How about the play "Cold Against the Water"?

It has always been thought that the anti-angle is not easy to show off, and the young and handsome anti-angle is even more difficult to meet. This is limited by life experience and acting skills, and the performance of young anti-horns is often superficial. In the author's memory, only Miao, Chen and Chen in Black Hole, which was filmed in the 83rd edition, can be said to be the incisive performance of anti-angle. And Wallace Chung's version of Gu Xichao, which can be tied as one of the four classic anti-horns, stands out among many TV drama roles. Not to mention his appearance and temperament, acting alone can produce a masterpiece.

Because this is about the progress of Wallace Chung's acting skills, I only compare similar scenes in Chu Yun and Gu Xichao: girls' infatuation with him is also used to achieve their own goals. I just commented on Chu Yun's clumsiness, but in Fish Pond-Green Lotus Rebels against the Nine Gods according to Gu Xichao's Arrangement, Gu Xichao gives a very evil smile from the side, and gently picks the corners of his mouth, revealing the meaning of "everything is under control", whether from the grasp of expression or the portrayal of characters. And in the next scene, when the green lotus and other disciples discussed how to kill Shen Jun, the master of Jiu You, he turned around, half-cocked his eyebrows and nodded, and then left, with his lower lip gently raised-the expression means "very well, if you work for me, I will sit back and watch the fire from the other side" ... At this time, Wallace Chung has been able to fully grasp the complex inner world of the villain, and his performance is also in place, really. But there are still some details that have not been expressed in place. Here's an example: Gu Xichao's father-in-law sacrificed his daughter for his great cause, and he was ordered to kill his beloved wife-when he returned to the camp in great pain, his wife Yi Xian was playing the piano, so Gu Xichao also played the piano ... Think carefully, Gu Xichao's face should have some hidden and unavoidable regrets and pains, or express sadness with hidden tears, or cover up despair with a bitter smile. In the film, Gu Xichao has just quietly finished playing a piano, but Sun Yat Sen next to him is in tears-of course, the performance here can also be understood as "the sound of the piano can wash away the murderous look", so I'm here to tell you what to do, but it's superfluous.