Fortune Telling Collection - Ziwei fortune-telling - The popcorn in Wei Zi is really beautiful.

The popcorn in Wei Zi is really beautiful.

Forgiveness or hypnosis are all lyrics, and lyrics are also a kind of poetry. Since they all belong to poetry, we can study these two lyrics from the perspective of poetry.

Poetry, as a style, has its own rules and requirements. First of all, the rhythm and meter of poetic language are obvious features that we are familiar with. Obviously, the characteristics of China's classical poetry are more prominent in this respect. Most of us can recite several poems, such as five-character quatrains, seven-character quatrains, five-character poems or seven-character poems, or we are all familiar with epigrams such as Nian Nujiao and Man Jiang Hong. The format of these poems or words is rigorous and standardized, and the language is also rigorous. China's modern poetry is liberated and free in poetic form, which gives modern poetry more space to express personal feelings freely. But this does not mean that modern poetry can ignore the rhythm and meter of poetic language. Modern poetry, especially good modern poetry, still has a very strong sense of rhythm and conveys a very strong sense of musical rhythm. It can be said that only with rhythmic language can poetry have the form of poetry.

Secondly, the image of poetry is another indispensable feature of poetry. If the rhythm and meter of poetic language are formal requirements, then the image of poetry should belong to the content requirements. The artistic conception of poetry is a picture of the blending of scene and scene created by the poet in his poetry. According to the article "Poetic Images" in Baidu Encyclopedia, "images, objective images and subjective hearts are integrated into something with certain meaning and emotional appeal." Or "image is an artistic image created by the objective image through the unique emotional activities of the creative subject." The "scene" in this "scene blending map" refers to the objective natural scenery, that is, the "object image". The poet takes language as the reference of "object image", arranges "object image" by arranging language, and then reflects the poet's strong subjective feelings through the spatial connection between "object image" or the internal connection between "object image". This "image" with the poet's subjective feelings is internalized into an "image" of a pure spiritual world. It can be said that the image of poetry is the soul of poetry.

We usually praise the artistic conception of a poem, that is to say, the image of "scene blending" created by this poem is unforgettable. There are three taboos in the poem: straightness, dew and caution. This is the requirement of poetry in artistic conception. Image is a kind of "creation" carried out by poets through poetic language. At the same time, when readers interpret a poem, images also leave readers with rich "re-creation" space. The better the poem, the wider the space for this kind of "re-creation". When writing poetry, a poet should "refuse to let people know, and should not let people know", which can neither be dull nor take in everything in a glance, leaving no room for aftertaste. Good poetry should give readers plenty of space to experience the taste, rhyme and meaning outside the words.

Thirdly, we must understand that although lyrics belong to the genre of poetry, they are different from poetry. Lyrics differ from poetry in two ways. First, the lyrics are sung to the public, so the language of the lyrics is required to be easy to understand, simple and smooth, and people will sing along when reading (or listening); In both cases, the lyrics must be accompanied by music, and poetry can be accompanied by music, but the lyrics must be accompanied by music. No matter how good the lyrics are, without good music, they are like gems that have been lost in the light, and they are worthless. It is precisely because of this feature that lyrics have stronger requirements for language rhythm and meter than modern poetry. Lyrics are the most taboo words, and the lyrics that construct unexpected and refreshing images with the most common words are the best lyrics.

What I said above is my experience of poetry. Then let's analyze the lyrics of forgiveness and hypnosis according to these experiences.

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excuse

If I smell it,

Admiration is more painful than unrequited love,

I'll go your way,

Men's tears,

The daughter cried,

I'm a huge fan of yours,

You are my grave,

You risk your life,

You protect me, I bless you,

Your hero needs ambition,

But you owe me happiness,

Make up for it with what,

Is it harder to forgive love than to forgive hate?

If I smell it,

Love is the source of hate,

Hu Han is gone forever,

One lost,

One cried,

I'd rather you hated it,

Poisoned by love,

Satisfied,

The cruel side.

You protect me, I bless you,

Your hero needs ambition,

But you owe me happiness,

Make up for it with what,

Is it harder to forgive love than to forgive hate?

Is it harder to play with love than hate?

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Put sb to sleep

Diyikou cake

The comfort of the first toy

The sun sets.

The sun sets.

Ice cream tears

2 nd kou cake

The comfort brought by the second toy

Strong winds are blowing.

Strong winds are blowing.

Popcorn is so beautiful.

from beginning to end

Forget who?

Think of who?

from beginning to end

Count it again.

Count it again.

Did you give up?

The sixth note of the major scale ...

Kiss someone on the mouth for the first time

Drink potions when you get sick for the first time.

The sun sets.

The sun sets.

Ice cream tears

Kiss someone on the mouth for the second time

You need to drink potions when you get sick for the second time.

Strong winds are blowing.

Strong winds are blowing.

Popcorn is so beautiful.

from beginning to end

Forget who?

Think of who?

from beginning to end

Count it again.

Count it again.

Did you give up?

Suddenly it was dawn.

Suddenly it was dark.

etc

Fly far and high

One or two years old

Four, five or six years old

Throughout the ages

from beginning to end

Forget who?

Think of who?

from beginning to end

Count it again.

Count it again.

Did you give up?

The sixth note of the major scale ...