Fortune Telling Collection - Ziwei fortune-telling - Who do you think is the best dubbing for the variety show "The Sound is Live"?
Who do you think is the best dubbing for the variety show "The Sound is Live"?
Have you seen the Qianlong version of the Monkey King? What is Ama, a citizen of China? I think the biggest highlight of the second program is Zhang Tie-Lin. After the multilingual performance of Zhao Lixin last week, this is an old play, with many characters switching between different languages at will. In the preview before the broadcast of the program, Tang Guoqiang, Zhang Tie-Lin, Chen Jianbin, and Wen Jing, this combination will make me think whether it will be particularly positive. However, Zhang Tie-Lin's Meng Meng Da subverts the traditional routine of playing with bones and makes the overall painting style in the program reverse 360 degrees. However, this innovation also showed me a brand-new way to open the old bones, which simply brightened my eyes.
During the official recording, Zhang Tie-Lin not only ran around like a baby with curiosity, but also lied in Sichuan dialect that he was a sewer worker and tricked his friends into opening the door quietly. I think I'm hallucinating, Emperor Amar. How did you become like this? The interaction between Zhang Tie-Lin and Quiet is also very interesting: "You are not suitable for this program, and your voice is average. You lost your voice while filming. " . Quietly counterattack: "You shouldn't come here. As soon as your voice came out, people guessed it all. "
Zhang Tie-Lin said in the program that the original intention of "coming to the scene" is that many people in the market now use dubbing, and the audience doesn't know what the actor's voice looks like. It hurts to think about it. Now, when Emperor Amar speaks, I can still return to the feeling of Princess Zhu Huan. When he creates different characters, he can give you different feelings. Therefore, the reason why the old opera bones are opera bones is because they are exquisite from performance to sound to every movement, and drama has become an inseparable part of their bodies. "Being there" is not so much an art of showing "sound" as an absolutely high-quality sound professional course for the public. You will argue about who should go in and who shouldn't, and you will think that he is really worth promoting, but he is good, she is good and awesome! This is the gap.
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