Li Bai's poetry Fengnan experimental primary school sits alone in Jingting Mountain.

Many birds fly high without a trace, and lonely white clouds float leisurely in the sky alone. The poet and Jingting Mountain looked at each other discontentedly, and only the tall Jingting Mountain could understand his loneliness at this time.

Original text:

Sitting alone in Jingting Mountain

Li Bai (Tang)

Birds fly high,

Lonely clouds go to leisure alone.

Never tired of looking at each other,

Only Jingting Mountain.

Introduction:

Sitting alone in Jingting Mountain is a five-character quatrain written by Li Bai, a great poet in Tang Dynasty. On the surface, this poem describes a person's interest in traveling in Jingting Mountain, but its deep meaning is the poet's loneliness all his life. With his peculiar imagination and ingenious conception, the poet gave life to the landscape and personified Jingting Mountain, which was very vivid. The author wrote about his loneliness, his lack of talent, but also his firmness, seeking comfort and sustenance in nature. This poem is a masterpiece of the poet to express his spiritual world.

Appreciate:

The first two lines of this poem, "Birds fly high, and lonely clouds go to leisure alone", seem to describe the scene in front of us, but in fact they have written all the sad feelings: several birds fly high in the sky until they disappear; There is still a white cloud in the vast sky, but I don't want to stay and drift away slowly, as if everything in the world is rejecting poets. The words "exhausted" and "doing nothing" lead readers to a realm of "peace": it seems that after eliminating the noise of a mountain bird, it feels particularly peaceful; After the rolling thick clouds disappear, I feel particularly quiet and calm, which means disappearing and slowly disappearing into the sky. Leisure is mainly to express leisure, and it is to use the leisure of lonely clouds to set off the leisure of the author's mood. There is an artistic contrast between these two words and "independence". Mainly for the writer to sit alone at the moment and feel carefree, which is in line with Li Bai's own immortal thought.

So these two sentences are written as "dynamic" to see "static", and "static" is defined by "dynamic". This "quietness" reflects the loneliness and loneliness of the poet's mind. This vivid writing can give readers association, and imply that the poet has been visiting Jingting Mountain for a long time, outlining his image of "sitting alone" and paving the way for the next couplet "never tired of looking at each other".

The images of these two sentences are juxtaposed in the form of "the stars arch the moon". The central word "bird" in the previous sentence is the central image, and the word "fly" is added to form a compound image, which strengthens the dynamic expression meaning. Birds can remind readers of the quiet and peaceful scene in the mountains. Birds are singing euphemistically in the empty mountains, which makes them interesting. At present, birds fly high and get farther and farther away from people. The word "Gao" has played a role in expanding space. Looking up, in the empty blue sky, birds are flying away until they are out of sight. The word "gold" enhances the expressive force of this sentence and shows Li Bai's melancholy at this time. The last sentence "cloud" is the central word, which is compounded with "go", and the silent cloud is drifting away. And clouds are not all over the sky, just "solitary clouds" without companions, just drifting away leisurely and slowly. The poet used "leisure" to write the state of the solitary cloud, highlighting the process of leaving, so that readers can feel the poet's inner pain and helplessness when they taste the state of the solitary cloud leaving.

The words "exhausted" and "doing nothing" lead readers to a realm of "peace": it seems that after eliminating the noise of a mountain bird, it feels particularly peaceful; I feel very quiet after the thin clouds disperse. They all seem to be spiritual, unwilling to associate with poets, leaving only a vast room where poets are even more lonely and small. In fact, there are countless birds in the mountains, and clouds will not float into the sky. In the poem, all the birds and lonely clouds leave the poet, which is the result of the poet's emotional projection and the boundless space for the poet to express his lonely feelings. This vivid writing can remind readers that Li Bai has been sitting there for some time. He watched the birds and lonely clouds fly away gradually, and all the birds and lonely clouds left Jingting Mountain. Only he is still sitting there enjoying it, sketching his image of "sitting alone" and paving the way for the next couplet "Never tire of looking at each other".

Three or four sentences, "Never tire of seeing it, only Jingting Mountain", personify Jingting Mountain in a romantic way. Although the bird flew away, the poet didn't go back, and he didn't want to go back. He stared at the quiet and beautiful Jingting Mountain for a long time and felt that Jingting Mountain seemed to be looking at himself affectionately. There is no need to say anything between them, and they have reached emotional communication. "Never tire of looking at each other" expresses the deep feelings between the poet and Jingting Mountain. "Xiang" and "Liang" are synonymous, which closely connects the poet with Jingting Mountain and shows strong feelings. At the same time, Looking at each other also points out that at this moment, only the lonely scene of "mountain" and "me" is as important as the word "two", and the interdependence between mountains and people arises spontaneously. The word "only" in the conclusion is also tempered, which highlights the poet's love for Jingting Mountain. "It's enough to have a bosom friend in life", and the bird flying away is nothing to the poet. The artistic conception created by these two poems is still "quiet". On the surface, it is written that the poet looks at Jingting Mountain with deep affection. In fact, the more poets write about the "sentimentality" of mountains, the more they show people's "ruthlessness"; And his lonely and desolate situation is revealed in this quiet scene.

The moving images of "birds" and "lonely clouds" are opposite to the static images of "Jingting Mountain". There is only quantitative change in the dimensions of time and space, but qualitative change in the psychological dimension: literati with ideals and talents who are suppressed by politics are often particularly sensitive to "passing away" and "dissipation", with short personnel and eternal universe. The poet introduced the eternal mountain as his confidant, probably because he had no choice but to do it after Chang 'an was invisible. Even if Chang 'an attracts him, he doesn't know whether he will follow the "birds flying high".

In the poet's pen, Jingting Mountain has no beautiful mountains, no beautiful streams and no beautiful bridges. It is not that there is nothing to write about Jingting Mountain, because Jingting Mountain "faces Wanxi in the east and the city in the south, sailing in the vast market with picturesque scenery". From the perspective of poetry, it is impossible to know the position of the poet relative to the mountain, perhaps at the top of the mountain or in the open area, but these are not important. The purpose of writing this poem is not to praise the scenery, but to express feelings through the scenery and the quiet scenery here. The poet found solace in the anthropomorphic Jingting Mountain and seemed to feel less lonely. However, it is here that the poet's inner loneliness is more prominent. The deep loneliness in the world and the tragic atmosphere of the poet's life are full of the whole poem. The whole poem seems to be full of scenery, but it has no emotion. But because the scenery is composed of emotion, every sentence is emotion, just like Wang Fuzhi said, "There is a scene in love, and there is love in the scene."

About the author:

Li Bai (70 1-762), whose name is Taibai, is a violet layman. Li Bai and Du Fu are called Du Li (Du Li is Li Shangyin and Du Mu). China's poets in the Tang Dynasty are known as "Poets Immortals", "Poets Sages", "Brewmaster" and "Immortals", and they are the most outstanding romantic poets in the history of China. His works are imaginative, romantic, dreamy and brilliant. Poetry is like running water, just like nature itself.