Translation and appreciation of the original text of Gong Xingyue's Ci

The full text of the ancient poem Gong Xing Yue Ci (I, II and III)

one

Golden House, purple Ying Ying. Baoji puts mountain flowers, and Dianthus embroidered Luo clothes.

Every time I leave the palace, I often walk back with the steps. I'm only worried about singing and dancing and turning into colorful clouds.

Secondly,

The willow is golden and tender, and the pear flower is fragrant with snow. The jade building nests in jade, and the golden palace locks mandarin ducks.

Choose prostitutes, carve, and ask for songs to go out of the bridal chamber. Who was the first to enter the palace? Yan Fei was in Zhaoyang.

third

Lu orange is a Qin tree and a Han palace. Fireworks should be set down in the sunset, and silk tubes should be drunk in the spring breeze.

The flute plays the dragon and sings the water, and the flute sings the phoenix. The king is happy, but he is also with all the parties.

Appreciation of the ancient poem "Music in the Palace" (I, II and III)

This is a set of poems written by Taibai on the orders of Xuanzong of Tang Dynasty. The original work is * * * poem 10, "Take a pen for nothing, express your thoughts, and you can't stop. Write ten poems at once, with no intention of adding. The handwriting is sharp, the phoenix falls and the dragon falls, and the rhythm is dual, which are all excellent "("Poetry "). They are all five-character poems, and there are only eight in the collection. Here, the first three poems are selected, and the Dunhuang Tang poetry manuscript "Three Chapters in the Palace Only Mobilize" is selected as "Five Songs of Purple Palace Music", which shows that it has been widely circulated in the Tang Dynasty.

Write a young, beautiful, naive maid-in-waiting first.

The first pair of couplets "Mix" and "Ying Ying" are correct and written according to the shape. They entered the palace from childhood and served the emperor. They are elegant and charming. There is a story of Empress Chen, Emperor Wu of the Han Dynasty, and "Golden House hides Jiao" to show affection. Wei Zi, the palace, the highest residence. Purple also reflects the color of the previous sentence, "Golden House hides charming", which is extremely well written.

Zhuan Xu wrote her skirt. Self-picked wildflowers are inserted in the bun, and carnations are embroidered on the robe, suggesting that she is naive and extraordinary. Generally, ladies-in-waiting admire safflower and hope to be rich, but she loves elegance and has a folk flavor.

Necklace is about her activities, and she often goes in and out of the palace with the footsteps of Empress Dowager Cixi. The chariot is similar to the sedan chair of later generations and is carried away by people. Of course she will go with you. But being able to do this shows that it is still popular. "Three thousand ladies-in-waiting, rouge face, no tears for several spring nights" is rare.

Couplets imply that she can sing and dance well. The poet changed his brushwork to profile, saying that it was worrying that after the song and dance ended, she also left like a colorful cloud. Her beauty, her dancing, is imagined as dancing colorful clouds. How beautiful this artistic conception is, it makes people daydream, and the charm of the poem is full. Cui Hao, a poet in the prosperous Tang Dynasty, was once appreciated by Li Bai. He wrote the Wangs * * *, which is like rhyme. Please refer to. But there is a big difference between elegance and vulgarity, which cannot be the same as Japanese.

The second is to write Yang Guifei.

Yang Guifei, whose real name is Yuhuan, was lonely in her early years and raised in her uncle's family. Emperor Xuanzong of the Tang Dynasty was deposed. After Wu Huifei's death, she entered the palace as a "stunning beauty", which is recorded in the history books as "rich in qualifications, good at singing and dancing, fluent in melody and extremely intelligent." She was the de facto queen of Xuanzong in his later years. Li Bai's early days in Tianbao were when she was in favor.

The first couplet is about festivals, Jinliu Pak Lei. It's really early spring, and the so-called "beautiful scenery" is also called. In Qing Dynasty, Wang Qi noticed these two sentences: "Ben Yin Keng's poems are all used by Taibai". Yin Keng is a famous poet of Chen in the Southern Dynasties. He once studied under Yin Keng. Du Fu said that "there are beautiful sentences that often resemble Yin Keng" ("Seeking Seclusion with Li"), so it is ok to copy Yin poems, but unfortunately these two sentences are not in this biography.

Zhuan Xu's "Lou Yu" and "Zhu Dian" wrote their residence. Emerald, the kingfisher. Jade and Yuanyang are paired to describe their love. The neckline says that she rehearsed songs and dances with Tang and chose actors. Carved chariots, that is, exquisite chariots, here refers to the chariots in which Don Huang Ming rode. The bridal chamber, the deep inner chamber. Choosing prostitutes to sing is one of the joys of their lives. "Miscellaneous Notes of Ming Taizu" states: "During the Tianbao period, hundreds of women in Shangming Palace were disciples of Liyuan, all of whom lived in Yichun North Yard. Every time the imperial concubine holds the pipa (referring to the double phoenix pipa brought back from Shu) and plays it in the pear garden, the sad rhyme floats like a cloud. The princes and nobles under Guo Zhi are actually disciples of Pipa Guifei, who have made extensive contributions after each performance. " Zhang Le, the royal government house of Emperor Xuanzong of the Tang Dynasty, lists hundreds of prostitutes. They respect the Empress Dowager and are good at it, so Li Bai is naturally a "poet at large in the palace".

The couplet clearly points out the identity of the writer and draws a conclusion. She was none other than Zhao, the queen of Emperor Han Chengdi, who was extravagant and extravagant in Zhaoyang Hall, and was the first nobleman in the palace. According to A Tale of Two Cities, Zhao's "color is like a ruby, and it was the first at that time", which is the basis of white poetry. Du Fu's "Mourning for the Head of the General": "The first lady of the Republic of China came out from the palace to serve the son of heaven and drive the chariot" used both the first two kinds. The poet didn't directly say Yang Guifei's name, but knowing it is enough. This is an implicit method. Compared with the former, "this poem is pure with rough brush, but it has natural charm and no traces of red tape and overlap" (Gao Buting's Poems of Tang and Song Dynasties), which is not bad. Look at its tender fragrance, gold, snow, pearls and jade, and you will know the difference between the lines. As for whether its theme has the meaning of "disaster to the Han Dynasty" (Shen Deqian's Collection of Tang Poems), I'm afraid not. At that time, the author "was in the court and had to praise its beauty" ("Selected Works of Yu Xianhao and Li Bai"), which is understandable.

The third concert is the Spring Festival Gala at the Palace.

Pu Tao, a Lu opera, was produced in Beijing, not a tribute. Qin and Han Dynasties were borrowed. Citrus, or kumquat, is called loquat. Peaches are grapes. Zhuan Xu pointed out the time, "Fireworks should set off at sunset", and in the evening, it is a good scene to set off fireworks. The word "drunk" means that music is fascinating and crazy.

The contents of the concert are highlighted by necklace couplets, mainly including flute performance, Long Ming Shui and Phoenix Flying in the Sky. It is said that the music is wonderful, just like Long Ming in clear water, which makes the phoenix fall from the sky. This is the story of Nong Yu and Shaw History secretly quoting Biography of Liexian. My daughter gave Xiao Xueshi oral sex, got married and flew away with Phoenix a few years later. There were many such large and small concerts in the palace during the prosperous Tang Dynasty. Both Tang Xuanzong and Yang Guifei like to attend. They can play flute, drum set and pipa. There are also famous musicians, such as How, Zhang Yehu and so on, which are quite spectacular. Li Bai also participated in it and was deeply impressed, so he took poetry as the shape.

At the end of the couplet, I hope the king will have a good time and have a good time with the people of Wanfang, which means irony and exhortation. In fact, feudal emperors often used pleasure with the people as a pretext to cover up their lewd behavior, and so did Emperor Xuanzong of the Tang Dynasty, which he could accept. But the poet's original intention seems to be that they should be temperate and take care of the world even if they want to eat, drink and be merry. The style of this poem is ups and downs, praised by later generations, with obvious irony, which is its characteristic.

In a word, although the contents of the three poems are not profound, they are also beneficial to understanding the palace in the prosperous Tang Dynasty. The art is the same as the first triple, but the last one is wrong, and there is a unified norm. Confrontation can be called caution, not easy to be careless, or leave a aftertaste, or be deeply frightened. The other five songs, read by readers themselves, can also feel the ease of white talent.