Who can tell me the original text of the ode to Zhongxing in Datang?

In the 14th year of Tianbao, An Lushan was trapped in Luoyang and will be in Chang 'an next year. The son of heaven is fortunate in Shu, and the prince is located in Lingwu. The following year, the emperor moved the capital to Fengxiang, and he went to Beijing twice a year. Send the emperor back to the capital. Yu! The emperors of the previous generation had great virtue, and they must have seen it in praise. Who will praise the great cause and carve strange stones, not literature? Ode: Hey (yρxρ means sadness or sigh) former dynasty! Evil ministers rape arrogance and confuse them with demons. Border will be better (chěng run) soldiers, poison the national classics, and lose harmony among the heroes. When you make a southern tour, a hundred people flee and become thieves. I (Y and classical Chinese auxiliary words, but) swear (Ni squints) that my emperor is riding a horse in the north. When independence was called, there were thousands of people (the flag of the bird falcon was painted in ancient times), which was a precursor to the death of soldiers. I learned from the East, and the Emperor Chu appeased R m ng and incited (R m ng wanted to resist) a group of fierce people. After taking the service, it refers to the period, which is not overdue and has no country. When things are difficult, the ancestral temple attaches great importance to safety, and the two saints attach great importance to music. The earth opened, except for evil spirits, Ruiqing came. The murderer is rebellious (chóu is a class), and it is shameful to live or die. Credit is respected, loyalty exists and future generations are saved. Sheyěng De's prosperity, the mountains are rising, and Wanfu is fake (y ě ng bear, bear). Can make the great monarch, the volume is ling ling (the cloud describes the flowing water), not sven. Xiangjiang river, east and west, goes straight into the stream, and the cliff is neat. It can be grinded and carved, and it is a thousand-year tribute. "

Ode to Zhongxing in Tang Dynasty

Ode to the Prosperous Tang Dynasty is the representative work of Yan Zhenqing's calligraphy in its mature period, which has reached the state of perfection. The layout of the whole article is very close, full of real strength and solid words, giving people a feeling of outward expansion, enriching simplicity and grandeur, with the spirit of loyalty and ambition to serve the country, and embodying the enterprising spirit of the times. Ouyang Xiu in the Song Dynasty said in Records of the Historians: Shu Qi's words are wonderful and quaint. Yang Shoujing, a native of the Qing Dynasty, said in the Book of Learning that Zhongxing praised the magnificent and peculiar, and self-sufficiency enveloped a generation. In the Qing Dynasty, Kang Jianli said in Guang Yi and Zhou Shuang that Ode to the Empty City and Zhongxing was heroic. Wang Shizhen in Ming Dynasty said in "The Manuscript of the Greedy Mountain Man": Calligraphy and painting are nearly stable, showing no bones and muscles, which should be the first of Lu's public law books.

brief Introduction of the content

Selected Inscriptions of Past Dynasties: Ode to the Prosperous Tang Dynasty: Yan Zhenqing (Song Tuoben) is the representative work of Yan Zhenqing's calligraphy in its mature period, reaching a perfect state. The layout of the whole article is very close, full of real strength and solid words, giving people a feeling of outward expansion, enriching simplicity and grandeur, with the spirit of loyalty and ambition to serve the country, and embodying the enterprising spirit of the times. Ouyang Xiu in the Song Dynasty said in Records of the Historians: Shu Qi's words are wonderful and quaint. Yang Shoujing, a native of Qing Dynasty, said in the Book of Learning: Zhongxing praises the magnificent and peculiar, and is self-sufficient to cover a generation. In the Qing Dynasty, Kang Jianli said in Guang Yi and Zhou Shuang that Ode to the Empty City and Zhongxing was heroic. Wang Shizhen in the Ming Dynasty said in the manuscript of greedy mountain people that calligraphy and painting are almost as stable as Mount Tai, showing no bones and muscles, and should be the first of Lu's public law books. Second, after reading "Selected Inscriptions of Past Dynasties: Ode to the Prosperous Tang Dynasty: Yan Zhenqing (Song Tuoben)", we can not only truly feel the glory of the prosperous Tang Dynasty and the literature, art, humanistic thought and past history of that era, but also appreciate the pioneering, fearless spirit and the spirit of the times in the prosperous Tang Dynasty. Yan Zhenqing (Song Tuoben) is the only seal script work in Yan Zhenqing, which occupies an extremely important position in Yan Shu. 1000 has been studied as a necessary model for calligraphers for more than years. The Collection of Monuments in Past Dynasties: Ode to the Revival of Datang: Yan Zhenqing (Song Tuoben) recorded the rebellion of Lushan Mountain in Ping 'an and praised the revival of Datang. This stone tablet is hard in texture, but it is still well preserved after thousands of years of wind and rain, leaving a very precious legacy to future generations. Because this stone tablet is like a mountain pressing books, Yan Zhenqing adopted the method of long and short. The whole inscription is written with a center and a round pen, but it is neither bloated nor thin. The font is broad and powerful, dense outside and sparse inside, the middle palace stretches, and the white cloth is just right. At this time, Yan Shu has completely weakened the book meaning of Sanyi Wang, and established a bold and rigorous Tang regular script style, which is more vigorous than Yan Shu's style in the middle period. Yan Zhenqing absorbed the essence of the northern tablet and the ancient hairpin when he wrote the tablet, and at the same time joined the brushwork of seal script, which made it quite attractive in Gu Zhuo. There is nothing weak in the inscription, which can be described as lofty and beautiful, and you can never get tired of reading it. "Yan Zhenqing (Song Tuoben)" is a collection of inscriptions of past dynasties, which changed the early face of Yan Shu's horizontal light and vertical heavy, and the swallowtail of silkworm head, showing that Yan Zhenqing continued to explore and innovate until his later years, and also showed his calligrapher's skill in controlling great works and General Ma Rong's great ambition. Yan Zhenqing has an amazing, unique and creative method of arranging characters in this stone carving, that is, in vertical writing, he adopted a method from left to right that broke the routine, which opened the eyes of future generations and lamented Gong Yan's courage and confidence in creation.

Today, according to Fu Zi, this monument of Song Tuopian is offered to collectors, and it's the same.