, Sina, magic weapon, fortune telling, Zen, Buddhism, Guanyin, and Taishang Laojun; Burn incense, worship Buddha and light candles. Folk crafts: paper-cutting, kite, Chinese embroidery, etc. ), Chinese knots, clay figurines, dragon and phoenix patterns (gluttonous patterns, ruyi patterns, thunder patterns, palindromes, and ba patterns), Xiangyun patterns, Chengcheng, Melaleuca, eaves, and vultures.

Supplemented by the respondent: April 23, 200918: 08

Cooking: seven things to do when going out: firewood, rice, oil, salt, sauce, vinegar and tea; Wine and tea ceremony; Eating culture, Chinese food, eight cuisines (Shandong, Sichuan, Guangdong, Fujian, Jiangsu, Zhejiang, Hunan and Huizhou), jiaozi, reunion dinner, New Year's Eve dinner, rice cakes, Mid-Autumn moon cakes and chopsticks; Shark's fin, bear's paw ... Legends and myths: the goddess fills the sky, Pangu opens the world, Houyi shoots the sun, Chang 'e flies, and Kuafu grows day by day ... gods, monsters, ghosts; Jade Emperor, Yan Luowang, Black and White Impermanence, Meng Po, Naiheqiao II. A survey of China's traditional culture-Hanfu, Cheongsam, Chinese tunic suit, other ethnic costumes, clogs, embroidered shoes, Peking Opera with China's traditional culture-China's calligraphy, seal cutting, Chinese knot, Peking Opera mask, shadow play, martial arts-Qin Zhuan Hanwa, Han bamboo slips-tea, Chinese medicine, Four Treasures of the Study (inkstone, pen, rice paper, ink).

J. the origin of traditional paper-cutting/

Paper-cutting originated from the activities of ancestor worship and blessing of the ancients, and was rooted in the profound traditional culture of China. The history of two thousand years has condensed the traditional ideas of China culture. In its evolution, it is intertwined with painted pottery art, rock painting art and other arts, delaying the humanistic spirit and ideological pulse of the ancient nation. As an integral part of China's traditional culture, it is the epitome of traditional beliefs and ethics, and it is also a window to observe the inheritance of a national folk culture. [3]

China folk paper-cut handicraft art has its own formation and development process. The invention of Chinese paper-cutting was in the Spring and Autumn Period and the Warring States Period (3rd century BC). At that time, people used very thin materials to make handicrafts by hollowing out and carving, but it was popular long before paper appeared, that is, patterns were cut on gold foil, leather, silk and even leaves by carving, carving, picking, carving and cutting. It is described in Historical Records Jiantong Di Feng that in the early years of the Western Zhou Dynasty, a king called himself king, and he cut a plane tree leaf into a "reed" and gave it to his younger brother, who named it the Hou of the Tang Dynasty [4]. During the Warring States Period, leather carvings (one of the cultural relics unearthed from Chu Tomb No.1 in Jiangling, Hubei Province) and silver foil carvings (one of the cultural relics unearthed from the Warring States site in Guwei Village, Huixian County, Henan Province) were all demolished together with paper-cutting, and their appearance laid a certain foundation for the formation of folk paper-cutting. The earliest paper-cutting works in China were discovered in 1967, when China archaeologists found two pieces of paper-cutting in China "Fu" near Gaochang site in Turpan Basin, Xinjiang. They use hemp paper, all of which are folded sacrificial paper-cuts. Their discovery provides physical evidence for the formation of Chinese paper-cutting. The history of paper-cutting handicraft art, that is, paper-cutting in the true sense, should begin with the appearance of paper. The invention of paper in Han Dynasty promoted the appearance, development and popularization of paper-cutting. Paper is a moldy material. People don't keep it as a treasure, and they can cut it if it is broken. In the northwest of China, the weather is dry, the climate is dry, and the paper is not easy to get moldy, which may also be one of the important reasons for the discovery of paper-cutting in the Northern Dynasties in Turpan, Xinjiang. Paper-cutting has been in a period of great development in the Tang Dynasty. In Du Fu's poem, there is a saying that "warm water trapped my feet, and paper-cutting called back my soul", and the custom of paper-cutting called back my soul had spread among the people at that time. The paper-cut in the Tang Dynasty, which is now in the British Museum, shows that the paper-cut at that time had a high level of manual art and a complete picture composition, expressing an ideal realm between heaven and earth. Popular in the Tang Dynasty, the carved patterns of flowers and trees have the characteristics of paper-cutting. For example, the pattern of "Duiyang" in Masakura Hospital in Japan is a typical artistic expression of hand cutting. In the Tang dynasty, there was also block printing made of paper-cutting. People carved it into wax paper with thick paper, and then printed the dye on the cloth to form beautiful patterns. In Song Dynasty, the paper industry was mature and there were many kinds of paper products, which provided conditions for the popularization of paper-cutting. For example, it can be used as "fireworks" for folk gifts, "window grilles" pasted on windows, or as decorations for lanterns and teacups. The application scope of folk paper-cutting in Song Dynasty gradually expanded. Jiangxi Jizhou Kiln uses paper-cut as the pattern of ceramics, and makes the ceramics more exquisite by glazing and firing. Folk also use paper-cutting to carve figures in shadow play with the skins of animals such as donkeys, cows, horses and sheep. Carved version made of blue printed cloth, carved into patterns with oilpaper board, and scratched patterns made by paper-cutting technology, divided into yin and yang engraving. Long lines should be cut off to distinguish facts from truth. During the Ming and Qing Dynasties, the paper-cut handicraft art matured and reached its peak. Folk paper-cut handicraft art has a wider range of applications, such as flower decorations on folk lanterns, decorative patterns on fans and embroidery patterns, all of which are reprocessed with paper-cut as decoration. More people in China often use paper-cutting as decorations to decorate their homes and beautify their home environment. For example, door battlements, window grilles, cabinet flowers, wedding flowers and ceiling flowers are all used to decorate doors, windows and rooms. In addition to the paper-binding pattern craftsmen who appeared after the Southern Song Dynasty, the most basic team of folk paper-cutting handicrafts in China is rural women. Female red is an important symbol of the perfection of traditional women in China. As a compulsory skill of needlework, paper-cutting has become a skill that girls have to learn since childhood. They should learn paper-cut patterns from their predecessors or sisters, cut, draw and cut new patterns by hand, and describe the natural scenery they are familiar with and love, the scenery of fish, insects, birds, animals, flowers, trees, pavilions and bridges, and finally reach the realm of their own will. [5]