Fortune Telling Collection - Ziwei fortune-telling - My youth is accompanied by poetry.
My youth is accompanied by poetry.
Year: Song Author: Xin Qiji
Teenagers don't know the taste of sadness,
Love the floor, love the floor,
Worried about adding new words.
Now I know what it's like to be sad,
Say it if you want.
But it is a cool autumn.
This is a sentence written by Xin Qiji when he was impeached and left his post and lived in seclusion with the lake. During his stay by the lake, he wandered around Boshan Road, but he was not interested in enjoying the local scenery. Seeing more and more national affairs, I can't do anything about it, and I can't get rid of my worries. So I wrote this sentence on a wall of Boshan Road. In this poem, the author highlights the word "worry" as a clue throughout the whole article by means of contrast, which is sincere and euphemistic, simple and profound, and makes people think deeply.
The first film of the word focuses on recalling the sadness of not knowing yourself when you were a teenager. When I was a teenager, I was young and ignorant, optimistic and confident, and I still lacked a real experience of what people often said about "troubles." The first sentence "A teenager doesn't know the taste of sorrow" is the core of the last film. As we know, Xin Qiji grew up in the enemy-occupied area of the Central Plains. As a teenager, he not only experienced the sufferings of the people, but also witnessed the cruelty of the Jin people. At the same time, he was greatly encouraged by the heroic struggle spirit of the people in the north. He not only has the courage and talent to resist national rejuvenation, but also believes that the Central Plains can be recovered and the Jin invaders can be driven away. So, he doesn't know what "worry" is. In order to imitate the previous generation of writers and express a little so-called "sadness", he "fell in love with the floor" and looked for it carefree. The author used two words in succession "fall in love with the floor". The use of this overlapping sentence avoids general description, but effectively leads to the following content. The former sentence "falling in love with the first floor" and the first sentence constitute a causal complex sentence, which means that the author didn't know what sorrow was when he was young, so he liked to go upstairs to entertain himself. There is a causal relationship between "falling in love with the building" and "saying sorrow for adding new words" in the back, that is, falling in love with the high-rise building triggered poetic interest, and at that time, I had to reluctantly say something like "melancholy" when I didn't know the taste of sorrow. The use of this kind of overlapping sentence links two different levels and expresses the idea of "I don't know how to worry" in the last movie to the fullest.
The next paragraph of the word focuses on your current troubles. The author pays attention to the comparison with the previous works everywhere, showing that with the growth of age, his life experience is getting deeper and deeper, and he has a real understanding of the word "trouble". The author went to the Southern Song Dynasty with the desire to serve the country to the death, and wanted to work together with the Southern Song regime to build and restore the great cause. Who knows, the Southern Song regime could not resist him. Not only did he have no way to serve the country, but he also ended up in a secluded position. "He is loyal and has nowhere to vent his anger." The sadness and pain in his heart can be imagined. The word "gold" here is very powerful and contains many complicated feelings of the author, thus completing a major turning point in the whole poem's thoughts and feelings. Then, the author used two more sentences "I want to talk about it", which are still in the form of overlapping sentences and echo each other in structure and usage. These two sentences "I want to talk about it" have two different meanings. The previous sentence is followed by the word "do" in the previous sentence. In real life, people's emotions, such as emotions, joys and sorrows, are often complementary to each other. Extreme happiness becomes latent sadness, and deep sadness becomes self-mockery. In the past, the author insisted on worrying, but now he is worried to nothing. The last sentence "what I want to say" is closely linked with the following sentence. Because, the sadness in the author's chest is not personal parting, but sorrow when he is worried about his country and hurts it. At that time, it was taboo to express this concern when the capitulators controlled state affairs. Therefore, the author can't say it directly here, so he has to turn to the weather, "autumn is crisp." The end of this sentence seems to be an understatement, but it is actually very implicit, which fully expresses the depth and breadth of the author's "worry"
Xin Qiji's first poem, through the comparison between "youth" and "present", shows his pain of being suppressed and excluded, and he has no way to serve the country. It is a satire and dissatisfaction with the ruling group in the Southern Song Dynasty. In terms of artistic techniques, "youth" is the object, "present" is the subject, and the past is used to set off the present. The writing technique is also very clever, highlighting the deep sadness of today and having a strong artistic effect.
Xia's appreciation of Tang and Song Ci: Although his Ci is graceful and restrained, there is a melancholy and desolation in his bones.
Dissatisfaction. ..... To end the whole article, to say "It's a cool autumn", use this sentence.
It is also a wonderful lyric method to write the grief and indignation in the chest with idle words.
Expressing deep feelings in plain language is sometimes more intriguing.
Zhang Bibo's Selected Readings of Xin Qiji's Ci: This word is euphemistic and unique.
Nanxiangzi
Year: Song Author: Huang Tingjian
The general said Hou Feng, Piccolo Long song leaned against the building.
Everything goes with the wind, take a break and go to the south of the circus to play.
Don't stay up late to urge the wine, the smell of wine seems to be drifting away this autumn.
The flowers smiled at the old man's head, ashamed, and the white-haired flowers were puzzled
This word is the author's last words. In his poems, he expressed his infinite affection for the ups and downs of life, his contempt for fame and fortune, and his broad-minded feelings of drinking and laughing.
The first two sentences of the poem describe a group of opposing images: the generals are talking, discussing meritorious deeds, sealing the marquis, but quietly independent, listening to the flute and leaning against Long song. How sharp the contrast is, it shows that "the world is turbid and I am alone, and everyone is drunk and I am alone" ("Chu Ci Fisherman").
In feudal society, it has always been the goal of life, but in the author's eyes, all this is just a dream, so he just looks on coldly and is addicted to music. This group of contrasts is depicted in contrasting tones, which contrasts with each other and highlights the image of the poet Geng Jie. With the help of flute and singing, this word has brought us into a long and far-reaching artistic conception. The feeling of detachment is contained in this unspoken word, which has its own significance beyond rhyme and taste. "Playing the flute and leaning against the building" uses the famous sentence "When there are a few broken stars, playing the flute and leaning against the building" in Tang Zhaotuo's poem "Looking at the Autumn in Chang 'an", which means "climbing the mountain for nine times".
"Everything goes with the wind and rain, take a break and go to the circus south." All the gains and losses of right and wrong, ups and downs of honor and disgrace, are submerged in the waves of time passing. "Hugh", forget it, there is nothing to say! Even events like Song Wudi's Emperor Wudi's double ninth festival in Pengcheng Circus have become a thing of the past and gone forever. The topic of the Chongyang Banquet is tangent to the classic of Circus, while the Golden Ring uses Bao Zhao's Field Visit of Young People to "cut horses in the circus" and take care of the "generals" who said that they would be sealed at the beginning. Influenced by Buddhism and old ideas, there is a negative and nihilistic side in his outlook on life, which is exposed from time to time with repeated political attacks. This kind of thoughts and feelings are shown here, but they are more subtle and profound.
The next movie became an open mind. The poet raised his glass to persuade the wine: "Don't stay late to urge the wine, and the wine tastes like autumn" (a work called "Wine is better than autumn").
Let bygones be bygones, or drink to your heart's content, and don't live up to this great Qiu Guang and cup brew. The nothingness of fame and the loveliness of wine come from a sentence by Zhang Hans, who said, "It is better to have a glass of wine in front of you than to have a name behind you" (see "A Birthday of the World"). The ancients often praised Jiuzhong and often combined wine with yellow flowers. The author used this method, but he put forward new ideas. He used anthropomorphic techniques and laughed at himself with flowers. The poet is always in high spirits, putting flowers in his head, but the flowers laugh at him for entertaining himself at an early age. Its coinage is based on two poems by Su Shi: "People are not ashamed of being old, but flowers are ashamed of being old." The poet loves life and refuses to accept the spirit of the old times. He is not depressed by the growth of his situation and age. On the contrary, he thinks that Qiu Guang and Wine are different from last year, showing a cheerful and open-minded attitude.
The creative method of this word "taking poetry as the word" embodies the characteristics of poetry from the choice of words and sentences to the artistic style. This word is straightforward without the help of scenery, and its style is bold and vigorous.
Huanxisha
Year: Song Author: Yan Shu
A new word, a glass of wine,
Last year, the weather was very old.
When will the sunset come back?
There is nothing to do. Flowers fall,
Deja vu, Yan returns.
Wandering alone in the small garden, fragrant path.
Although this word contains the meaning of hurting spring and cherishing time, it is actually a feeling of expressing feelings.
On the top of the word, the combination of ancient and modern, the superposition of time and space, focusing on thinking about the past; The following film skillfully borrows the scenery in front of us and focuses on today's sadness. The language of the whole word is fluent, popular and fluent, beautiful and natural, with profound implications, inspiring and intriguing. The profound thinking on the life of the universe in Ci gives people philosophical enlightenment and artistic aesthetic enjoyment.
Start with the sentence "a new word and a glass of wine, the weather was old last year". Write about the present situation of drinking and listening to songs. From the complex sentence patterns and light and smooth intonation, we can realize that the poet started with a relaxed and happy mood and a carefree attitude when facing the present situation. However, while listening to and drinking, this situation unexpectedly triggered memories of a similar realm of "last year": it was the same weather in late spring as this year, facing the same pavilions, songs and wine as before. But under the appearance that everything seems to be static, it is obvious that something has changed irreversibly, that is, the long-lost years and a series of personnel related to them. So the poet could not help but pour out such a sigh from the bottom of his heart: "When does the sun set?" Sunset is a beautiful prospect. However, what the poet caused was nostalgia for the beautiful scenery, disappointment for the passage of time, and faint hope for the reappearance of beautiful things. This is a feeling of the moment, but this feeling is actually not limited to the current situation, but extends to the whole life, including not only emotional activities, but also some philosophical meditation. The sunset cannot be stopped, and we can only hope that it will reappear in the East, but the passage of time and the change of personnel will never happen again.
"It has nothing to do with flowers, it seems to meet Yan." "Yi Lian Gong" is skillful, fluent and implicit, which shows the poet's ingenious thinking and deep affection in using function words to form neat antithesis and vividly sing and sigh, which is also the reason why this word is famous. But what is worth pondering is the meaning of this couplet.
The fading of flowers, the disappearance of spring and the passage of time are irresistible natural laws. Although it is useless to regret lingering, they all say "helpless", which is inherited as "the sun sets"; However, in this late spring weather, I feel not only helpless disappearance, but also gratifying reappearance. Isn't the returning swallow dancing like an old acquaintance who built a nest here last year? This sentence should be "when will you come back". Although Flower Falls and Yan Hui are also prospects, once they are associated with "helplessness" and "deja vu", their connotations become very extensive and have the symbolic significance of beautiful things. In the interweaving of regret and comfort, there is a certain philosophy of life: all the good things that are bound to disappear can't stop them from disappearing, but at the same time, there are still good things reappearing, and life will not become nothingness because of disappearance. It's just that this reappearance doesn't mean the reappearance of beautiful things intact, but "deja vu".
The reason why this word is a household name and widely read is that it is thoughtful in love. These words seem to inadvertently describe common phenomena, but they have philosophical significance and inspire people to think about the universe and life from a higher level. Ci involves such a profound thought that time is eternal and life is limited, but it is very implicit.
Yang Shen's Ci Pin: "Helplessness" is a wonderful second language and a natural adventure.
Zhuoci series: it is easy to do things, but difficult to do things, which is no different from the beauty of law.
Shen Jifei's "Poems of the Cottage": "There is nothing to do", so he naturally wants to write a poem.
Tang Guizhang's Brief Interpretation of Tang and Song Ci: This word is harmonious and not vulgar, and it is not too light. Knowing people, the whole body does not care about people's words, and the scenery sets off feelings. The last three sentences, I think of the past because of the present. The present scene is no different from the past. The weather, pavilions and sunset are vaguely the same as last year. But last year, people were here, and this year, people were not here, so suddenly I met this scene and felt a sense of separation.
The word "nothing" belongs to neatness, as most people used to call it. Gai not only loves flowers, but also likes the return of Yan. Yan's return and people's non-return will eventually make people depressed and unhappy. Small garden fragrant path, only wandering alone. The aftertaste is meaningful.
Partridges and the sky are made of.
Year: Song Author:
I'm Kiyodo Shanshuilang,
Tianjiao's distribution and sparseness.
I have given Yuyun a voucher.
Stay in the clouds, and borrow the moon stamp when you are tired.
Poetry is full of wine,
How many times have you seen the Marquis?
Lou Yu Goldfinch casually went home,
And plum blossom, drunk in Luoyang.
This word was written by the author after he returned to Luoyang from the capital, so the title was "written in the west" This word is a well-known poem in the late Northern Song Dynasty, which was once popular in Bianluo. In the poem, the author pretends to be a landscape lang who "obliquely inserts plum blossoms and despises the marquis", which is meaningful. According to the Biography of the History of Song Dynasty, he "aspires to be noble and expensive, although he has the hope of ruling and opposition." During the Jingkang period, Qin Zong called him to the capital and wanted to make him a scholar. He said categorically: "The nature of elk is self-indulgence, and Juelu is unwilling." After all, I want to return my clothes to Dashan. This poem "Partridge Sky" can be said to be a masterpiece of his early poems, and it is also a concentrated expression of his attitude and ambition in the first half of his life.
The word "phobic" is the purpose of this word. Those who "relax" are also called laissez-faire The poet's personality is like this, so is his attitude towards life. Therefore, the first poem fully shows his personality and attitude towards life and has the same artistic style. "I am Du Qingshan Shuilang!" Export is the language of "relaxation". The word "Du Qing" comes from Liezi Zhou Muwang. "Du Qing is purple and beautiful, and the emperor lives there." That is to say, the legendary Emperor Que of Heaven is. "Landscape Lang", as the name implies, should be the attendant who is in charge of famous mountains and rivers around the Emperor of Heaven. You can enjoy such a wonderful job to your heart's content. It's really "God teaches you to pay, crazy"! The first part is composed of four sentences and twenty-eight characters, which originated from what Tao Yuanming said: "There is no suitable rhyme, so you naturally love Qiushan" (the first of the five songs of "Returning to the Pastoral Residence"). Since Tao Yuanming, recluse poets and landscape poets have created hundreds of famous poems, even if there are no more than 10,000, but romantic and surreal whimsy like Zhu Dunru is rare.
The next poem created another "fallen immortal" besides Li Bai for readers with unique brushwork. He doesn't even bother to return to the "Jade Palace and Golden Que" in the kingdom of heaven, how can he seriously look at the secular princes and nobles! It is becoming more and more clear that the last film is not so much a yearning for the celestial world as a trick on the jade emperor. It is not difficult to understand that many idiots feel the oppression of the world and are eager to seek spiritual liberation in heaven. Moreover, many smart people realize that the kingdom of heaven is just a replica of the world and are unwilling to make great efforts to change the bound place. Poets are one of them. Where does he put his body and mind?
Beyond the foothills, there are only poems and drunkenness. So there was "a thousand poems and a thousand wines" and "plum blossoms drunk in Luoyang". Peony is the most important flower among fallen flowers.
Song and Zhou Dunyi's "Love Lotus" says: "Peony flowers more." Poets with lofty aspirations naturally refuse to favor peony, which has been highly respected since the Tang Dynasty, and prefer to take "a thousand forests without companions, indifferent to the frost and snow" ("Nian Nujiao"). Liaoyuan Huang, a scholar of the Qing Dynasty, said: "I hope the poems of true beauty are the most and similar in sex." Therefore, the poet didn't say anything about "putting peony in Luoyang" and "putting plum blossom in Luoyang", which was biased, and Gai had another hope.
The author chose plum blossom because of its noble quality. "Noble and pure" and "sparse and crazy" are integrated into one, and one use and one table are organically unified on the poet. It is only because of his "noble character" that he is unwilling to go along with the secular society that there will be all kinds of "sparse madness".
This word embodies the poet's disdain for the scenery of dignitaries and princes, which makes people admire. No matter in content or art, this word can be called the masterpiece of Zhu Ci, and it is a beautiful, fluent and "brilliant" poem. The whole word is clear and harmonious, natural and smooth, echoing before and after, and the composition is rigorous. The first sentence of the first part is "Heaven teaches laziness and idleness", and the next part is "Thousands of poems, thousands of wine, I once focused on princes" and "I was drunk in Luoyang plum blossoms", which shows the elegance, wildness and uniqueness of the poet and takes care of "idleness". "Jade Pagoda and Golden Pavilion go home carelessly" to take care of "laziness".
He xinlang
Year: Song Author: Xin Qiji
In the garden pavilion in the city, all the servants were given this word. Sitting alone in a day stops the clouds, and the sound of water and mountains competes for entertainment. It seems that the people who want to help solve the case in "A Western Mountain" say a few words, which is a deep yearning for relatives and friends.
I really failed!
I've lived a long time, and my friends are scattered. What's left?
White hair hanging down three thousands of feet, laughing at all things in the world.
What can make the public happy?
I see how charming Castle Peak is, and I expect it to be.
Emotions and looks are slightly similar.
A statue scratched its head in the east window.
If you want to be far-sighted and stop writing poems, the flavor is at this time.
Jiang Zuo, who seeks fame, doesn't know the secret of muddy mash!
Looking back, the clouds are flying.
Don't hate the ancients, don't see their people, hate their guts, and don't see their crazy ears.
People who know me, two or three sons.
As mentioned in the note, Xin Qiji's poem He Xinlang was written in imitation of Tao Yuanming's Stop the Cloud, expressing the author's lonely and depressed mood when he left his post and lived in seclusion. According to Deng Guangming's Annotation on the Chronology of Jia Xuan's Ci, this word was written in the fourth year of Qingyuan in Song Ningzong (1 198). At this time, Xin Qiji was idle for another four years. He built a new house next to Sidu Drift Spring in Lead Mountain, Xinzhou (now Jiangxi), including "Stop Cloud Hall", which was based on Tao Yuanming's poem "Stop Cloud".
Xin Qiji's ci, which loves to use allusions, is unique in Song Ci. The first movie of this word begins with "I am weak". I have made friends all my life, and there are only a few left! "Is quoted the allusions in the Analects of Confucius. Confucius said in The Analects: "I am too weak to dream of Duke Zhou. "If Confucius laments that it is not good; If Xin Qiji quotes, he will lament that political ideals cannot be realized. Xin Qiji was fifty-nine years old when he wrote this word, and he had been in exile for many years, so it is natural to sigh like this. Here "there are only a few left" is connected with the conclusion of "people who know me, two or three sons" to emphasize the word "scattered" Then, "white hair droops three thousands of feet, laughing at all things on earth. "Ask what can make the public happy?" A few lines between the lines, with Li Bai's Qiu Puge, Three Thousand White Hair and Shi Shuo Xin Yu Chong Li Pian, recorded the allusion of "being able to make a monarch (referring to Jin Sima Huan Wen) happy" with Xun Wang, telling the story that he could not find a satisfactory friend except for hurting his boss, and writing the relationship between the world and his loneliness at this time. "I see how charming Castle Peak is, and I expect Castle Peak to see me like this" is all the warning. Because there is nothing pleasing to the eyes of the poet, he has to pour his deep feelings into nature, not only finding Castle Peak "charming", but also feeling that Castle Peak seems to regard the poet as "charming". This is the same artistic technique as Li Bai's Sitting Alone in the Pavilion. This technique first wedges the feelings of the aesthetic subject into the object, and then dyes the image of the object with the feelings of the subject, thus revealing the inner feelings of the aesthetic subject. In this way, the subjective consciousness in the works is greatly strengthened, which is easy to infect readers. The following "feeling and appearance are slightly similar." Two words, love, refers to the poet's feelings; Appearance refers to the appearance of green hills. There are many similarities between them, such as loftiness, tranquility and youthful vitality. Here, the author compares his feelings with those of Castle Peak, and euphemistically expresses his great ambition that he would rather be lonely than go along with the traitors.
The author used allusions in the next paragraph of the word. "A statue is scratching its head in the east window, thinking about the poem" Stop the Cloud ",which is a flavor at this time." Tao Yuanming's Stop the Cloud contains poems such as "Good friends wander and scratch their heads" and "Drinking at the east window". Xin Qiji condensed it in one sentence to imagine the charm of Tao Yuanming's poems. Here the author also mentioned Tao Yuanming, aiming at Tao's own situation. "Jiang Zuoshen seeks fame, do you know the mystery of muddy mash?" Two sentences, on the surface, seem to be reprimanding those celebrities in the Southern Dynasties who are "the meaning of drunkenness is not wine" (Su Shi's Twenty Drinks with Tao, the third); In fact, ironically, there were no Tao Yuanming-style drinking aristocrats in the Southern Song Dynasty, but only some rulers who lived a drunken life. The following two sentences, "I don't hate the ancients for not seeing me, but I hate the ancients for not seeing my crazy ears", are similar in syntax to the last movie "I See Castle Peak", which shows the author's contempt for ancient and modern heroism. The "ancients" mentioned here are not ordinary ancients, but people like Tao Yuanming. According to the third volume of Historical Records of York, whenever Xin Qiji entertained guests, "she would be ordered to sing what she had done. The word "He Xinlang" is a very good song, reciting its epigram:' I see how charming Qingshan is, but I expect Qingshan to see me like this.' He also said,' I don't hate the ancients, only that they didn't see my crazy ears. At this point, I laughed and laughed, and the consultant sat among the guests. "It serves to show that Xin Qiji is very conceited about couplets.
Summarize a sentence: "Those who know me, two or three sons." No one has made a special textual research on "Ersanzi". Some people think it was Chen Liang. But in my personal opinion, I might as well broaden my horizons and include the ancients Tao Yuanming, Qu Yuan and even Confucius. Xin Qiji lamented that there were not many like-minded friends at that time, similar to Qu Yuan's lament that "everyone was drunk, I woke up alone" and worried about the country and the people. His seclusion in Lead Mountain is somewhat similar to Tao Yuanming's seclusion in Nanshan.
When He Xinlang saw that he was at peace with his father, he replied with rhyme.
Year: Song Author: Xin Qiji
Boss, that's easy to say!
Just like today, Long Yuan stinks, and Meng Gong is involved.
Sing loudly when you are sick, and the snow is scattered in the building.
It's a close call to smile.
The hard disk is empty. Who will listen? I remember at that time, there was only the West Window Moon.
Re-enter the wine and change the voice.
Things are still the same. People are different.
Ask Qu Nong: How many times has China been on and off?
No one cares about the car of blood and salt, and it takes a long time to collect bones.
Cut off the right eye and close the river.
I pity you for dancing at night and being as dead as iron!
Try your hand to mend the sky.
The outstanding feature of this word is that it skillfully combines the narrative of the scene with the direct expression of the mind, and uses Lingyun sword to express the passionate feelings of the aftermath, with a tragic style.
The artistic power of literary works lies in perceptual people. Excellent poems at all times and all over the world are full of passion. That's the word. Both the author and Chen Liang are famous patriotic poets in the Southern Song Dynasty, and both have great ambitions to revive the Central Plains. However, the unified and clean people in the Southern Song Dynasty did not think about returning to the Central Plains. So their lofty aspirations have not been realized for a long time. At that time, the poet was preparing to leave his post and settle in Shangrao, and the Chen family came to discuss with him the recovery plan of the Anti-Japanese War. The two of them traveled to Goose Lake together, singing and drinking wildly, and writing poems to see their aspirations, which became a story in the history of literature. This word is a masterpiece in mutual singing at that time. Between the lines, the author is full of enthusiasm for the great cause of the restoration of the Anti-Japanese War and deep hatred for the national oppressors and surrenders, which has soaked the pen and paper back. As Zhou Ji said: "The voice of Jia Xuan's injustice is heard everywhere, with heroic words and words without learning" ("Miscellaneous Words of Jiecunzhai"). The poet's generous and sad feelings are poured out in hard words, so his heroism is gloomy, magnificent and gratifying.
Zhou Ji also pointed out: "In the Northern Song Dynasty, the ci described more scenes, while Jiaxuan and Baishi changed, and described more scenes" (On Jiecun Zhai Ci). Different from the emotional-centered scene narration, that is, the scene narration is mainly narrative, lyrical as blood, and scene description as the drying or foreshadowing of narrative. The first part of this word adopts the artistic technique of telling the scene on the spot. When recalling "Meet the Goose and Lake", he used the cold natural scenery to dye the environmental atmosphere, thus profoundly expressing the poet's unrestrained and angry feelings.
As a loyal and indignant anti-success, the author writes lyrics, and the passion boiling in his chest is hard to contain, which inevitably leads to diarrhea. "Boss, that's easy to say." I write bluntly and my feelings are extremely depressed. The word "Nakan" is very powerful and rich in meaning. At this time, the hero is old, his ambition is hard to pay, and his time is wasted. What else can he say? However, "the old horse crouches and aims at a thousand miles; Martyrs are full of courage in their twilight years "(Cao Cao's Walking Out of Xiamen). People with lofty ideals whose mission is to recover the Central Plains can never extinguish the flame in their chests. Therefore, the following two sentences "Like today, Long Yuan stinks and Meng Gong has something to do" express the author's strong feelings and hit it off with the cat's "comrade" feelings. "Long Yuan" and "Meng Gong" are both surnamed Chen, both Shi Haoren, compared with Chen Liang; "Smell" means that the smells are similar, and "Lian" means that the relationship is connected. The author and Chen Liang have deep friendship and the same patriotic ambition, so they take pleasure in it. Not long ago, the two men "rested on the goose lake to clear the shade, drank from the spring, and Long song answered each other, discussing the extreme of the world" (Xin's "Sacrificing Father"), which was the meeting of Wei's life, so they relished the word: "I am sick, my husband comes to sing and drink, and the snow is scattered on the ground." Laughing wealth is like a hair. The hard disk is empty. Who will listen? At that time, there was only the West Window Moon. " When the poet was ill, as soon as he saw his friends coming, he immediately sang and drank with them and talked all night. They are determined to restore the Central Plains, have no common thoughts, regard wealth as hair, and laugh at the importance of the world. On the world, hard words are empty (Han Yu's poem "Counselor": "Empty words are hard and appropriate." ), which shows the strength of the argument. These words are a record of their conversation. Because it was written in words, the description of natural scenery was inserted along the pen. The shock of the snow shows the generosity of their conversation; Looking at the window in the lonely moon reflects the silence of the night. The heroes drank and sang together, and the magnificent and loud songs went straight into the sky, which made the snow fly upstairs. This exaggerated description fully shows their heroism and wild spirit. With the word "Jing", it can be said that it penetrates the paper and penetrates three points. However, at that time, only Leng Yue accompanied them, who would listen to those "lip service" about state affairs? Here, the anti-Japanese soldiers' fiery enthusiasm and straightforward and wild personality are as cold and lonely as falling snow and peeping at the window in a lonely moon. It formed a strong contrast and vividly wrote the difficult situation that individual upper-level anti-Japanese warriors could not fly alone in the Southern Song Dynasty when the air of compromise enveloped the imperial court. In this way, the description and narration of the scenery are bonded together, which can fully express the crazy feelings rolled up in the poet's chest. It is precisely because they are like-minded, so although it is already late at night, they are still "drinking again and changing their voices" and their interest is not diminished.
If we say that the first part of the word is mainly the author's unrestrained and boiling feelings melted into the narrative, then the second part is mainly a venting prose style, expressing the strong criticism of the ruling group in the Southern Song Dynasty and the strong feelings of "wanting to make up for the sky". The poet galloped to his heart's content, applied Chen Qi's story, poured out his heart, and wrote and danced ink, incisively and vividly. "There is no difference." In the face of the times, mountains and rivers are broken and patriots are saddened. However, the rulers of the Southern Song Dynasty were partial, leaving behind the shame of the family and the disaster of the country. The poet contrasted the two different images of "things are wrong" and "people's hearts are different", vividly portrayed the cowardice and ugliness of the rulers in the Southern Song Dynasty, and fully expressed the myriad feelings in the aftermath. The poet was indignant and asked the ruler severely: "Ask Qu Nong: How many times has China been divided?" China is a land where mountains and rivers are integrated, which has existed since ancient times, with more "combination" and less "division". Today's politicians are not thinking about restoring the Central Plains, but determining the "separatist regime" through peace talks. What are their intentions? The words are awe-inspiring and aggressive enough to make the rulers feel ashamed. The vigorous and frustrated brushwork adds emotional color to the text and is more artistic.
The poet thinks that if China wants to be unified, it must attach great importance to anti-Japanese talents, but in today's society, it is a "car of blood and salt, nobody cares, and it takes a thousand miles a day." Officials are all about being virtuous, and people with lofty ideals have been suppressed for a long time, just like a swift horse pulling a salt cart, so no one asks. What's the use of buying the bones of a good horse for nothing! The poet used three allusions in succession, which expressed the injustice in Apollo's heart in twists and turns, but brought inconvenience to Ming Rui.
The word "empty" expresses the poet's great resentment against the North Korean authorities' actions of cracking down on and rejecting the hawk faction. Strong brushwork, depressed feelings, and extremely vigorous and broad artistic conception. "The road to the river was cut off." When the poet touched the scene, he thought that the road to the Central Plains had long been cut off, and the feeling of sadness came to mind. The tragic situation of splitting mountains and rivers inspired the poet's enthusiasm for recovering the Central Plains. He remembered the touching stories of Jin Dynasty and Liu Kun, and the beautiful legend of an evil woman refining stones to make up the sky in ancient mythology, and strengthened his belief in reunifying the motherland. He sang, "I pity you most for dancing at night, saying that people's hearts are as iron as death".
Try to mend the sky with your hands. "The strongest voice of this era. The pen has a wide range of health and high style. The use of allusions is like salt in water, leaving no trace, thus enriching the meaning of words, strengthening the depth and breadth of images and showing a very strong romantic color. The artistic conception of the whole poem finally reached a climax, giving people great artistic appeal.
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